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Agent 47 wrote:Next time I can think of something, I will.
use an EQ to find the best parts of the frequency and give them a little gain. And vice versa, bit's that sound muddy, hollow, ringy etc, basically any unpleasant sound that you don't want (or maybe do wantclick me wrote:So, how do I process and bring out the "elements of sound"?
No, that would be more like a formant (formants are resonant boosts in the areas associated with speech if I'm not mistaken). A notch would be to take OUT a chunk of the sound rather than boost. So pick a frequency, set it to a narrow q and automate. You can also automate the Q as well for a more dramatic effect. This can obviously also be done by using a notch filter as well.Burgeamon wrote:The 2 longer posts just above were incredibly helpful! Thanks guys!
I have one question though - what is a notch filter? Its a term I see a lot and I'm not totally sure what it is. My assumption was that you just take an EQ8, pick a frequency with a narrow Q and give it a pretty big boost. Then you can automate / modulate the frequency position for some cool noises etc...
Swaggr wrote:sucks ass posting at the end of the page! gotten like 1 person to give feedback on this song
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