narcissus wrote:Bringer wrote:I disagree. I could transcribe midi and audio any trance track in a few hours, but something like Datsik's - Gecko would take me fking ages.
i dare you to try and make this in a few hours -- 
http://www.youtube.com/watch?v=mQne95aLTo4 
- Vengeance Club pack for the drums
 
- White noise sweep
 
- Saw tooth for the driving sound which acts as a bassline early on
 
- Sidechained to the kick to give it that pulse
 
- Vocal might be a bit hard to source, so I'd assume this challenge had an acapella up fronyt
 
- Pads and vocal w/ reverb on the break
 
- Middle eastern instrument sample
 
- Supersaw w/ resonance chorus & delay on the breakdown
 
- Heavy modulation on a few elements to give it that organic 'moving' feel
 
Wouldn't be THAT hard in fairness. It's well produced, granted, but I think with trance it's almost more about the mixdown to get that polished 'sound' due to it's very regimented 4/4 structure. The thread regarding the difference between 
raw and badly produced probably wouldn't work on a trance forum, because you very rarely hear trance that lacks that polish. This is indicative of the genre as a whole; Dubstep, and indeed the genres from which Dubstep originated from (Reggae/DnB/Garage etc*) were generally more raw in their nature, at least at the start. As such, the DIY home made ethos and sound wasn't so much of a factor when people took into account production innovation and interesting ideas.
(* Don't want to start a genre discussion right now on the origins of Dubstep, btw)
Bringer wrote:yeah I could that. But the eastern wind instrument is done by a session muso i think, but everything else is doable. I've done like 2-300 transcribed trance, classical, film score, ambient and hardcore tracks over about 10 years.
If you really want, I will transcribe the midi and send it to you.
I'll stand by Bringer on this one - it wouldn't be that difficult, once you've got the MIDI notes down for the break. The structure of the tune itself isn't particularly groundbreaking.
Jacob15728 wrote:I don't know what goth trad stuff is but I can tell you right now that as far as complex synth programming goes, producers like Skrillex, Shekel, Diesel or Cyberoptix are at the forefront of all electronic music along with Tipper, Shpongle and the like. A lot of brostep is more simplistic, like Datsik or Rusko's newer stuff but a lot of it is insanely complex. 
Don't agree with this statement at all I'm afraid. Tipper is one of the greatest electronic music artistsever IMO. To compare Skrillex to him is just...honestly, I'm lost for words. Go listen to 'Surrounded' on the best system you can find, then listen to 'Scary Monsters and Nice Sprites' on the same system and see how they stack up.