Na, that's what I meantEskimo wrote:Do you mean, don't make it talk within the synth? Not sure if I got you right....
It's kinda difficult to explain exactly how to do it in text but you basically wanna use a triangle wave as modulator on a "single-resonant" routing so that it can split into a "double-resonant" (a.k.a vowel). This however creates two problems, namely:Maxxan wrote:Man it's a regular Swedish Dub Mafia up in here huh?
Yeah that 'synthesize vowel information' confused me as well. I've always been unclear on the concept of FM synthesis and growls, what parameter to actually modulate to get the growling bit. I'm guessing you automate one of the modulators inside the synth but I never could be arsed to pick it up even though I bought FM8 for that exact purpose. It's all very intimidating. Btw Smile I sent you a PM, check it brah.
1. The two resonances (or formants whatever you want to call them called them that) are basically duplicates of the same waveform = unrealistic
2. It becomes very difficult to make whatever vowel formation you want = fuck that
That's not even the whole story theres a lot of annoying details why making this organic sort of vowel isn't optimal to do with purely fm. That said you can still make some pretty sick vowels sounds with fm8, but you'll find making it sound like it's coming from some sort of "live creature" indeed very hard.