Here to become an ARTIST, not a copycat. PLEASE HELP!!!
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- Crimsonghost
- Posts: 1051
- Joined: Tue May 01, 2012 6:59 am
- Location: Belly of the beastmode
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
Also this ^
So, like he said, you wont be able to hear a couple hz pitch change. Unless you have perfect pitch. 3hz might be like 1cent. Which is like 1/100th of a semitone. Or 1/50th, depending on how you look at it.
A = 440hz. A# = 466hz. B = 495hz. So on and so forth. Theres a formula to it, but ill be damned if i know it.
So, like he said, you wont be able to hear a couple hz pitch change. Unless you have perfect pitch. 3hz might be like 1cent. Which is like 1/100th of a semitone. Or 1/50th, depending on how you look at it.
A = 440hz. A# = 466hz. B = 495hz. So on and so forth. Theres a formula to it, but ill be damned if i know it.
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
So maybe I should EQ that frequency? Then add the effect? I am pretty sure there's a way I can add EQ to the audio without effecting the effect. So I won't have to take my effect off and re-add it, right?Triphosphate wrote:::facepalm::BrainSick wrote:Ah! Hz is what I meant. Couldn't think of it at hand. Sorry, like I said I'm getting used to the terminology. So yes, it was -3Hz. Any idea how to clean them up? When I lowered it, it gave it slight tistortion and obviously the pitch changed making it harder to understand. If you know what the vox are saying, you understand it. I let a couple people listen and they got it for the most part, but I want it to be clearer.Triphosphate wrote:I suspect you mean 3 semitones or octaves. Not coming down on you for it or anything. Just saying that you need to gain a good understanding of the terminology you're using so that you can understand what you might hear in a video and communicate successfully with other producers. Decibels is a measurement of loudness/amplitude. Octave/Semitones/Hertz are a measurement of frequency=pitch.BrainSick wrote:Basically the effect makes the pitch of the voice adjustable. I lowered the pitch about 3 db (I think)
Not 3 hz... if you changed the pitch by 3 hertz you wouldn't notice. 3 semitones or 3 octaves. a semitone is like a key on the keyboard, there are 12 of them per octave and every octave represents a doubling of the hertz. 880 Hz which is A5 is one octave above A4 at 440 Hz. There are 12 semitones equidistantly placed between these logarithmic octaves.
The understandability of the human voice lies somewhere between 4000 and 8000 hz. I would try boosting this range in your vocal signal BEFORE you apply pitch processing. If you do it after, this frequency range will move down too.
Also, I edited in some more answers to your questions in my above post.
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
@BrainSick...you totally confused, bewildered and crushed by all the info in this thread? ;p
SunkLo wrote: If ragging on the 'shortcut to the top' mentality makes me a hater then shower me in haterade.
- Triphosphate
- Posts: 587
- Joined: Fri Sep 30, 2011 3:40 am
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
Yes. This is fundamental signal chaining, and in practice it may vary depending on what DAW you use. But functionally what you want to do is have ths EQ before the pitch shift. Make a boost of 3db or 6db between 4000 and 8000 and sweep it between this range until it sounds more understandeable, then route it through the pitch shifter. Or better yet, with the pitch shifter on, sweep between 4000 and 8000 with an EQ boost and see if it helps your understandability problem.
The order in which you place effects or plugins can have a drastic effect on the sound.
Edit: the reason I say 3db and 6db is because 3db is the average listeners threshold for dynamic change, and 6db is a doubling of volume. Until your ears get better trained, try working in 3s for volume changes.
@fragments: LOL

The order in which you place effects or plugins can have a drastic effect on the sound.
Edit: the reason I say 3db and 6db is because 3db is the average listeners threshold for dynamic change, and 6db is a doubling of volume. Until your ears get better trained, try working in 3s for volume changes.
@fragments: LOL

Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
More like totally stoked af, trying to soak it all in and just glad I'm getting good feedback from people who know this stuff. Like I said, better than watching someone do something and not getting answers to WHY they did it or what it means. Regardless of genre, to me, this has been the BEST place for learning and developing. Useful tool for when I'm at work so all I can do is research, communicate and learn!! Although, when I know I'm asking stupid questions and I get afragments wrote:@BrainSick...you totally confused, bewildered and crushed by all the info in this thread? ;p


- Crimsonghost
- Posts: 1051
- Joined: Tue May 01, 2012 6:59 am
- Location: Belly of the beastmode
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
At least hes gotten this far without linking wobble boss...fragments wrote:@BrainSick...you totally confused, bewildered and crushed by all the info in this thread? ;p

Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
i often wonder, how many of you americans on production boards know who this guy actually is?BrainSick wrote:
not to mention these guys lol



Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
I recognize the guy in the green suit, but don't know his name. He is either an actual journalist from Granada or he is an actor who played that journalist in a movie I saw once, lol.
@BrainSick: good to hear man.
@Crimsonghost: fucking wobbeboss...cracks me up every time...I wonder how many sales they get from lurkers on DSF Production even after we all mock it...
@BrainSick: good to hear man.
@Crimsonghost: fucking wobbeboss...cracks me up every time...I wonder how many sales they get from lurkers on DSF Production even after we all mock it...
SunkLo wrote: If ragging on the 'shortcut to the top' mentality makes me a hater then shower me in haterade.
- Triphosphate
- Posts: 587
- Joined: Fri Sep 30, 2011 3:40 am
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
nope nope nope. Bollocks, you limey wankers are always trying to take the piss out of us Yankees.hutyluty wrote:i often wonder, how many of you americans on production boards know who this guy actually is?BrainSick wrote:
not to mention these guys lol
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- Crimsonghost
- Posts: 1051
- Joined: Tue May 01, 2012 6:59 am
- Location: Belly of the beastmode
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
Triphosphate wrote:nope nope nope. Bollocks, you limey wankers are always trying to take the piss out of us Yankees.hutyluty wrote:i often wonder, how many of you americans on production boards know who this guy actually is?BrainSick wrote:
not to mention these guys lol
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Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
This has to be the best site ever known to mankind. Anybody interested in assisting me with my production PLEASE PM ME! Maybe we can skype or something! Or send me to someone who is!
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
horsepower productionsCrimsonghost wrote:Triphosphate wrote:nope nope nope. Bollocks, you limey wankers are always trying to take the piss out of us Yankees.hutyluty wrote:i often wonder, how many of you americans on production boards know who this guy actually is?BrainSick wrote:
not to mention these guys lol
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alan partridge
neil and christine hamilton (i think? haha)
- Triphosphate
- Posts: 587
- Joined: Fri Sep 30, 2011 3:40 am
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
Now we know! and knowing is half the battlehutyluty wrote:![]()
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horsepower productions
alan partridge
neil and christine hamilton (i think? haha)

PM me anytime you want. I don't skype frequently, but if you'd like I can fire up my livestream and walk you through stuff visually and you can bombard me with questions in chat.BrainSick wrote:This has to be the best site ever known to mankind. Anybody interested in assisting me with my production PLEASE PM ME! Maybe we can skype or something! Or send me to someone who is!
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
You sir, are a champ!
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
Won't let me PM you for some reason? Says user does not exist?
- Triphosphate
- Posts: 587
- Joined: Fri Sep 30, 2011 3:40 am
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
I sent you a PM, see if you can reply... Hopefully that works if I haven't been deleted from reality.
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
Allow me to retort:hutyluty wrote:i often wonder, how many of you americans on production boards know who this guy actually is?BrainSick wrote:
not to mention these guys lol
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OP, I'd work from the start to the end in terms of what you learn. Much like the order you'd take to produce a track. Composition and sound design first, then arrangement, then mixing, then mastering. Otherwise you're just gonna confuse yourself with compression ratios before you know a comb from a bandpass.
Also read the fucking manual and google is your friend.
For pitch shifting, try out different algorithms. A lot of times there will be various options for percussion vs vocal, preserving transients or formants, the pitch range of the original, etc.
Probably shouldn't shoot down really intelligent ideas so quickly. Unless you don't consider protecting your speakers and ears from errant feedback, glitches and buffer overruns intelligent. I'd be doing the same if Reaper didn't have a built in mechanism that mutes a buss once it exceeds a certain threshold.mromgwtf wrote:noOcelots Revolver wrote:I actually keep my busses at low volume and put a gained up limiter on the master. If it clips I turn down the gain, but my ears and speakers are still protected.mromgwtf wrote:Another tip: Back in time when I was a shitty producer (I'm not good now but I have some experience now), to make my track not clip, instead of gently compressing different busses and playing with their volumes... I just put a limiter on my master. That is the worst thing you can do.
Blaze it -4.20dB
nowaysj wrote:Raising a girl in this jizz filled world is not the easiest thing.
If I ever get banned I'll come back as SpunkLo, just you mark my words.Phigure wrote:I haven't heard such a beautiful thing since that time Jesus sang Untrue
- Crimsonghost
- Posts: 1051
- Joined: Tue May 01, 2012 6:59 am
- Location: Belly of the beastmode
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
Master limiter ^


Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
@Triphosphate: Can you post a like to your mixing tutorial.. heard some really useful things on it. I wanna watch it agian. c(:
Depth is a delusion, the deeper you look the less you see.
- Triphosphate
- Posts: 587
- Joined: Fri Sep 30, 2011 3:40 am
Re: Here to become an ARTIST, not a copycat. PLEASE HELP!!!
Icetickle wrote:@Triphosphate: Can you post a like to your mixing tutorial.. heard some really useful things on it. I wanna watch it agian. c(:
I'm excited about a new video on compression and its applications that I'll be uploading tonight. Thanks for the love.

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