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								by kaiori breathe » Thu Sep 29, 2011 11:44 pm
			
			
			
			
			If it's for music A/s you're probably going to have work to a higher standard than most dubstep does. You'll need key changes, maybe some time signature changes, definitely some tempo changes, a lot of rhythmic variation, and whatever you make will probably need to (to some degree) reflect works you've studied over the year in terms of it's structure of it's musical composition (i.e., by using counter point, call and response, transformations, modulations, chord embellishments, contrary motion, picardy thirds, inversions...etc) - I could be wrong though, things have changed since when I did it I imagine.
Also, you'd be surprised what the exam boards will entertain - my A level composition was a 16 minute (there was no upper limit back when i did it) death metal piece and I got near full marks... As long as you hit the criteria (check your exam boards syllabus) and you can explain what's going on in a track (i.e., don't say: "I just kinda hit notes till things sounded right," do say: "this bass line is built upon the harmonic minor scale which makes it sound dark and brooding...etc") they might be happy to entertain something they're not used to.
If you're writing to a set theme make sure and stick to it. I was lucky when I did it because it was free composition and you could write with a progressive structure rather than having to work to something dull like AABACCDC...etc
As for melodic influences, best bet is probably to not listen to melodic dubstep, but rather listen to melodic composers, like Thomas Newman, Vine Dicola or Vangelis (or somebody you like, these are just ones im drawn to) and the likes and draw influence from them and infuse it with your own tastes in dubstep.