Post
by bouncingfish » Thu Feb 27, 2014 2:20 am
Hope this helps, hope this thread becomes big too it's a great idea:
For all noobs, the Boost//Freq thing in the eq is like this: Boost all the way down = notch filter and boost all the way up = peak filter. In the middle = nothing, obv. Freq. is obviously frequency, so this can be used as an extra notch or peak filter. Alot of people miss this when they're filtering basslines, modulating this is a great way to add more complexity.
A coooool tip, if you want to make Vinyl Stop type sounds in your sounds (shwoup), add a delay in the inserts, take the wet all the way up and add a macro/an envelope/LFO to the Time. Creates interesting effects.
For nice high end - Crude with wt on full or Scrap yard with wt on 10 o clock
Kill the noise style squishyness, as you know, is best made in Chrome, Squelchy or A.I.
For a Harsh saw-y sound (skrillex - international bas style), use Gentle speech or Deep Throat and mess with Bend modes (+/- or - or +) and distort with brauner or classic, and maybe some ring modulation and waveshaping (parabolic).
If you have a sound with cool highs but you want to add some fat mids, add a Disto wavetable.
Modulating the rate of an lfo with another lfo is very cool in case you didn't know.
For more lushness to e.g a pad or a reese, the Pipe noise is lovely.
Tele tube distortion algorithm is great for sub bass, makes the harmonics pop.
Modulating the filter mix is cool if you have like a bandpass and a notch filter for example.
Very basic but: Add a really really short decay envelope to the pitch of your oscs and mod osc, (pitch modulation should be 64), makes it hit harder. Don't do this if it hits at the same time as a kick tho, just makes mixing harder (unless it's sidechained but in that case you won't even hear the beginning of the sound so doing this is pointless).
THat's something!
I hope more people post in this!
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Hey, finally got soundcloud
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