Yeah, for me... I've got health issues that prevent me from working on music as much as I'd like. So, I kind of have to accept some limitations. But I've exclusively been doing TUNA! for the past few months, maybe 6 months? We've been TUNA!ing for how long? I think 5 or 6 months. Anyways, I've been exclusively TUNA!ing. Actually, there have been like three tracks that I really liked, but were not finishable in the TUNA! timeframe, so I left them, I would like to go back to them, but (jeez sorry for my language) all of my TUNA! output is very rough sketches. I know I can go back and make things a lot better. Even just at the arrangement level, just switching things around would make stuff a lot better.
The only trick is, the longer I work on something, the shittier it gets, you know? So my challenge would be to go back to those old projects and push them further without crashing them, and I have almost always gone back and crashed things when I push them further... so that'd be my challenge. But that is what I'd like to confront.
There are dope producers in the TUNA! I really do think we should do the comp.
Oh, yeah, I'm not so worried about my mixes or masters. I really don't care that much about that stuff. I do care about the songs themselves, and it is at that level that I KNOW I can make improvements. I'm sure the mixes could get a lot better though, and maybe in the context of a compilation, we could get really specific and nitpicky across all of our various monitoring environments, and really polish up our tracks, collectively. I know you have really good ears Bud, that could kind of be your thing.
I've got a family member who is just starting his design studio and can do up to four color screen prints. If we'd like to do a small cd release, or cassette release, that'd be dope. I've looked into doing the cassette thing, have sourced affordable cassettes and what not... it is another option. I know you were thinking about a digital release, a physical would be nice too. Trust me, I have releases from long long ago, and digi stuff just disappears. It is almost like the physical is MORE persistent than the digital, which is kind of counter intuitive, but, for me, seems to be the way it is. Love the way physical shit turns up. Open up an old box, and there is that tape, or cd, or lp from way back when....
But I can do the physical stuff, if we want to go that way. I can manage it. The artwork, printing, burning, duping, mailing. I'd be happy to do that. (on a very limited scale! Like 25-50, or if for some reason there was a lot of interest from somewhere, a 100, but that is stretching it!)