Dont know if you guys have heard this or not, getting alot of attention from bigger producers the last days.
Reese sounds huge. Sounds a bit like what you get when putting some phase modulation on the lunacy (think it was lunacy) wavetable in massive. Not really sure.
Just thought I'd post it here to revive the thread and hopefully give you inspiration for a reese-making session or something
aka blinkesko Soundcloud Jesus Loves Electro - Burning Love (Augment remix)
oh god, i'd love to see someone elaborate on this reese. There's no way these big reese basses are saws, because I think I've tried everything under the sun to get my reeses to sound like this using detuned saws and all sorts of notch filters, bandpasses, etc. and they always sound empty, weak. The closest I got to a nice sounding reese is this, which I posted before:
This ironically isn't even the sound I'm trying to achieve, it only sounds good on like C1 what I just posted, a single octave higher it sounds like distorted mess, so there's not much movement I could get with this.
Kit Fysto wrote:How many different words can you place before the word "step" and have that be a genre that people take seriously. Fuck it, I'm starting Christstep, all Christian, all the time.
oh god, i'd love to see someone elaborate on this reese. There's no way these big reese basses are saws, because I think I've tried everything under the sun to get my reeses to sound like this using detuned saws and all sorts of notch filters, bandpasses, etc. and they always sound empty, weak.
That "reese" in that track sounds much more like a growl... just sounds like Massive patch using bend+/- on the wavetables with some nice reese style processing.
Not exactly the same and still pretty shitty, but I did these a while ago (the high end is overdone but meh.): Soundcloud
and some similar shit between the bits on the drop in this: Soundcloud
and this: Soundcloud
oh god, i'd love to see someone elaborate on this reese. There's no way these big reese basses are saws, because I think I've tried everything under the sun to get my reeses to sound like this using detuned saws and all sorts of notch filters, bandpasses, etc. and they always sound empty, weak.
That "reese" in that track sounds much more like a growl... just sounds like Massive patch using bend+/- on the wavetables with some nice reese style processing.
+1, I've def heard a similar patch before
aka blinkesko Soundcloud Jesus Loves Electro - Burning Love (Augment remix)
mthrfnk wrote:
That "reese" in that track sounds much more like a growl... just sounds like Massive patch using bend+/- on the wavetables with some nice reese style processing.
Info if you want
Then Info please! It's pretty damn good, and very similar!
Also, what do you think of the reese I posted? I've had that FLP saved for a while, but I don't really know how to incorporate it into a drop. Like I said, every other note I try (it's resampled and bounced to harmor). With the "theme" of the song, I kind of want it to have that kind of culprate feel to it. (Listen to the drop in this to see what I'm saying: http://www.youtube.com/watch?v=9hoKBqe6D44)
Kit Fysto wrote:How many different words can you place before the word "step" and have that be a genre that people take seriously. Fuck it, I'm starting Christstep, all Christian, all the time.
Reese made using FM8 with tons of modulation and then resampled using Harmor.
In Harmor I used the Unison with only a small pitch difference and added some of the 'Log' distortion. Then I changed the LP filter in Harmor to a Phaser and automated that manually.
PhotonOfficial wrote:Reese made using FM8 with tons of modulation and then resampled using Harmor.
In Harmor I used the Unison with only a small pitch difference and added some of the 'Log' distortion. Then I changed the LP filter in Harmor to a Phaser and automated that manually.
PhotonOfficial wrote:Reese made using FM8 with tons of modulation and then resampled using Harmor.
In Harmor I used the Unison with only a small pitch difference and added some of the 'Log' distortion. Then I changed the LP filter in Harmor to a Phaser and automated that manually.
PhotonOfficial wrote:Reese made using FM8 with tons of modulation and then resampled using Harmor.
In Harmor I used the Unison with only a small pitch difference and added some of the 'Log' distortion. Then I changed the LP filter in Harmor to a Phaser and automated that manually.
I've posted earlier asking why my shit sounds so thin and most people thought I was over-EQ'ing but I've been fucking with reeses again and I think it may be due to phase issues? I can make some fun sounding modulating basses, but my process involves splitting it into high and low with lots of overlap between both (modulating) hi and lo pass filters and to add thickness again I re-add the dry signal to the chain, compress and distort/saturate, resample and repeat.
Y'all think that it may sound thin due to phase issues? Cuz I do properly fatten everything up and don't subtractively EQ until the end. Both for mixing and movement.
Genevieve wrote:I've posted earlier asking why my shit sounds so thin and most people thought I was over-EQ'ing but I've been fucking with reeses again and I think it may be due to phase issues? I can make some fun sounding modulating basses, but my process involves splitting it into high and low with lots of overlap between both (modulating) hi and lo pass filters and to add thickness again I re-add the dry signal to the chain, compress and distort/saturate, resample and repeat.
Y'all think that it may sound thin due to phase issues? Cuz I do properly fatten everything up and don't subtractively EQ until the end. Both for mixing and movement.
I encountered thin-ness before due to phasing issues in hamor, so yes.
Though I don't use Harmor. I just use it to generate the innitial patch I wanna work with and sample that. The thinness happens in the processing and modulation.
And what causes the phase cancellation anyway? Does the individual processing cause minimal latency which phases out the signal?
mthrfnk wrote:
That "reese" in that track sounds much more like a growl... just sounds like Massive patch using bend+/- on the wavetables with some nice reese style processing.
Info if you want
mthrfnk, I'm still waiting for info on this reese-processed growl
I tried using the carbon WT processed like a growl and got a really loud buzzy mess.
Kit Fysto wrote:How many different words can you place before the word "step" and have that be a genre that people take seriously. Fuck it, I'm starting Christstep, all Christian, all the time.
mthrfnk wrote:
That "reese" in that track sounds much more like a growl... just sounds like Massive patch using bend+/- on the wavetables with some nice reese style processing.
Info if you want
mthrfnk, I'm still waiting for info on this reese-processed growl
I tried using the carbon WT processed like a growl and got a really loud buzzy mess.
Ah shit sorry I forgot about this...
Which track I posted did you want info on?