safeandsound wrote:
Really hope thats not referencing to me
No it wasn't, why ask... what monitors do you make final decisions on people's music with ?
Would be nice to see a picture of the studio you work in.
PMC IB1's here. (and a little set of Dynaudio BM6P's which I know intimately from 10 years of mixing on
so I just could not let em go)
Maybe im just a little paranoid. But I do only have a small setup (i cant afford some of the equipment i need to expand)
I'm using some KEF Reference 103's... They are late 70's but sound better and clearer than you might expect. Infact I have grown very fond of the sound, and im very used to how they respond. They are a closed cabinet speaker, so typically the bass is quite tight, but not as extended as some (but you can still hear easily down to 25hz). The 8" cones dont have as sharp transient response as modern monitors, but they still sound very good.
Now, im very new to the game, im trying to change my website to state that im an engineer in training because I dont want to mislead anybody... I work very hard. I believe one of the most important things is to know your speakers 'sound' inside and out, that way you can make better judgements.
This is an old pic of the temporary setup i had when i first started, its not changed much except the speakers are further away from any corners, they are now fully isolated via speaker spikes on some 1" thick cork coasters. Really does the trick actually. and I dont have that horrible Digidesign mbox2.
No cranesong eq's or elysia compressors im afraid, but im working up-to that...
more examples are going up, just awaiting permission from a few people
