@ZuentanamoC - liking the intro, and congrats on choosing some different sounds for the percussion. Like the orchestral bits too. The only criticism I'd make is there's not much "weight" in the sub area, especially as you're flipping between different synths, without there being a consistent sub-bass to tie the phrases together it drops too much.
@dramax - always a fan of the filtered low-pass perc intro, very trancy. Reminds me of earlier Beaumont Hannant from early 90's (early Warp music stuff). I like the gradual introduction of elements too, but I'd suggest you bring in a sidechained bassline around the 1:20 mark. The drop loses energy too much, you might want to work on a build there instead (unless you're going for more of a 'listening' trance/house experience).
@tomi - the constant pad's are distracting me and making it difficult to lock on one element. Interesting use of the trumpet stabs too, I applaud using something different instrumentally. My only other comment would be it doesn't develop past where it started.
@kontrol - I like the percussion work, you clearly spent some time on it. Bass isn't defined enough for, and I can see where you were headed with the clipped vocals, I think you should explore that more. Finally, your kick has a pretty major harmonic RIGHT where your bass is hitting, so they're mushing together, EQ the kick and cut out a few db around 30 - 80hz, boost a little at 100-110hz, and for your bass, notch it at 100-110hz, and roll off everything over 220hz or so. That'll give you more space to play.
*phew* worn out with that feedback
