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Listen: http://dubstepisdead.com/
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A mix of a few styles of "dubstep", grime, and what's to come. Read way below for an explanation of the title.
You can catch me tomorrow night at Revolution for Dubstep Massive with BORGORE, January 3rd at Crush in Orlando and on January 22nd in Sarasota.
Much love to everyone in Miami and worldwide. See you on the dancefloor.
More music/mixes: http://somejerk.net
Twitter: http://twitter.com/iamsomejerk
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1. Wiley - Don't Hide Away
2. Terror Danjah - Power Grid
3. Dore - Psychedelic Bagpipes
4. Starkey - Gasping For Air In This Vortex
5. Rustie - Tempered
6. Ashburner - Next Hype
7. Terror Danjah - 808
8. Starkey - 11th Hour
9. Mt Kimbie - Maybes (James Blake remix)
10. L-OW - Pinpoint
11. Distal - Tortelis Slave
12. Distal - Serengeti
13. Sully - Savior
14. X-Zero - Abyss
15. XI - Drip
16. Truth - Don't Explain
17. Futek - The Deep Note
18. Die, Interface, William Cartwright - Bright Lights (Joker remix)
19. Mimosa - Dead Like Me
20. Tom Encore - Hints
21. Sines - Stuff Dreams Are Made Of
22. Lazer Sword - Batman
23. Vex'd - Crusher Dub
—
"Dubstep is dead."
I really could not think of a more ridiculous yet true statement to pronounce. At a time where the genre’s style is oozing into just about every facet of commercial music, it’s undeniable influence is permeating the ears of the unknowing, yet there is debate as to the future, and current state, of the most interesting and revolutionary genre in dance music since jungle.
Not that long ago, the “dub” element of dubstep was prominent; echos and delays paid tribute to the old days of blowing marijuana smoke into a microphone, getting the music high and, by proxy, the listener. Enjoying the space in between sounds, the effects and vibes that dub lovers lusted were eventually found in most forms of electronic music, and the DJ/sound system culture provided the template for selectors to come.
Nowadays, anything that is at or near 140 BPM and has sub bass is considered to be “dubstep” and rarely utilizes the same use of space, bass and place. Where snares and voices would echo and reverb, distorted synths stab, and heavy drums pound, leaving barely any room for the listener to think. This is, I believe, a reflection of our times. Immersed in over-stimulation from the various forms of media that used to entertain us and now imprison us, we are subjected to a barrage of frequencies that confuse and numb us. The only escape, for some of us, is music, and I believe that this is what holds us all together, as an international community and as friends, and regardless of the sounds being played, the sound will continue to grow, evolve and piss off more people that “just don’t like it” or get it. Until a few months pass, and they too, will go from hater, to supporter, to attempting to capitalize on it.
This is mix is by no means the headstone on the tomb of our beloved dubstep music, but I chose the tracks that were used for very particular reasons – I want people to understand, embrace and love the different strands of music that have stemmed from dubstep, and to understand that it is simply a permutation of bass music.
