giv me an exact time marker its occuring in, the only attack haivng metallic sound I here there is a ramp lfo over some kinda distorted patchcurly123 wrote:it was the wrong bass that you gave me mate but i appreciate it, i made a pretty nice patch with it. You have any ideas for the harder bass?
0:50Basic A wrote:giv me an exact time marker its occuring in, the only attack haivng metallic sound I here there is a ramp lfo over some kinda distorted patchcurly123 wrote:it was the wrong bass that you gave me mate but i appreciate it, i made a pretty nice patch with it. You have any ideas for the harder bass?
:Edit, I just listened to the entire tune, I hear that and a modified hoover.
curly123 wrote:0:50Basic A wrote:giv me an exact time marker its occuring in, the only attack haivng metallic sound I here there is a ramp lfo over some kinda distorted patchcurly123 wrote:it was the wrong bass that you gave me mate but i appreciate it, i made a pretty nice patch with it. You have any ideas for the harder bass?
:Edit, I just listened to the entire tune, I hear that and a modified hoover.
Its generally quite hard, if your working with talented synthesists... Im still, years in, trying to replicate the synth Mujava used in Township Funk... And damn'd if I could make synth sax's like joker can... but some of these bass patches are common concepts really dude... The ramp lfo/rhythmic gate's been around since psytrance, the reese underneath has been there since... well the dawn of EDM... and you combine the two and viola! $$$ ...DJ Crackle wrote:Fuck me, I wish I could break down sounds like that with a quick listen...
curly123 wrote:yeah i really appreciate your reply man you obviously know what you're doing, i just think im not advanced enough as a producer to do precisely what you have suggested but yeah, cheers
Ehhh I wish I could help you man, reason is a completely different ballpark from real DAWs though...curly123 wrote:Im on reason (yes i havnt invested in logic yet) and im the most comfortable with thor but i can use the other synths a little
This. I basically hate anything with that "brutal electro" sound; it sounds all like HUGLAGHALGHALGHAL
What do you mean hard/smooth? Distort it.curly123 wrote:its just when i put the lfo on the filter it doesnt sound very hard , its still sounding too smooth
haha, "real daws" you kids on DSF crack me upBasic A wrote:Ehhh I wish I could help you man, reason is a completely different ballpark from real DAWs though...curly123 wrote:Im on reason (yes i havnt invested in logic yet) and im the most comfortable with thor but i can use the other synths a little
Ahhh your so right-[2]DAY_- wrote:Why? Reason isn't a DAW. standalone, it is a midi production suite, and reWired, it is a massive VSTi with dedicated midi sequencer.
i love Reason! it's not a digital audio workstation.
It's got nothing to do with digital audio. I mean it's not like you can use digital synthesisers within reason, create drum loops, use samples, and play with a mixer... The only thing this is good for is makeing fun of and looking at all the cool color coded stuff!!!!! 
). Those who bash it are most likely ones that fail with it 
Users browsing this forum: No registered users and 0 guests
