PeriKardium wrote:Hmm I am having a bit of a struggle getting a hand on one concept you guys seem to use a lot - EQ modulation.
I know a lot of you guys modulate various peaks in a EQ8 or a Parametric EQ2 to make a vowel like sound for whatever synth you have going - how is this done exactly? Specifically in correlation to Manyyyys vowel bass from page 4, I don't really know where to set various peaks/notches on the audio spectrum to begin with (in EQ8 specifically) and how to move them to create a vowel sound. Can someone help me out or point me towards a good tut about it?
The main thing, is to have two band pass peaks moving towards each other meeting at (roughly) the 400-500hz mark. Then sweeping away again, one down to around the 100hz range while the other sweeps to about the 1000hz and then back again but make sure they never cross over.
The real problem is which eq or filter to use.
I find that ableton has an extremely subtle eq that doesn't get anywhere near a good sound most of the time, but while using two state variable filters in reason the sound is almost spot on.
Give it a go so you can at least hear what I mean then practice that on other eqs/filter and see what you get.
Notch filters in the middle of the two can make for some slight changes in tonality too
