100bpm

lloydy · Post by **lloydy** » Mon Jan 23, 2012 6:51 pm

dougriley wrote:im all about bass, fuck a bpm

Daskmajster · Post by **Daskmajster** » Mon Jan 23, 2012 7:02 pm

lloydy wrote:
dougriley wrote:im all about bass, fuck a bpm

hutyluty · Post by **hutyluty** » Mon Jan 23, 2012 7:32 pm

check some of this stuff at 100 bpm guys- house but with lots of bass

http://www.youtube.com/watch?v=Q2jW6GnseoE - beautiful beautiful tune

http://www.youtube.com/watch?v=t5bvLfDkwZc - one of the best tunes of 2011

http://www.youtube.com/watch?v=YyZ6LnQI9hY - a bit quicker, disco inflections

http://www.youtube.com/watch?v=5xqhSW5ipdI - the drum filter automation and the melodies are to die forr!

http://www.youtube.com/watch?v=of0PL0xp17A - creepy voices

www.youtube.com/watch?v=0CsJkGT6YR4 - dark stuff

www.youtube.com/watch?v=PRYnzUE-sc0 - groooovyy

alphacat · Post by **alphacat** » Mon Jan 23, 2012 7:48 pm

LumiNiscent wrote:isn't dubstep partially defined by the fact that it's 130-150 bpm

It wasn't originally. That emerged as the sound coalesced into fixed forms, and was mostly fueled by DJ's (imo) who favor things in the same BPM range so they don't have to work as hard at mixing tunes.

Perfecture · Post by **Perfecture** » Tue Jan 24, 2012 12:05 pm

I make tracks that don't have a BPM

.........What genre you gonna call that

ehbes · Post by **ehbes** » Tue Jan 24, 2012 4:33 pm

Perfecture wrote:I make tracks that don't have a BPM .........What genre you gonna call that

Everything has a bpm just count the # of beats in 10 seconds and multiply it by 6....

Bournio · Post by **Bournio** » Tue Jan 24, 2012 4:46 pm

What if it doesn't have a beat? It is possible, lots of long attack sounds combined with melodies that do not have a definite beat? Or John Cage's 4'33"?

slothrop · Post by **slothrop** » Tue Jan 24, 2012 4:58 pm

alphacat wrote:
LumiNiscent wrote:isn't dubstep partially defined by the fact that it's 130-150 bpm
It wasn't originally. That emerged as the sound coalesced into fixed forms, and was mostly fueled by DJ's (imo) who favor things in the same BPM range so they don't have to work as hard at mixing tunes.

It's almost like it's dance music or something...

slothrop · Post by **slothrop** » Tue Jan 24, 2012 5:05 pm

I mean, god knows I'm not a genre fascist, but about the one constant thing about dubstep is that it's club music, written to be played out by DJs. If you say "fuck the DJs, I'm going to write a tune at 110BPM in 6/8 time and I don't care if people can't mix it" then you might be writing very good music, but you aren't writing dubstep.

What are all these non 130-150 dubstep tunes from back in the day, anyway? All I can think of are a few Kode 9 things.

DigitalDevil · Post by **DigitalDevil** » Tue Jan 24, 2012 10:16 pm

drokkr wrote:Because everyone is shit sick of dubstep with bass made in Massive?

Haha then it's too late for me too begin producing such kind of dubstep.

What synth do you use to make basses? Battery 3 or something like that?

Hircine · Post by **Hircine** » Tue Jan 24, 2012 10:21 pm

DigitalDevil wrote:
drokkr wrote:Because everyone is shit sick of dubstep with bass made in Massive?
Haha then it's too late for me too begin producing such kind of dubstep.
What synth do you use to make basses? Battery 3 or something like that?

Z3ta+, Zebra, Albino, Absynth, Alchemy, Massive. You can produce basses with anything, the problem with massive is the shitty sounding filters / overused waveforms.

DigitalDevil · Post by **DigitalDevil** » Tue Jan 24, 2012 10:48 pm

Hircine wrote:
DigitalDevil wrote:
drokkr wrote:Because everyone is shit sick of dubstep with bass made in Massive?
Haha then it's too late for me too begin producing such kind of dubstep.
What synth do you use to make basses? Battery 3 or something like that?
Z3ta+, Zebra, Albino, Absynth, Alchemy, Massive. You can produce basses with anything, the problem with massive is the shitty sounding filters / overused waveforms.

I see. Perhaps I will buy one of these when I have enough money.

I think Massive is still a pretty good synth, but the mainthing that producers doesn't do is resampling. Skrillex f.e. is still using Massive, but his basslines sounds awesome.

karmacazee · Post by **karmacazee** » Tue Jan 24, 2012 11:56 pm

The reason BPM's turn into genres is very simple: DJ's.

Hircine · Post by **Hircine** » Wed Jan 25, 2012 12:04 am

DigitalDevil wrote:Skrillex f.e. is still using Massive, but his basslines sounds awesome.

Augment · Post by **Augment** » Wed Jan 25, 2012 5:02 pm

Hircine wrote:
DigitalDevil wrote:Skrillex f.e. is still using Massive, but his basslines sounds awesome.

he uses fm8 for his main growls and stuff

e-motion · Post by **e-motion** » Wed Jan 25, 2012 5:57 pm

I don't think Massive is overused. What's overused is the typical path you do with it. But c'mon, there's so much you can do with it!

royel · Post by **royel** » Fri Jan 27, 2012 12:23 am

Soundcloud

boom

Hircine · Post by **Hircine** » Fri Jan 27, 2012 12:35 am

royel wrote:Soundcloud

boom

dat harsh ear piercing highs

Efrafa11 · Post by **Efrafa11** » Fri Jan 27, 2012 1:52 am

Anyone been trying 80bpm out? Its really nice for some sludgy dark glitch hop. <3

overture · Post by **overture** » Sun Jan 29, 2012 1:08 am

karmacazee wrote:The reason BPM's turn into genres is very simple: DJ's.

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