coogcoo wrote:hudson wrote:It's really up to the notes you're playing. Try to stay between c1 and c2 with your sub. It's also generally bad practice to process subs.
y? compression and distortion make subs much fuller
This, for the most part is false. Distortion does not make a sub fuller if what you want is just a sub. Distortion will cause harmonics at frequency ranges beyond that of the sub bass frequencies. It sounds fuller simply because it's using more frequencies. If what you want is sub bass, distorting it will do nothing to help you there. Compression however can be used. But as far as actual effects, it's better to just leave the subs alone. Reverbs, chorus, stereo shapers, delays, all of these, for the most part are bad ideas on subs. All of them can cause phasing which will destroy any power your sub might have had.
First thing you need to do is make sure you have the sub in the right spot. It was mentioned earlier, check to make sure the sub is peaking between 40-90hz. 90hz really is a little more on the higher side of that though. I would say try to make sure most of the power is between 40-70. If it trails off into the 90s it's not going to kill you, but your kicks will probably also have frequencies around the 90hz range as well so analyze them seperately to be more accurate.
Again, it's all about mixing. Even if you do end up having your sub peaking in the proper frequencies you could completely destroy it by having other instruments/samples also using those same frequencies. In most cases this is probably the main culprit.