How would you making a Feed Me or Gemi Style Synth?

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bri1
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How would you making a Feed Me or Gemi Style Synth?

Post by bri1 » Wed Feb 08, 2012 10:48 pm

Has anyone attempted to make a Feed Me or Gemini style synth for quick arpeggiations?
I'm going to guess how to make it but I am by no means a synth/sound design expert. I think it would be a square wave with a quick attack quick decay time with a low sustain level and a quick release. With a little Reverb.
What kind of input do you guys have?

joshisrad
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Re: How would you making a Feed Me or Gemi Style Synth?

Post by joshisrad » Wed Feb 08, 2012 11:54 pm

You nailed it buddy.

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ephyks
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Re: How would you making a Feed Me or Gemi Style Synth?

Post by ephyks » Thu Feb 09, 2012 1:13 am

Ahahaha. You've probably got one part of it right. Feed Me basses sound like just really tough reese basses. That or his distortion is through the roof. Gemini's is pretty easy to do. And can be done multiple ways. Take a simple square. Add some sort of chorus effects, and either side chain it or just toss an modulate your square with a rising lfo wave. Sorry for my vague description. Wrote this while waiting between battlefield 3 lobbies.
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joshisrad
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Re: How would you making a Feed Me or Gemi Style Synth?

Post by joshisrad » Thu Feb 09, 2012 1:19 am

He's talking about making the classic arp sound not basses. Feed Me basses is just sine shape the fuck out of shit

bri1
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Re: How would you making a Feed Me or Gemi Style Synth?

Post by bri1 » Thu Feb 09, 2012 8:32 am

ephyks wrote:Ahahaha. You've probably got one part of it right. Feed Me basses sound like just really tough reese basses. That or his distortion is through the roof. Gemini's is pretty easy to do. And can be done multiple ways. Take a simple square. Add some sort of chorus effects, and either side chain it or just toss an modulate your square with a rising lfo wave. Sorry for my vague description. Wrote this while waiting between battlefield 3 lobbies.
What is a what is a reese bass?

joshisrad
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Re: How would you making a Feed Me or Gemi Style Synth?

Post by joshisrad » Thu Feb 09, 2012 9:26 am

bri1 wrote:
ephyks wrote:Ahahaha. You've probably got one part of it right. Feed Me basses sound like just really tough reese basses. That or his distortion is through the roof. Gemini's is pretty easy to do. And can be done multiple ways. Take a simple square. Add some sort of chorus effects, and either side chain it or just toss an modulate your square with a rising lfo wave. Sorry for my vague description. Wrote this while waiting between battlefield 3 lobbies.
What is a what is a reese bass?
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Earjax
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Re: How would you making a Feed Me or Gemi Style Synth?

Post by Earjax » Thu Feb 09, 2012 12:26 pm

Feed Me is just Spor doing electro so go look up some reese threads on doa like noisia type sounds and they should be what your looking for. Then its just melodics with gemini's and feed me's stuff, they usually use really simple chord progressions, however their mixdowns and sounds are like unbelievably tight. Getting that is just practice imo
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Atac
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Re: How would you making a Feed Me or Gemi Style Synth?

Post by Atac » Thu Feb 09, 2012 12:48 pm

joshisrad wrote:
bri1 wrote:
ephyks wrote:Ahahaha. You've probably got one part of it right. Feed Me basses sound like just really tough reese basses. That or his distortion is through the roof. Gemini's is pretty easy to do. And can be done multiple ways. Take a simple square. Add some sort of chorus effects, and either side chain it or just toss an modulate your square with a rising lfo wave. Sorry for my vague description. Wrote this while waiting between battlefield 3 lobbies.
What is a what is a reese bass?
r-r-REMIX
:lol: :lol:


But yeah OP you're pretty much right on the money. I would just distort as necessary and maybe add a bit of portamento.

bassinine
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Re: How would you making a Feed Me or Gemi Style Synth?

Post by bassinine » Thu Feb 09, 2012 3:34 pm

yeah, although he probably starts with saw waves or samples that he turns into Reese's. Or with a FM synth, square/saws and automate the operator levels.

also, had a lot of luck with noisa type distortion by having analog distortion followed by a compressor, then eq. Then repeat this at least 3-4 times in series. play with the comp and sat settings, and it should toasty up that bass line.

also, automation (operator levels, filters, the basics) and pitch bending is absolutely necessary to get a feed me sound.

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