Interesting. I recently had come to a similar conclusion after listening to/analyzing a lot of different music styles and genres, in hopes to help me get out of a rut I've been in production-wise.Lucifa wrote:spooky skellingtons
atmosphere is the sum of the entirety of the track's parts. don't just chuck in metallic hits with long delays like those dungeon tracks used to, adds nothing besides making the track draaaggg.
repetition, tension, progression then resolve gives atmosphere, and thats more through song writing than any individual element.
I've even found the mixdown to be helpful towards guiding the atmosphere, so to speak. If in the mixdown I emphasize the drums, for example, then naturally the rhythm shows more. If there is something conflicting, like a lead with a meldoy that doesn't complement the rhythm, then it creates more noticeable clash in the composition, at least this is my experience of it.
But, mixdowns are not what makes the atmosphere. Composition is key, I'm learning more and more. I'm actually finding mixdowns more smooth if I take the composition seriously, and let that guide the decisions I make in the mixdown.