
DJG

https://www.mixcloud.com/ghandi/late-night-back-at-mine/Battle Gong wrote:no, please, dont let it happen. not more novelty ethnic dance music shit.
vishes wrote:
And of course there are good American Dubstep producers, but we all know what some other American producers did to the sound.
Suangi wrote:Britain has Modestep
incnic wrote:pictire disc ones track harder than the black ones due to the colopured pgment being magnetsed for the stylus
It's not the sound it's the saturation holmes.Suangi wrote:vishes wrote:
And of course there are good American Dubstep producers, but we all know what some other American producers did to the sound.
this is the real problem, so many people think Americans "did this" to the dubstep sound. I'm no expert on the history of brostep, but from what i understand, very little of it predates Rusko and Caspa's fabric 37. This just happened to be the style of British dupstep that Americans started hearing on a large scale. Then there's the idea that Borgore ruined dubstep/created brostep, but he's from Israel. So why not just blame the israelis for brostep too?
Sure, skrillex emerged as a marketing tool to make money off of the American youth's obsession with British brostep. Most of what american brosteppas listen to is either Canadian (Excision, Datsick, etc.) or British (Fluxter P & the rest of the circus crew). So a number of american brostep artists have shown up, but none of them invented the sound, they just copied it and a few may have 'taken it further.'
Britain has Modestep fcs.
Don't get me wrong, i frequently hate on america and the american lifestyle for all sorts of things, including the state of the dubstep scene, but to say that Americans are the one who corrupted the sound is just incorrect. Americans just happen to lap up the corrupted version of the sound.
It's really an issue of fanbases/consumers, not artists.
vishes wrote:Martyn isn't even an American to begin with, he's Dutch as the person above me already said. He just lives in Washington.
And of course there are good American Dubstep producers, but we all know what some other American producers did to the sound.
incnic wrote: daddy why u dead and lying in a puddle
son i make techno dadydy on drugs
hubb wrote:its what ive been saying for a while
foxes are the mulattos of the cat/dog world
Damn man - forgot about you living in the States - 'How to Move' is such a wicked tune. Big Ups.Sharmaji wrote:awwwwww..
there has been great dubstep in the states since 2005 at least.
bingo. a bait thread, is exactly as you say.GhostMutt wrote:This is all a trap.
Nope - sorry not a bait thread at all. Just bringing attention to the narrow minded that America does create good dubstep. If you read in my original post I say that the World has plenty of good dubstep to offer (not just America). Was only bringing attention that there are 50 times more talented producers from the States than one fucking guy who everyone claims "ruined dubstep". It's shit and naive to think that way. And.... I agree with you - music should not be limited to one region or country or city - that's fucking conceited. Hell - 90% of the vinyl I buy are by producers outside of the States - My hard earned money to buy vinyl is from record distributors based in the UK. So no - I don't have a hard on for America's dubstep scene but it would be great to hear something positive about the talent that America has to offer other than "Oh, America can suck my balls because Skrillex ruined Dubstep and that's the only thing they had to offer". Fuck that.seckle wrote:bingo. a bait thread, is exactly as you say.GhostMutt wrote:This is all a trap.
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