Huts wrote:Move the hats, add more hats, move the snare, add more snares, move the kicks, add more kicks. Change up the drums every 8-16 bars depending on what else is happening in your track. A lot of your questions can be answered by simply listening to your favorite tracks and trying to copy them. Don't necessarily worry about copying sounds to the T, but filling up your track with similar sounds and the same structure.
So it's more of simply shifting the details while maintaining the general structure to add variety that way?
And I've tried to do that, but the difficulty is that learning the a lot of the details of the structure is hard when I have to go off of only a single stereo channel of mastered audio. It doesn't allow me to really see, okay, this contributes to this in this way, this works this way, etc.
That's why a lot of the questions I've been asking are really working to demystify the entire process for me. Now, albeit uncertain, I at least feel like the production part is an attainable goal.