I completely see where you're coming from but at least its originally structured and a true cover of a track - I mean, someone slapping a vocal over a beat and calling it a remix and someone covering a song are two different things, no?therapist wrote:I get that, I hear so much about him but i don't get why. He's got something for sure, there are some lush moments. Maybe I need to see him live too, I want to like him.legend4ry wrote:I reallllllllllllllllllllly didn't get james blake at first, nor mount kimbie but hearing kimbie's set at boiler room and hearing that one by james blake "yeah I found her, red coat.. " out live made me see it in a different lightAJGR wrote:i'm not sure about James Blake really. he's clearly very talented, uses awesome sounds but i just don't feel it.
This limit to your love tune sounds poo, I don't know how else to say it. Not a great voice, seriously crap lyrics. It has an air of 'dubstep producer x remixes pop sensation Plan B (or whoever the fuck is on TOTPs at the moment) in the way it jumps between the vocal and electronic parts.
(anyone considering responding with "haters gonna hate" is a spastic)
Some people will 'get' it and some people won't.. But this just makes me think of how early dubstep used to be, it was proper marmite in a sense where everyone kind of appreciates it but doesn't find it their thing! Instead of just down, out-right 'hate' (gawd I really dislike 'hating' as a saying)!
Everyones entitled to their opinion innit!
And to everyone who says they have shit vocals - who cares? aslong as you have good content and can some-what hold a note it don't really matter, like someone said above - the bob dylan effect! Granted, hes a one off but theres plenty of ok-ish vocalists who make amazing tracks! Plus you could always go for the spoken word business and pitch down your vocals