Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
I finished a dubstep track recently and I don't like the melody I made. Everything is in key and fits with chord progression and all the other elements in the track.
The problem is that the melody is not catchy and not "good enough". Are there some techniques for making good and catchy melodies or do you just need to try and fail until you come up with something great?
Not really a fan of the drop but this is my fav. melody:
Oh yeah and this one:
I know things like this were already discussed before. I used the dsf google search and I didn't find anything helpful.
Depth is a delusion, the deeper you look the less you see.
Do what everyone does, search up tutorials, theory and just tweaking ish. You'll wind up getting it at some point. Its not just about making a good melody its about finding out who you are.
Honestly, I do it by trial and error... I normally "hear" a melody in my head to go alongside chords or a bassline I have, then I just attempt to recreate it and improve it
mthrfnk wrote:Honestly, I do it by trial and error... I normally "hear" a melody in my head to go alongside chords or a bassline I have, then I just attempt to recreate it and improve it
I haven't found any secrets so far. For every melody I make that's halfway decent there are like 20 crap ones. You should carry some staff paper with you at all times so that if you get inspired at random times you can write your melodies down before you forget them!
WolfCryOfficial wrote:Have fun on your musical campaign to hell.
Add9 wrote:I haven't found any secrets so far. For every melody I make that's halfway decent there are like 20 crap ones. You should carry some staff paper with you at all times so that if you get inspired at random times you can write your melodies down before you forget them!
How do you write a melody on a piece of paper?
I just hum it on the way home..
Depth is a delusion, the deeper you look the less you see.
Load them into your sequencer, have a listen and watch how the notes interact with each other. Then use the concepts to try and write your own. If you haven't got any musical background, it can be quite trial and error whilst you train your ears.
Load them into your sequencer, have a listen and watch how the notes interact with each other. Then use the concepts to try and write your own. If you haven't got any musical background, it can be quite trial and error whilst you train your ears.
I'd also recommend piano lessons.
Seriously.
Seriously, not everyone can afford piano lessons.
@Brothulu: I know that fuski is composing when it comes to melodies. c(:
Depth is a delusion, the deeper you look the less you see.
You'd be surprised. I reckon there are enough musicians on Craigslist or Gumtree that would happily run you through the basics of chords and whatnot for a few bucks if you're prepared to dig.
Icetickle wrote:How do you write a melody on a piece of paper?
I can just about read sheet music at a push, noway I could right it like that.
I just draw a piano roll, and write it on there.
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
Load them into your sequencer, have a listen and watch how the notes interact with each other. Then use the concepts to try and write your own. If you haven't got any musical background, it can be quite trial and error whilst you train your ears.
3za wrote:
I just draw a piano roll, and write it on there.
This. You don't even have to know the notes, only rough lengths and if you want it to be higher, lower or the same as another as you can get all the specifics done when you can hear it
Last edited by Brothulhu on Fri Jul 26, 2013 6:18 pm, edited 1 time in total.
Load them into your sequencer, have a listen and watch how the notes interact with each other. Then use the concepts to try and write your own. If you haven't got any musical background, it can be quite trial and error whilst you train your ears.
10,003, brostep remixs of mario [worms voice]INCOMIMG!!![/worms voice]
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
Load them into your sequencer, have a listen and watch how the notes interact with each other. Then use the concepts to try and write your own. If you haven't got any musical background, it can be quite trial and error whilst you train your ears.
wub wrote:You'd be surprised. I reckon there are enough musicians on Craigslist or Gumtree that would happily run you through the basics of chords and whatnot for a few bucks if you're prepared to dig.
Can't find them in Serbia. And I don't really have a problem with chords anymore. I probably could learn something new when it comes to chords but that is not my problem at the moment.
Depth is a delusion, the deeper you look the less you see.
wub wrote:You'd be surprised. I reckon there are enough musicians on Craigslist or Gumtree that would happily run you through the basics of chords and whatnot for a few bucks if you're prepared to dig.
Can't find them in Serbia. And I don't really have a problem with chords anymore. I probably could learn something new when it comes to chords but that is not my problem at the moment.
mthrfnk wrote:Honestly, I do it by trial and error... I normally "hear" a melody in my head to go alongside chords or a bassline I have, then I just attempt to recreate it and improve it
Honestly the main lead only sounds good because of the synth I used which glides and has loads of pitch bends... on it's own it sounds like random plucky notes
I like to use glides and bends a lot because they can make a simple melody more interesting and more "real" imo.
mthrfnk wrote:Honestly, I do it by trial and error... I normally "hear" a melody in my head to go alongside chords or a bassline I have, then I just attempt to recreate it and improve it
Honestly the main lead only sounds good because of the synth I used which glides and has loads of pitch bends... on it's own it sounds like random plucky notes
I like to use glides and bends a lot because they can make a simple melody more interesting and more "real" imo.
Especially on this one after the drop - http://www.youtube.com/watch?v=U5As6Byz4Uc
