So who actually cuts dubplates?

Karoshi · Post by **Karoshi** » Tue Oct 18, 2011 3:20 pm

Yeah i do like the cover actually! cant listen to the music though cos im in work haha

wizeguy · Post by **wizeguy** » Tue Oct 18, 2011 3:55 pm

charliefoy wrote:Bump bump bump whos cut recently?

yep, just arrived today aswell

charliefoy · Post by **charliefoy** » Tue Oct 18, 2011 4:02 pm

wizeguy wrote:
charliefoy wrote:Bump bump bump whos cut recently?
yep, just arrived today aswell

oooo What you get? And acetate? vinyl? 10? 12?

I still havent got one. Going for a 10" acetate from transition

wizeguy · Post by **wizeguy** » Tue Oct 18, 2011 4:47 pm

got a 10" vinyl of the tune in my sig

charliefoy · Post by **charliefoy** » Tue Oct 18, 2011 5:40 pm

wizeguy wrote:got a 10" vinyl of the tune in my sig

Nice tune. Hows it sounding?

wizeguy · Post by **wizeguy** » Thu Oct 20, 2011 4:04 pm

cheers!
the start sounds great but i didn't realise a vinyl could lose so much of the hi frequencies towards the end...
gonna go for a 12" next time

charliefoy · Post by **charliefoy** » Thu Oct 20, 2011 4:22 pm

wizeguy wrote:cheers!
the start sounds great but i didn't realise a vinyl could lose so much of the hi frequencies towards the end...
gonna go for a 12" next time

Well its not real mastering so it probably wont sound as good as it would going through a proper master then onto a vinyl. Would you not go for an acetate?
I wish transition weren't so pricey, they charge £10 for postage, but their records look sick

Promise One · Post by **Promise One** » Sat Jan 28, 2012 8:59 pm

Got a 12" from Transition this time, track is in my sig. Was gonna get this cut on a 10" to keep the cost down but after reading some useful comments on this thread decided to stick with a 12"
Forthcoming 2nd February 2012 on Gamma Audio

charliefoy · Post by **charliefoy** » Sun Jan 29, 2012 6:35 pm

Why did you get a 12"? They're so pricey from transition

djantix1200 · Post by **djantix1200** » Mon Jan 30, 2012 6:37 am

I got a 12inch acetate cut recently from turnstyle out of cali. 6blocc gets his dubs cut there. It was $48 for 2 tracks with optional +6db boost. they both sound good. If they were properly mastered they would obviously sound better. I'm gonna try a different service on my next 2 so I can compare quality. I agree that everyone that is into producing should at least get one pressed up on either acetate or vinyl. When it came in the mail...ahhhhhhhhh yeh! Dropping the needle on it for the first time, wow...can't beat that feeling....playing it out....siiiiiiiick!!!!!!!!!!!! DO IT!!!!

Here's one of the tracks I cut...
Soundcloud

antipode · Post by **antipode** » Mon Jan 30, 2012 7:28 am

djantix1200 wrote:I got a 12inch acetate cut recently from turnstyle out of cali. 6blocc gets his dubs cut there. It was $48 for 2 tracks with optional +6db boost. they both sound good. If they were properly mastered they would obviously sound better. I'm gonna try a different service on my next 2 so I can compare quality. I agree that everyone that is into producing should at least get one pressed up on either acetate or vinyl. When it came in the mail...ahhhhhhhhh yeh! Dropping the needle on it for the first time, wow...can't beat that feeling....playing it out....siiiiiiiick!!!!!!!!!!!! DO IT!!!!
Here's one of the tracks I cut...
Soundcloud

Fuck that is cheap! They ship internatty??

Promise One · Post by **Promise One** » Mon Jan 30, 2012 11:30 am

charliefoy wrote:Why did you get a 12"? They're so pricey from transition

Yeah tell me about it, was going to stick with Precise Mastering as they used to be cheaper £45 for a 12" I think, now its £60! Plus postage so decided to try out Transition. I've cut at Precise before, well recommended but £60 is too much.

Mainly chose a 12" over 10" as I reckoned the high freq loss would be less on a 12" with it being bigger? Maybe there the same but I thought more space for the grooves can only be a good thing in terms of level and skip resistance. I think Skream said on his RBMA lecture that 12" dubs sound better, who knows. They look better to me too, I don't cut that often so an extra £10-15 for something I've made, yeah go on then :]

Trifficspurs · Post by **Trifficspurs** » Mon Jan 30, 2012 1:12 pm

Saw a Compa set on GDTV where he played 70% dubplates.
Problem is i think Vinyl as a whole is (sadly) decreasing due to prices. The amount of clubs that only have CDJs are increasing. I'm looking to move over to Serato, so you get the best of both worlds.

There are some producers that still cut to acetate on a regular (DMZ, etc.).

Long live the Dubplate.

Gewze · Post by **Gewze** » Mon Jan 30, 2012 1:24 pm

if i/we (injector) get a track released then its def getting a pressing. have been looking at dub studio for some time now

charliefoy · Post by **charliefoy** » Mon Jan 30, 2012 7:06 pm

Trifficspurs wrote:Saw a Compa set on GDTV where he played 70% dubplates.
Problem is i think Vinyl as a whole is (sadly) decreasing due to prices. The amount of clubs that only have CDJs are increasing. I'm looking to move over to Serato, so you get the best of both worlds.

There are some producers that still cut to acetate on a regular (DMZ, etc.).

Long live the Dubplate.

The sales on vinyl as a whole are increasing:
http://www.google.co.uk/search?sourceid ... 80&bih=679

djantix1200 · Post by **djantix1200** » Mon Jan 30, 2012 7:10 pm

I got a 12inch acetate cut recently from turnstyle out of cali. 6blocc gets his dubs cut there. It was $48 for 2 tracks with optional +6db boost. they both sound good. If they were properly mastered they would obviously sound better. I'm gonna try a different service on my next 2 so I can compare quality. I agree that everyone that is into producing should at least get one pressed up on either acetate or vinyl. When it came in the mail...ahhhhhhhhh yeh! Dropping the needle on it for the first time, wow...can't beat that feeling....playing it out....siiiiiiiick!!!!!!!!!!!! DO IT!!!!
Here's one of the tracks I cut...
http://soundcloud.com/djantix1200/01-07 ... lug-n-play

Fuck that is cheap! They ship internatty??

I believe they ship anywhere. Check them out here...
http://www.turnstylerecords.com/index.p ... 6&Itemid=1

naroja · Post by **naroja** » Mon Jan 30, 2012 7:50 pm

Been planning on getting one done recently, just need to be sure of what I'm putting on it

Promise One · Post by **Promise One** » Mon Jan 30, 2012 8:03 pm

Gewze wrote:if i/we (injector) get a track released then its def getting a pressing. have been looking at dub studio for some time now

Probably try Dub Studio next, think its a good idea to try out different companies and it keeps the scene and dub cutters healthy by spreading the work about. Also want to cut at Dubplates and Mastering in Berlin too.

charliefoy · Post by **charliefoy** » Mon Jan 30, 2012 9:02 pm

Promise One wrote:
Gewze wrote:if i/we (injector) get a track released then its def getting a pressing. have been looking at dub studio for some time now
Probably try Dub Studio next, think its a good idea to try out different companies and it keeps the scene and dub cutters healthy by spreading the work about. Also want to cut at Dubplates and Mastering in Berlin too.

I want to try dub studio too as the 12" come to the same price as a 10" at transitions. But the transition plates look so sick.
Comments on dub studio 12"s?

Promise One · Post by **Promise One** » Mon Jan 30, 2012 10:45 pm

Dub Studio seems very good value for money, based in Bristol and David Kennedy only has good things to say so I'm game:

"12 inch vinyl, they sound big. I don't see the point of tens really. They look nice but 12 inches sound better, and don't really cost much more, and if its vinyl it doesn't really weigh much more either"

http://www.dubstudio.co.uk/jan09-ramadanman

So who actually cuts dubplates?

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