question aimed at cats like metalbox and reso..
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- jolly wailer
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question aimed at cats like metalbox and reso..
I feel like I just don't have that much time to put in on my beats - like it'll take about 6 hours plus properly to get like 8-bars up and running - some decent hitting snares and a nice sequenced pattern, a bass line I can bounce to and then sorting through pads and leads to find something that sounds nice on top - then lots and lots of fiddling with levels and eqs to get a mix centered nicely... but still this leaves me with a pretty barebones track (and still about 8 bars on loop) no arrangement and sort of at a loss on how to add more to it with it still sounding cohesive as a piece of music...
basically I can get a sketch of an idea down in one night...
but I listened to those new reso bits - and a lot of others beats on here (sorry to not name names at this point) - and there is just some boggling drum sequences and crazy bass edits that just seem like they would take for ever to get properly into a track...
how many beats do you guys put out in a week - or should I say... how long does it take you to complete a track..
my reference track for this question is "climbing the walls" by reso... this track is fucking insane it just seems like it must have taken forever!
I dont think I have enough mental stamina to concentrate on a track this long!
or is it one of those creative flourish things where the shit just bangs itself out and you're done with a beat in one evening at the PC - some spliffage and a few cold ones...
whats up?
basically I can get a sketch of an idea down in one night...
but I listened to those new reso bits - and a lot of others beats on here (sorry to not name names at this point) - and there is just some boggling drum sequences and crazy bass edits that just seem like they would take for ever to get properly into a track...
how many beats do you guys put out in a week - or should I say... how long does it take you to complete a track..
my reference track for this question is "climbing the walls" by reso... this track is fucking insane it just seems like it must have taken forever!
I dont think I have enough mental stamina to concentrate on a track this long!
or is it one of those creative flourish things where the shit just bangs itself out and you're done with a beat in one evening at the PC - some spliffage and a few cold ones...
whats up?
myxylpyx wrote:dam bro dats sick... off to the garden to eat some worms now.

Re: question aimed at cats like metalbox and reso..
time and detail...also cutting and pasting some stuff is a good way to change up something, just chuck some effects on it and see what happensJolly Wailer wrote:I feel like I just don't have that much time to put in on my beats - like it'll take about 6 hours plus properly to get like 8-bars up and running - some decent hitting snares and a nice sequenced pattern, a bass line I can bounce to and then sorting through pads and leads to find something that sounds nice on top - then lots and lots of fiddling with levels and eqs to get a mix centered nicely... but still this leaves me with a pretty barebones track (and still about 8 bars on loop) no arrangement and sort of at a loss on how to add more to it with it still sounding cohesive as a piece of music...
basically I can get a sketch of an idea down in one night...
but I listened to those new reso bits - and a lot of others beats on here (sorry to not name names at this point) - and there is just some boggling drum sequences and crazy bass edits that just seem like they would take for ever to get properly into a track...
how many beats do you guys put out in a week - or should I say... how long does it take you to complete a track..
my reference track for this question is "climbing the walls" by reso... this track is fucking insane it just seems like it must have taken forever!
I dont think I have enough mental stamina to concentrate on a track this long!
or is it one of those creative flourish things where the shit just bangs itself out and you're done with a beat in one evening at the PC - some spliffage and a few cold ones...
whats up?
add a few drum breaks every 16 bars
too be honest if i had more time and could be bothered i would switch up my songs every 4bars lol
quite often i start 6/7 projects a week then make 1 good track every two weeks, but bare in mind i hardly switch on fl, last time i looked at it was last week...its just time and for me...determination but im quite lazy.
i think metal box is on his pc 24/7 so that goes to show that he puts time and effort into his songs, hence the mad arrangements and all the crazy stuff, loops and shit.
arrangement wise...start thinking bout intros, verses, pre chorus, chorus, middle, chorus , end or whatever...if it means changing something slightly in ur 8 bars then do it...but i think the best beats come by accident and through experimenting
hope that helps a lil'
sara
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- jolly wailer
- Posts: 3081
- Joined: Wed Jul 11, 2007 9:45 am
- Location: Planet Earth, Yeah?
Logic Express loaded with massive/absynth and the soft synth plugins bundled with it (ES blah blahs) and some bits of samples from my old hard drive I loaded up onto this laptop before coming to asia...
I'm using a padkontrol to trigger...
I feel like its not enough...
what I need to do is cop a motu breakout and a tape delay machine methinks...
i feel like i'm not on par with the hyper-trickery that going on amoungst the dubstepforum poster set...
Logic is tough for drums too - good for multi-tracking - but Fruity was a superior sequencer in my eyes... simple and inferior yet easy to arrange ideas
are people like rusko using templates for their beat patterns and bass sounds? there's a remarkable consistency to the work of cats like that - like they have a crazy archive of projects they can just easily call up and reference in a tune.. I guess this is amoungst the pitfalls of getting a new computer... starting all your sonics from scratch... or maybe if you've just been producing 2-step and late jungle your whole life you're a step ahead of the game amoungst people trying to make quality dubs?
I'm using a padkontrol to trigger...
I feel like its not enough...
what I need to do is cop a motu breakout and a tape delay machine methinks...
i feel like i'm not on par with the hyper-trickery that going on amoungst the dubstepforum poster set...
Logic is tough for drums too - good for multi-tracking - but Fruity was a superior sequencer in my eyes... simple and inferior yet easy to arrange ideas
are people like rusko using templates for their beat patterns and bass sounds? there's a remarkable consistency to the work of cats like that - like they have a crazy archive of projects they can just easily call up and reference in a tune.. I guess this is amoungst the pitfalls of getting a new computer... starting all your sonics from scratch... or maybe if you've just been producing 2-step and late jungle your whole life you're a step ahead of the game amoungst people trying to make quality dubs?
myxylpyx wrote:dam bro dats sick... off to the garden to eat some worms now.

man that's more than enough to be making tremendous music. logic alone w/o any other synths is enough, provided you really get in there and tweek away.Jolly Wailer wrote:Logic Express loaded with massive/absynth and the soft synth plugins bundled with it (ES blah blahs) and some bits of samples from my old hard drive I loaded up onto this laptop before coming to asia...
I'm using a padkontrol to trigger...
I feel like its not enough...
what I need to do is cop a motu breakout and a tape delay machine methinks...
i feel like i'm not on par with the hyper-trickery that going on amoungst the dubstepforum poster set...
Logic is tough for drums too - good for multi-tracking - but Fruity was a superior sequencer in my eyes... simple and inferior yet easy to arrange ideas
are people like rusko using templates for their beat patterns and bass sounds? there's a remarkable consistency to the work of cats like that - like they have a crazy archive of projects they can just easily call up and reference in a tune.. I guess this is amoungst the pitfalls of getting a new computer... starting all your sonics from scratch... or maybe if you've just been producing 2-step and late jungle your whole life you're a step ahead of the game amoungst people trying to make quality dubs?
sounds like you need to spend some time building an autoload in logic. have an array of sounds that you can sculpt into things more specific. once you open a new session, say, you've got a square lead, a sine sub, some sort of wobbler, some simple drums, some percussion instruments, a bank of FX... generic shit that you can use to just write and then sculpt into a real tune.
does the padkontrol have a keyboard, or is it just pads like an MPD?
FWIW the tracks that dhruva and I did that were in the soundclash on mary anne's show each took about a month to compose/record/sequence/mix; this is meeting 2-3x a week. tracks i do alone generally run from a few days (if they start in the mpc) to a few months.
ultimately it ain't about the software, or the plug-ins, or the tape delay (though i use mine all the time...... sigh); the point is to have something to develop. if you're coming at making tunes just putting together cool sounds, you'll reach a point where you need more to make it work as a song.
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Don't fall into the trap of thinking more equipment/plugins are going to help. I would strongly suggest you don't waste your money. Your much better off learning the apps you already have. I still use logic 4.7.1. It a good 6 years old now but' i can do pretty much what i want with it. I don't use any esorteric plugins. I use a novation hard ware synth but, from what i know of logic 7 express it's synths are just as capable of making the sounds.
Best thing for learning is to try to copy a track. Oh and loads of hard work unfortunatly.
BTW @ Ikonika. I drinck 24/7 lol
Reso is a much better producer then me. I just can't be arsed most of the time but, he seems pretty dedicated. I used to spend weeks on drum sounds and stuff but i just got really tired of doing that and now just bang tunes out and if they sound good, cool, and if they don't i just file them away and use then for idea's. Nice of you to think of me in the same sentance as him though. Oh god i'm pretty proud.
Best thing for learning is to try to copy a track. Oh and loads of hard work unfortunatly.
BTW @ Ikonika. I drinck 24/7 lol
Reso is a much better producer then me. I just can't be arsed most of the time but, he seems pretty dedicated. I used to spend weeks on drum sounds and stuff but i just got really tired of doing that and now just bang tunes out and if they sound good, cool, and if they don't i just file them away and use then for idea's. Nice of you to think of me in the same sentance as him though. Oh god i'm pretty proud.
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Reso new tune is fucking great btw, Poax played it last week and my jaw hit the floor.
Close The Door available here vvvvvvvvmagma wrote: I must fellate you instantly."?
http://www.digital-tunes.net/labels/metalbox
http://www.myspace.com/metalboxproducts
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Download some MIDI files of drum patterns, change the tempo and quantise where you want, should give you some good ideas...Jolly Wailer wrote:Logic is tough for drums too - good for multi-tracking - but Fruity was a superior sequencer in my eyes... simple and inferior yet easy to arrange ideas
are people like rusko using templates for their beat patterns and bass sounds?
Try starting with a sampler with just a basic, triangle or sawtooth wave then work the filters/oscillators/decay/release etc put on some effects to get a bass sound. Then layer a sub below it, i dunno man thats just something I do sometimes, start with something really basic and build from there to get you into spending endless hours crafting your sound. Or you could just use a preset

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I think the quickest I've ever finished a tune that I've been happy with at all is three months.
Mostly I take a bit longer, probably about 6 months from starting a project file, to finishing off a decent mixdown.
But I start quite a lot of new things, and only a small percentage are ever finished.
And yeah, le Boite is correct - learn what you have! It makes it much easier to get sounds that you want!
Mostly I take a bit longer, probably about 6 months from starting a project file, to finishing off a decent mixdown.
But I start quite a lot of new things, and only a small percentage are ever finished.
And yeah, le Boite is correct - learn what you have! It makes it much easier to get sounds that you want!

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