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this! back in my sampling days i used the break on this a lot.
EDIT: just found an old beat of mine with this break it in (sounds slightly different since i layered it):
Sintax makes bass wrote:I really like the snare sound in this: Soundcloud
This track remains one of my all-time favorites. Hudson, you're a beast.
It's a narrowly bandpassed snare, followed by reverb. I like to slowly LFO the filter cutoff.
hudson wrote:
Beyond the fact that it's a great, tight snare, around the 8 minute mark there's a little break, then the song climaxes, but the drummer is just playing the crash and the kick during the first bit so it's super tense (doesn't feel complete yet, despite it being the loudest part of the song). When he finally hits the snare though it's like a machine gun shooting me in teh heart. It's such an important part of this song/album.
Sounds to me like Maudlin in the Well, or Toby Driver's other group Kayo Dot, if you aren't familiar with them.
This one obviously involves some oldskool break sampling. My 480p link does it no justice, i used to play it out on vinyl long ago and trust me, it hits hard.
The snare is not loud as such, but it has this amazing clarity and presense:
Huts wrote:current value has some of the sickest snares, receptor, neutral point, counterstrike all those guys too. Icicle's drums are always really tight, Arrows has a wicked snare
This snare that comes in at 1:51 gets me every time
I'm sure I have the 1.51 snare in some Reason DnB refill, 95% certain its the same one, very similar.