the fidget house sound
Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
the fidget house sound
Easy
Does anyone know how Dave Taylor, Jesse Rose, Herve etc get that sound? Cartoonish, bubbly, FAT? Thought maybe its compression technique but just cant see how that would be done...
And does anyone know any boards with production forums for house? I dont want to make house, but they've got some different tricks up their sleeves
Does anyone know how Dave Taylor, Jesse Rose, Herve etc get that sound? Cartoonish, bubbly, FAT? Thought maybe its compression technique but just cant see how that would be done...
And does anyone know any boards with production forums for house? I dont want to make house, but they've got some different tricks up their sleeves
yeh some tunes have massive sidechain compression (ie black ghosts - face - switch remix) n love the way they fuck with vocals, using em as percussion
love the frequencies in most switch tunes, totally differnet to other house... got nice subbass.. duno how he does it. also cutting up claps from breaks or single hits n layering em seperatly unquantised around where you want it to land to give loose feel... so when you put compression on ur drum bus really makes em snap..
basslines are often whompy envleoped squares or saws in trevor loveys/ speakerjunk tracks... or try soome high saws with fast falling envelope on the pitch for 'herve - see me' style stabs...
jus chatting shit giving u ideas.. u prob already know this, but i love the sound these lot are making..
love the frequencies in most switch tunes, totally differnet to other house... got nice subbass.. duno how he does it. also cutting up claps from breaks or single hits n layering em seperatly unquantised around where you want it to land to give loose feel... so when you put compression on ur drum bus really makes em snap..
basslines are often whompy envleoped squares or saws in trevor loveys/ speakerjunk tracks... or try soome high saws with fast falling envelope on the pitch for 'herve - see me' style stabs...
jus chatting shit giving u ideas.. u prob already know this, but i love the sound these lot are making..
word. sidechaining is used huge in house, on many different elements. vox->delay. Kick->pad etc.

Decklyn Dublog - Rants, Raves and Tutorials - http://www.decklyn.com
------------------------------------------------------------------------------------------------
http://www.soundcloud.com/decklyn
Mar 18th: Seba Remix
Soundcloud
sick mate thanks for that
guess the drums are about being minimal and crisp, but using chunky samples heavily compressed and eq'd in the mid range to fatten them up... must just be a matter of the right samples and the right VSTs?
so you mean several claps loosely programmed around the hit, then compressed together?Foamo wrote:cutting up claps from breaks or single hits n layering em seperatly unquantised around where you want it to land to give loose feel... so when you put compression on ur drum bus really makes em snap..
guess the drums are about being minimal and crisp, but using chunky samples heavily compressed and eq'd in the mid range to fatten them up... must just be a matter of the right samples and the right VSTs?
Re: the fidget house sound
dunno about actualy HOUSE ones but theres one on http://www.mnml.nl for minimal house/techno which might help.Trevelyan wrote:Easy
does anyone know any boards with production forums for house? I
Fidget House Sample CD Vol.1? 

http://www.CosminTRG.comColin Farrel wrote:No, that wasn't me playing FWD@Plastic People last month.
i think that is genrally the case with all stylesmust just be a matter of the right samples and the right VSTs?

AIM - xidub
XI MYSPACE
IMMERSE // LO DUBS // OFF ROAD // ORCA // AUFECT // SURFACE TENSION // FORMANT
XI MYSPACE
IMMERSE // LO DUBS // OFF ROAD // ORCA // AUFECT // SURFACE TENSION // FORMANT
-
- Posts: 4688
- Joined: Fri Apr 07, 2006 1:58 pm
- Location: Manchester
- Contact:
http://www.CosminTRG.comColin Farrel wrote:No, that wasn't me playing FWD@Plastic People last month.
Wicked stuff!
Pollen Website | Pollen Facebook | EFA Facebook | EFA Twitter | [url=hhttp://twitter.com/pollenaudio]Pollen Twitter[/url]
Re: the fidget house sound
YesTrevelyan wrote:Easy
Does anyone know how Dave Taylor, Jesse Rose, Herve etc get that sound?

Re: the fidget house sound
Do you have any tips?The Duke wrote:YesTrevelyan wrote:Easy
Does anyone know how Dave Taylor, Jesse Rose, Herve etc get that sound?
Re: the fidget house sound
bump...
fidget is just about puttin ur claps earlier..
i kid, of course.. but one thing that could help is to work around grooves rather then around progressions... like.. ur loop gots to be tight at first..
and if ur drum isnt wonky enough even if u have used a sample pack we wont name and shit... give compression a try
really... it makes it snap as our friend foamo pointed out
fidget is just about puttin ur claps earlier..
i kid, of course.. but one thing that could help is to work around grooves rather then around progressions... like.. ur loop gots to be tight at first..
and if ur drum isnt wonky enough even if u have used a sample pack we wont name and shit... give compression a try

Sharmaji wrote:2011: the year of the calloused-from-overuse facepalm
Re:
is this the real foamo? if sofoamo wrote:yeh some tunes have massive sidechain compression (ie black ghosts - face - switch remix) n love the way they fuck with vocals, using em as percussion
love the frequencies in most switch tunes, totally differnet to other house... got nice subbass.. duno how he does it. also cutting up claps from breaks or single hits n layering em seperatly unquantised around where you want it to land to give loose feel... so when you put compression on ur drum bus really makes em snap..
basslines are often whompy envleoped squares or saws in trevor loveys/ speakerjunk tracks... or try soome high saws with fast falling envelope on the pitch for 'herve - see me' style stabs...
jus chatting shit giving u ideas.. u prob already know this, but i love the sound these lot are making..


Re: Re:
borderline gay shit...Lethargik wrote:is this the real foamo? if sofoamo wrote:yeh some tunes have massive sidechain compression (ie black ghosts - face - switch remix) n love the way they fuck with vocals, using em as percussion
love the frequencies in most switch tunes, totally differnet to other house... got nice subbass.. duno how he does it. also cutting up claps from breaks or single hits n layering em seperatly unquantised around where you want it to land to give loose feel... so when you put compression on ur drum bus really makes em snap..
basslines are often whompy envleoped squares or saws in trevor loveys/ speakerjunk tracks... or try soome high saws with fast falling envelope on the pitch for 'herve - see me' style stabs...
jus chatting shit giving u ideas.. u prob already know this, but i love the sound these lot are making..and

... (but i gotta admit...... i love u too man!!!!!!!!!!!!!!





Sharmaji wrote:2011: the year of the calloused-from-overuse facepalm
- Basstronomer
- Posts: 1113
- Joined: Mon Oct 08, 2007 10:26 am
Re: Re:
hahaha... beecher is a badmanLdizzy wrote:borderline gay shit...Lethargik wrote:is this the real foamo? if sofoamo wrote:yeh some tunes have massive sidechain compression (ie black ghosts - face - switch remix) n love the way they fuck with vocals, using em as percussion
love the frequencies in most switch tunes, totally differnet to other house... got nice subbass.. duno how he does it. also cutting up claps from breaks or single hits n layering em seperatly unquantised around where you want it to land to give loose feel... so when you put compression on ur drum bus really makes em snap..
basslines are often whompy envleoped squares or saws in trevor loveys/ speakerjunk tracks... or try soome high saws with fast falling envelope on the pitch for 'herve - see me' style stabs...
jus chatting shit giving u ideas.. u prob already know this, but i love the sound these lot are making..and
... (but i gotta admit...... i love u too man!!!!!!!!!!!!!!)
![]()
![]()
![]()

Have to re-watch this show, prison break looks like the care bears family compared to OZ

-
- Posts: 650
- Joined: Sat Jul 24, 2010 12:54 am
- Contact:
Re: Re:
Yeah that ^^^Lethargik wrote:is this the real foamo? if sofoamo wrote:yeh some tunes have massive sidechain compression (ie black ghosts - face - switch remix) n love the way they fuck with vocals, using em as percussion
love the frequencies in most switch tunes, totally differnet to other house... got nice subbass.. duno how he does it. also cutting up claps from breaks or single hits n layering em seperatly unquantised around where you want it to land to give loose feel... so when you put compression on ur drum bus really makes em snap..
basslines are often whompy envleoped squares or saws in trevor loveys/ speakerjunk tracks... or try soome high saws with fast falling envelope on the pitch for 'herve - see me' style stabs...
jus chatting shit giving u ideas.. u prob already know this, but i love the sound these lot are making..and
Who is online
Users browsing this forum: No registered users and 0 guests