Agree with both of you. I look at it like this, since around the time fifty signed with Eminem for his first record when most of his tracks where interesting (imo), it hasn't seemed possible (or viable) for major labels to fund records that wasn't looking to succeed from that tasteless crossover appeal they all go for.rayman612 wrote:
lol he was overhyped from the get go
live love asap was wack 2
Please. Demons, Bass, Palace, Leaf, Keep it G, Purple Swag....all amazing tunes. I'm glad more people are picking up on it as there's FAR FAR worse shit that could've gotten popular.
(I don't agree with it, but it appears to be so.)
Obviously people like Jayz had been doing it like that for a while but he had very little groundwork to begin with and was almost like a major artist from the get go. Especially considering how much easier it was to market gangster rap at that time and the void Pac and Biggie left.
Rap was like the fourth largest export in the US at that time

You can do a great independent record or a mixtape and get recognized now, but as soon as you have someone else going around and buying beats, it becomes this mess like Asaps, Kendricks and Pusher Ts last record were imo.
The fact that there weren't more than the couple of clam beats on that record was silly and a stupid gamble.