That's what I was getting at. Sending some of the bass (or whatever) on a send to a filter before doing your panning/effects is effectively the same as duplicating/processing after frequency splitting. The low end stays central, and you can do whatever you want to the top end.Eat Bass wrote:yeah ill give it a go doing it that method. but the method i was talking about thats a pain in the arse is panning each bass hard L and R but still having the lows just mono. there a better method than splitting frequencies then cuplicating the mids and highs and panning them?therapist wrote:A bus with low/mid cut > short sample delay / imager > stereo delay/reverb etc. can achieve something similar and you can just whack whichever instruments you like through it rather than do it track for track. Or even a bus each for left and right with some ambient effects can get some interesting results.Eat Bass wrote:how many samples do you usually delay it by? i know samples are apparently really short which makes the sample delay really good for this trick.therapist wrote:Use a really short stereo (sample delay in logic, don't know the equivalents) delay? Seems a lot easier. This would cause fairly big issues in bass when knocked to mono though, maybe.Filthzilla wrote:What you wanna do is pan left and right [maybe hard left/right or maybe just a little, see what works]...
Then displace on half by taking it back or forward a milisecond or two.
Sounds dope, just been listening to a few Datsik tunes where he does that on the bassline.
i've been getting into using this trick in logic as well as panning but i just find it a huge pain in the arse to first split the frequencies to leave 100-350hz alone. then duplicate the mids and highs and pan them.
I can't really remember the science re- sample delay, but enough to give some width, not so much that the sound becomes two distinct sounds in each speaker. I don't imagine that's helpful but there you go.
Making synths wider with panning.
Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
Re: Making synths wider with panning.
- howiegroove
- Posts: 180
- Joined: Fri Jan 07, 2011 5:46 pm
Re: Making synths wider with panning.
My way of processing sounds to make them wider is this:
I use Live, so I will group the track and create a few chains. On one I will low pass one and use a Utility plug to make it 100% mono. Over 120 hz to 1200 hz i will keep it a stereo but add some effects to that chain only. Then on the other chain of 1200 up, I will add some chorus, flanger, phaser, or anything else that will add width to a sound. There are other things you can do, but like you mentioned, you can duplicate the chain again twice and pan them. I wouldn't do a 100% panning but 25-50% should be plenty. To avoid phasing issues, you can delay the signal slightly, or you can change the signal by saturating the sound a touch. As long as the waveform is different, you shouldn't run into phasing issues.
I use Live, so I will group the track and create a few chains. On one I will low pass one and use a Utility plug to make it 100% mono. Over 120 hz to 1200 hz i will keep it a stereo but add some effects to that chain only. Then on the other chain of 1200 up, I will add some chorus, flanger, phaser, or anything else that will add width to a sound. There are other things you can do, but like you mentioned, you can duplicate the chain again twice and pan them. I wouldn't do a 100% panning but 25-50% should be plenty. To avoid phasing issues, you can delay the signal slightly, or you can change the signal by saturating the sound a touch. As long as the waveform is different, you shouldn't run into phasing issues.
- OfficialDAPT
- Posts: 1477
- Joined: Tue Nov 22, 2011 2:51 am
Re: Making synths wider with panning.
When you widen with the utility, you should have 2 chains. One dry and on widened with it. That allows more stereo width without changing too much of the core sound.pesky wrote:thanks deadly, ill have a look into that stereo tool.deadly habit wrote:http://www.fluxhome.com/products/freewares/stereotool this is what you wanna be looking at
im on Ableton but recently just switched so im still getting used to using instrument racks and stuff.OfficialDAPT wrote:The easier way is switch to Ableton where intrument racks and busses are plentiful.pesky wrote:oh.therapist wrote:If the tracks are identical, duplicating and panning doesn't actually do anything does it?hahaha.
ive also been using Utility for widening things which seems to be a good tool to create space within a mix.
7 year old BROstep/Trapstep/Chillstep producer from India. Young. Talented. 7 Years Old. Super skilled for age. Signed to NOW22. Biography written in 3rd person on soundcloud OBVI. The next Skrillex. Wait I don't even like him anymore LOL. Super talented. Only 6 years old.
Re: Making synths wider with panning.
make two channels? one with no utility and one with? lol. im abit lost...OfficialDAPT wrote:When you widen with the utility, you should have 2 chains. One dry and on widened with it. That allows more stereo width without changing too much of the core sound.pesky wrote:thanks deadly, ill have a look into that stereo tool.deadly habit wrote:http://www.fluxhome.com/products/freewares/stereotool this is what you wanna be looking at
im on Ableton but recently just switched so im still getting used to using instrument racks and stuff.OfficialDAPT wrote:The easier way is switch to Ableton where intrument racks and busses are plentiful.pesky wrote:oh.therapist wrote:If the tracks are identical, duplicating and panning doesn't actually do anything does it?hahaha.
ive also been using Utility for widening things which seems to be a good tool to create space within a mix.
Re: Making synths wider with panning.
switching to ableton costs a lot of money, which is a waste if you have already spent a lot of money on another daw. the easier way is to learn how to do it properly in whatever software/equipment you useOfficialDAPT wrote:The easier way is switch to Ableton where intrument racks and busses are plentiful.pesky wrote:oh.therapist wrote:If the tracks are identical, duplicating and panning doesn't actually do anything does it?hahaha.
Re: Making synths wider with panning.
i use ableton now but only just switched? so still kinda dipping my toes in the ableton waters.baseband wrote:switching to ableton costs a lot of money, which is a waste if you have already spent a lot of money on another daw. the easier way is to learn how to do it properly in whatever software/equipment you useOfficialDAPT wrote:The easier way is switch to Ableton where intrument racks and busses are plentiful.pesky wrote:oh.therapist wrote:If the tracks are identical, duplicating and panning doesn't actually do anything does it?hahaha.

Re: Making synths wider with panning.
howiegroove wrote:My way of processing sounds to make them wider is this:
I use Live, so I will group the track and create a few chains. On one I will low pass one and use a Utility plug to make it 100% mono. Over 120 hz to 1200 hz i will keep it a stereo but add some effects to that chain only. Then on the other chain of 1200 up, I will add some chorus, flanger, phaser, or anything else that will add width to a sound. There are other things you can do, but like you mentioned, you can duplicate the chain again twice and pan them. I wouldn't do a 100% panning but 25-50% should be plenty. To avoid phasing issues, you can delay the signal slightly, or you can change the signal by saturating the sound a touch. As long as the waveform is different, you shouldn't run into phasing issues.
this is good advice

Re: Making synths wider with panning.
If you're using Massive, go to the Voicing tab and change the unisono to 2+ and then move the Pan Position slider far left or right. That'll make it suuuuper wide. Additionally, you can use the dimension expander with the Dry/Wet at about 10 o'clock and Size at about 7.
Re: Making synths wider with panning.
Not always. If you duplicate a synth that doesn't have OSC retrigger, both synths will have different phases, so they'll be different and it will sound widetherapist wrote:If the tracks are identical, duplicating and panning doesn't actually do anything does it?

-
- Posts: 209
- Joined: Thu Jul 14, 2011 5:06 am
- Location: Seattle, WA
Re: Making synths wider with panning.
so basically as long as the waveforms/sounds are different then phasing will be minimized/wont occur at all? Sry n00b here always get confused on this topic.
Check out my monthly podcast!
http://soundcloud.com/start-a-ripple-podcast
http://soundcloud.com/start-a-ripple-podcast
Re: Making synths wider with panning.
Yep. Detuning is another good option as well but it's not always the desired effect.bigdaveo11 wrote:so basically as long as the waveforms/sounds are different then phasing will be minimized/wont occur at all? Sry n00b here always get confused on this topic.
-
- Posts: 209
- Joined: Thu Jul 14, 2011 5:06 am
- Location: Seattle, WA
Re: Making synths wider with panning.
nice, thanks!
Check out my monthly podcast!
http://soundcloud.com/start-a-ripple-podcast
http://soundcloud.com/start-a-ripple-podcast
Re: Making synths wider with panning.
Because of the Haas effect, delaying one side will make your ear perceive the source of the sound to be on the earlier side, which doesn't sound to me like a big stereo bass, just sounds like it's on one side even though its technically coming from both speakers. Thing I like the most which was already posted in this thread is to change the frequency content of either side rather than delaying it.
- howiegroove
- Posts: 180
- Joined: Fri Jan 07, 2011 5:46 pm
Re: Making synths wider with panning.
make two channels? one with no utility and one with? lol. im abit lost...[/quote]pesky wrote:When you widen with the utility, you should have 2 chains. One dry and on widened with it. That allows more stereo width without changing too much of the core sound.pesky wrote:im on Ableton but recently just switched so im still getting used to using instrument racks and stuff.OfficialDAPT wrote:The easier way is switch to Ableton where intrument racks and busses are plentiful.pesky wrote:oh.therapist wrote:If the tracks are identical, duplicating and panning doesn't actually do anything does it?hahaha.
ive also been using Utility for widening things which seems to be a good tool to create space within a mix.
Its basically the same thing as parallel processing. Ableton lets you do parallel processing without having to utilize sends & returns if you don't want to. The beauty of it is that in other DAWs, you would literally have to duplicate your channel 10 times(possible exaggeration) to get a nice thick sound you were seeking. In Live however, all you have to do is create chains. WAYYYYY tidier. From my earlier post, I think I described 6 total chains. More is not uncommon to achieve the sound you want. Also remember, this isn't 1984. Unless you're making a Stevie Wonder retro album, I typically don't just dial up a patch on a Juno and run with it. Sounds are getting more and more complex and computers are getting more and more powerful.
Re: Making synths wider with panning.
im gonna go away and look at some more information on chains within ableton me thinks! then come back to your posts and try put it into practice!howiegroove wrote:Its basically the same thing as parallel processing. Ableton lets you do parallel processing without having to utilize sends & returns if you don't want to. The beauty of it is that in other DAWs, you would literally have to duplicate your channel 10 times(possible exaggeration) to get a nice thick sound you were seeking. In Live however, all you have to do is create chains. WAYYYYY tidier. From my earlier post, I think I described 6 total chains. More is not uncommon to achieve the sound you want. Also remember, this isn't 1984. Unless you're making a Stevie Wonder retro album, I typically don't just dial up a patch on a Juno and run with it. Sounds are getting more and more complex and computers are getting more and more powerful.

thank you!
- howiegroove
- Posts: 180
- Joined: Fri Jan 07, 2011 5:46 pm
Re: Making synths wider with panning.
Of course!
Re: Making synths wider with panning.
How low down the frequency spectrum can you try to widen before you start running into issues? 

- howiegroove
- Posts: 180
- Joined: Fri Jan 07, 2011 5:46 pm
Re: Making synths wider with panning.
There is no hard or fast rule however I keep my bass frequencies mono. I only do heavier widening to my sounds on their frequencies over 1200hz. Everything over 200hz for me is stereo though. I just don't purposefully widen sounds below 1200
Re: Making synths wider with panning.
First thought is, the closer it is to your sub, the more centered you want it.pesky wrote:How low down the frequency spectrum can you try to widen before you start running into issues?

Who is online
Users browsing this forum: No registered users and 0 guests