THE SECRET NINJA DUBS CLUB

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Jizz
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Re: THE SECRET NINJA DUBS CLUB

Post by Jizz » Sat Jun 08, 2013 5:41 pm


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Re: THE SECRET NINJA DUBS CLUB

Post by didi » Sat Jun 08, 2013 6:02 pm

Today's free dl in my bid to teach myself to finish tracks. First dubstep track I've made in about a year. Put a fair bit of effort into structuring (second drop etc.)

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Last edited by didi on Tue Jun 11, 2013 5:32 pm, edited 1 time in total.
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Re: THE SECRET NINJA DUBS CLUB

Post by BonerJams04 » Sat Jun 08, 2013 6:12 pm

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Re: THE SECRET NINJA DUBS CLUB

Post by l que » Sun Jun 09, 2013 2:12 am

https://soundcloud.com/l-que/siren-dub-work-in-progress

made this with a dub siren

let me know what ya think.

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Re: THE SECRET NINJA DUBS CLUB

Post by kidshuffle » Sun Jun 09, 2013 4:56 pm

ive been in the process of cleaning up some old projects before i reformat this computer, heres the first couple:

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l que...that track has some real potential, especially in the last 30 seconds of that clip. keep me posted when you finish it

really likin your tune as well jizzman, especially the swing on the drum patterns!
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Re: THE SECRET NINJA DUBS CLUB

Post by Jizz » Sun Jun 09, 2013 5:00 pm

lovely lady is big m8, smooth vibezzz. the virus is sum gangsta-ass $h!t, could do with some variation though imo dont shoot me 4 that m8

did anutha beat today:
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Re: THE SECRET NINJA DUBS CLUB

Post by chekov » Mon Jun 10, 2013 11:14 pm

finished something i've been working on for a while

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does it sound ok? duno if i should put more limiter on it more cos it's pretty quiet
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Re: THE SECRET NINJA DUBS CLUB

Post by chekov » Mon Jun 10, 2013 11:24 pm

also pls get a silky smooth rnb singer on lovely lady kidshuffle! those other beats are really nice too but that one :U:

that funfair beat's nice too jizzman, shot me through aha
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Re: THE SECRET NINJA DUBS CLUB

Post by ehbes » Tue Jun 11, 2013 3:44 am

wanted to make something fun and bouncy (imo) and use only 808 :D

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Re: THE SECRET NINJA DUBS CLUB

Post by Jizz » Tue Jun 11, 2013 12:13 pm

chekov i think thats alright at the moment, i hate putting limiters on the master myself cos it always kills the dynamic if you have a lot of MIDI stuff running like I usually do

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Re: THE SECRET NINJA DUBS CLUB

Post by hubb » Tue Jun 11, 2013 1:47 pm

i hate putting limiters on the master myself cos it always kills the dynamic if you have a lot of MIDI stuff running like I usually do
We should have an in depth production discussion thread.

There's a few limiters that have a dry/wet signal knob like izotope, where you can dial really small amounts in.
I find that a much less destructive approach. Also and this is something to look out for, there's limiters in a hell of lot of plugins where you wouldn't notice it, so when you put it on the master track you are limiting even when you think you aren't, like camelphat3 for example. A lot of synths too, mainly those that sound very commercial.
I take it as an excuse to use samplers instead.
You can spot it happening when certain peaks are suddenly nulled or muffled.
If you still want to limit some material separately, just set up a bus-group.
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Jizz
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Re: THE SECRET NINJA DUBS CLUB

Post by Jizz » Tue Jun 11, 2013 3:51 pm

hubb wrote:
i hate putting limiters on the master myself cos it always kills the dynamic if you have a lot of MIDI stuff running like I usually do
We should have an in depth production discussion thread.

There's a few limiters that have a dry/wet signal knob like izotope, where you can dial really small amounts in.
I find that a much less destructive approach. Also and this is something to look out for, there's limiters in a hell of lot of plugins where you wouldn't notice it, so when you put it on the master track you are limiting even when you think you aren't, like camelphat3 for example. A lot of synths too, mainly those that sound very commercial.
I take it as an excuse to use samplers instead.
You can spot it happening when certain peaks are suddenly nulled or muffled.
If you still want to limit some material separately, just set up a bus-group.
ah yeah izotope limiter is very nice, i just stay away from Ozone cos I dont really know what I'm doing when I put it on the Master lol. I'm never too obsessed about technicalities anyway, just wanna get on with my ideas. I remember using Sony Oxford on the master to limit though and the results were mixed, I think it does depend on what sort of a track you're limiting as well (correct me if I'm wrong)

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Re: THE SECRET NINJA DUBS CLUB

Post by chekov » Tue Jun 11, 2013 3:53 pm

ended up messing about with the mastering a bit more, waveform still looks quite unpleasant though (i know this doesnt really matter tho lol)

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Re: THE SECRET NINJA DUBS CLUB

Post by travis_baker » Tue Jun 11, 2013 4:04 pm

JizzMan wrote:
hubb wrote:
i hate putting limiters on the master myself cos it always kills the dynamic if you have a lot of MIDI stuff running like I usually do
We should have an in depth production discussion thread.

There's a few limiters that have a dry/wet signal knob like izotope, where you can dial really small amounts in.
I find that a much less destructive approach. Also and this is something to look out for, there's limiters in a hell of lot of plugins where you wouldn't notice it, so when you put it on the master track you are limiting even when you think you aren't, like camelphat3 for example. A lot of synths too, mainly those that sound very commercial.
I take it as an excuse to use samplers instead.
You can spot it happening when certain peaks are suddenly nulled or muffled.
If you still want to limit some material separately, just set up a bus-group.
ah yeah izotope limiter is very nice, i just stay away from Ozone cos I dont really know what I'm doing when I put it on the Master lol. I'm never too obsessed about technicalities anyway, just wanna get on with my ideas. I remember using Sony Oxford on the master to limit though and the results were mixed, I think it does depend on what sort of a track you're limiting as well (correct me if I'm wrong)
sorry i must say this, don't use limiters...any were, ever.

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Re: THE SECRET NINJA DUBS CLUB

Post by Lye_Form » Tue Jun 11, 2013 4:20 pm

JizzMan wrote:
hubb wrote:
i hate putting limiters on the master myself cos it always kills the dynamic if you have a lot of MIDI stuff running like I usually do
We should have an in depth production discussion thread.

There's a few limiters that have a dry/wet signal knob like izotope, where you can dial really small amounts in.
I find that a much less destructive approach. Also and this is something to look out for, there's limiters in a hell of lot of plugins where you wouldn't notice it, so when you put it on the master track you are limiting even when you think you aren't, like camelphat3 for example. A lot of synths too, mainly those that sound very commercial.
I take it as an excuse to use samplers instead.
You can spot it happening when certain peaks are suddenly nulled or muffled.
If you still want to limit some material separately, just set up a bus-group.
ah yeah izotope limiter is very nice, i just stay away from Ozone cos I dont really know what I'm doing when I put it on the Master lol. I'm never too obsessed about technicalities anyway, just wanna get on with my ideas. I remember using Sony Oxford on the master to limit though and the results were mixed, I think it does depend on what sort of a track you're limiting as well (correct me if I'm wrong)
if you are using shitloads of midi, bounce the project down with headroom, then home master in a new project (imo)
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Re: THE SECRET NINJA DUBS CLUB

Post by skell1ngton777 » Tue Jun 11, 2013 8:19 pm

i do everything with the mastering stuff already on the bus lol

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Re: THE SECRET NINJA DUBS CLUB

Post by ehbes » Wed Jun 12, 2013 3:17 am

feedback greatly wanted :) positive or negative

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Re: THE SECRET NINJA DUBS CLUB

Post by chekov » Wed Jun 12, 2013 9:33 am

snare's a bit too loud imo^
would be nice if it had a bit more reverb too, overall i like the tune though!
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Re: THE SECRET NINJA DUBS CLUB

Post by Jizz » Wed Jun 12, 2013 11:38 am

maybe get the drums to be a bit more raw? could fit the vibe of the track better

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