safe thren!!threnody wrote:Sully is my number 1 producer.
Oyaas astounds me!
Also really feeling Shonky's latest output and same goes with metalbox....
Just listening to Bunzero's show and Djuna's tracks on there are too messy as well!
Thinking about this the other day. Production is just one element of a track isn't. I've heard bare tracks that would be slayed for crap production but, the actual track it's self is really good. I don't really subscribe to the idea of good production = good track. More often than not, tracks that just rely on good produced tend to leave me a little cold.Shonky wrote: And really we're talking about the best composers not producers here aren't we - good production in itself isn't something that makes me buy records
Close The Door available here vvvvvvvvmagma wrote: I must fellate you instantly."?
yeh alot of the top dubstep producers' work are actually good pieces of music in their own right, not just something confined to the dance floor... thats whats so good about the sound, it can be put into lots of different contexts, even after the teenage clubbing years lolShonky wrote:(these would make amazing soundtrack material - really evocative)
reso wrote:Toasty, Elemental, S&D, Emalkay, The Others, Vaccine, Luke Longvoy, Burial. Not Rusko. Defintely not Rusko
Caspa, Elemental, Toasty and Kode 9. I would say Reso but i haven`t heard any of his new beats for bloody ages *cough**cough**ahem* 
Take thy thoughts to bed with thee, for the morning is wiser than the evening.Slothrop wrote:well, the bass is interesting but the post-hegemoniacal rhythmic interventionism of the cowbell part is overly redolent of paleospheric neo-step
metalboxproducts wrote:Thinking about this the other day. Production is just one element of a track isn't. I've heard bare tracks that would be slayed for crap production but, the actual track it's self is really good. I don't really subscribe to the idea of good production = good track. More often than not, tracks that just rely on good produced tend to leave me a little cold.Shonky wrote: And really we're talking about the best composers not producers here aren't we - good production in itself isn't something that makes me buy records
Lets face it. The mid 70's was over populated with music that was "well produced" and the vast majority of it was the most tedious, po faced shit you could ever listen to.
I suppose mid 70's through to the mid 80's yes. But it started with the like of Fleetwood mac, Floyd, E,L,P, Genusis the whole Prog rock gang who forgot about music and just liked to twiddle an album out. Not included in this list are CAN who did the same studio twiddle but still made hard tracks.smudge wrote:metalboxproducts wrote:Thinking about this the other day. Production is just one element of a track isn't. I've heard bare tracks that would be slayed for crap production but, the actual track it's self is really good. I don't really subscribe to the idea of good production = good track. More often than not, tracks that just rely on good produced tend to leave me a little cold.Shonky wrote: And really we're talking about the best composers not producers here aren't we - good production in itself isn't something that makes me buy records
Lets face it. The mid 70's was over populated with music that was "well produced" and the vast majority of it was the most tedious, po faced shit you could ever listen to.
Bruv, don't you mean the mid 80's music with its BIG reverb on the snares and toms was over produced. The mid 70's (IMO) is like the goldern age of music with all that amazing underground funk, great pop and who can forget all that classic American soul?
Clarify me mate.
Close The Door available here vvvvvvvvmagma wrote: I must fellate you instantly."?
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