Grids are essentially a good part of the learning curve in music production, like stabilisers are to a bike.SunkLo wrote:Grids
are
for
vaginas.
When you know what you're doing, daddy will take the stabilisers off
Grids are essentially a good part of the learning curve in music production, like stabilisers are to a bike.SunkLo wrote:Grids
are
for
vaginas.
sunklo = burial/zomby/godSunkLo wrote:Grids
are
for
vaginas.
yup, same here. turn quantization off, reduce latency on my asio drivers, and then record with my mpd. it's the only way i can write rhythmsmks wrote:Do you lot just work with a mouse and a grid to make riddims? Serious question, I seem to see this a lot on this board and I'm curious. I guess for me, syncopation and cross rhythms, I just feel them and PLAY them...
EZ
shh keep it pon de hushPhigure wrote:sunklo = burial/zomby/godSunkLo wrote:Grids
are
for
vaginas.
nowaysj wrote:Raising a girl in this jizz filled world is not the easiest thing.
If I ever get banned I'll come back as SpunkLo, just you mark my words.Phigure wrote:I haven't heard such a beautiful thing since that time Jesus sang Untrue
definitely feel you thereSunkLo wrote:shh keep it pon de hushPhigure wrote:sunklo = burial/zomby/godSunkLo wrote:Grids
are
for
vaginas.
Yeah I draw shit in with my mouse, got no midi controllers n shaz. Means everything is a bit premeditated to a certain extent, but I play the piano roll like it's an instrument. I don't know if it makes my music too cerebral; I've been considering this lately. Things end up being very complicated when I draw them in, compared to if I pick up my guitar, not as much. I still make complicated stuff on guitar but since I'm plinking around familiar chord shapes too, everything doesn't end up being too thought out. Definitely need to go for a simplistic renaissance some time soon.
I really do play the piano roll like an instrument though. I find it's great for writing harmonies as the voice leading is so visual. I think if I got a nice midi keyboard I'd take off like mad as I'd still be able to edit midi but I'd also be able to jam and get down ideas quickly without having to manually edit timing and velocity.
Alas I am a poor student though, maybe if I win the lottery. Think I'm gonna get a part time job during the school year so I can buy cool gizmos n shit/pay for food and tuition.
Sucks that my lack of funds has to limit my progress as an artist...
upstateface wrote:Mr. Frodo Bassbins,King of useless threads.![]()
Never intended to use a filthy midrange over it, not really my style.nitz wrote:Please don't put a YAYA shit baseline over that!
Do this, 99.9% to work.
The chords at, 0.41, take the first note of the chord, the root note.
Read this, make the 2nd type of sub, very easy.
http://techno-dnb.com/forum/viewtopic.php?f=6&t=2246
Move the last note into the sub baseline, you should have something like this now :
http://www.techno-dnb.com/pyro/basstut/method2.wav
Done. this will make you a 2/3 sec drop, work out rest out from there, expand.
BTW, turn down your levels, or you will not be able to hear the sub come thru, it will just be overpowered.
Either way - whether you can't carry it on or not, I just re-listened and that piano riff is absolutely sick!! Can I remix it?!dr-zitbag wrote: Never intended to use a filthy midrange over it, not really my style.
Thanks for the ideas though, I'm gonna load it up later and have a mess see if i can be bothered to carry it on later on not.
Not gonna be adding any wobble mate don't worryhasezwei wrote:meh, i wrote a giant post and safari ate itanyway, lets try this again
the intro is really ace. what i did after listening to it was the following:
- go to youtube
- type in "magnetic man i need air"
- mute the video
- hit play on the vid and your intro simultaneously
this is what your intro sounds like to me, like some really euphoric dancefloor anthem that'll make people on drugs cry. and that's what you should go for when continuing it, a lot of tunes build up a certain feeling or atmosphere with their intro just to drop into some totally unrelated gnarly smasher. doing that would really not do your WIP any justice!
personally i think after the intro it should drop into a 4/4 beat with the bassline kinda 'rising' on the pianorolls (dunno how to explain it) and have kind of a second more house-ish build-up going on, yknow having lots of high frequency content filling out the mix more and more until it all climaxes, which is when you drop in that fucking gorgeous piano again. people will go crazy, i mean just imagining the sound of it as i am writing got me pumped
![]()
you could also add some breakbeat percussion, not necessarily jungle-ish but something a little more complex than a housebeat with halftimed snare or whatever you wanna go for, to keep the dancers busy. maybe work that into the buildup as welll, adding more elements or whatever.
but please don't add some wobbly/gnarly/screechy lead-sound, the focus should really lie on those pianos and the mood they create. a vocal sample might work well, but please no synths stealing the show.
okay, this turned out to be longer than the original postfeel free to ignore everything i've said, hope it helped
Users browsing this forum: No registered users and 0 guests