What needles you using ?

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kaustic
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What needles you using ?

Post by kaustic » Sun Dec 02, 2007 11:33 pm

what are your views on the following manufacturers:
Stanton
Ortofon
Shure

i find the concorde shapped stylus' like the discmaster 2 i have are a bit shite i cant even buy new needles for them anywhere !! :evil:
i like the looks of the shure m447's

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MARCHMELLOW
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Post by MARCHMELLOW » Mon Dec 03, 2007 12:17 am

i have the shure m447's. nice stylus, heavy on the bass end. i heard that concore stylus will wear out your vinyl much quicker then other stylus....
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kaustic
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Post by kaustic » Mon Dec 03, 2007 1:38 am

im using timecoded vinyl and there are a few new stylus designed around the whole timecoded thing could just be a gimik. i think il just go 4 the m447's unless anyone else can advise otherwise...

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djshiva
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Post by djshiva » Mon Dec 03, 2007 2:21 pm

i am a stanton 680 die-hard.
Here, have a free tune:
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fullyrecordingz
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Post by fullyrecordingz » Mon Dec 03, 2007 3:27 pm

Image

shonky
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Post by shonky » Mon Dec 03, 2007 3:40 pm

FullyRecordingz wrote:Image
You wag :wink:
Hmm....

Image

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pdomino
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Post by pdomino » Mon Dec 03, 2007 4:23 pm

Ortofon Concorde Nightclub E

Had em for about 7 years.

ericnormski
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Post by ericnormski » Mon Dec 03, 2007 6:38 pm

m447 all the way

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FSTZ
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Post by FSTZ » Mon Dec 03, 2007 6:47 pm

whitelabel massive

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dj cal cutta
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Post by dj cal cutta » Mon Dec 03, 2007 7:36 pm

Whitelabels

kaustic
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Post by kaustic » Mon Dec 03, 2007 8:40 pm

A review i read said the white labels "have a hard time staying in the groove when your cueing" is this bullshit ?

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casino
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Post by casino » Sun Dec 09, 2007 10:21 pm

unklefesta wrote:whitelabel massive
These are very nice, tried and true... :wink:

I also have the Shure m447s...

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casino
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Post by casino » Sun Dec 09, 2007 10:22 pm

Kaustic wrote:A review i read said the white labels "have a hard time staying in the groove when your cueing" is this bullshit ?
I haven't really noticed that...

whineo
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Post by whineo » Sun Dec 09, 2007 10:25 pm

I Loved my sures

(until they got nicked :cry: )

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Sharmaji
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Post by Sharmaji » Sun Dec 09, 2007 11:05 pm

ortofon elektro's. great signal, cue really well, etc, etc. apparently they're eating up my dubs, tho-- whoops! was told by a mastering engineer that if yr playing dubs, go for the shures--ortofon's are murder on 'em.

of course i learn this AFTER getting the elektros.
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casino
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Post by casino » Mon Dec 10, 2007 12:09 am

TeReKeTe wrote:ortofon elektro's. great signal, cue really well, etc, etc. apparently they're eating up my dubs, tho-- whoops! was told by a mastering engineer that if yr playing dubs, go for the shures--ortofon's are murder on 'em.

of course i learn this AFTER getting the elektros.
but ortofons do sound nice though.

good info on them BTW, i was gonna pick up a set. maybe i'll just get another set of Shures..

snows
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Post by snows » Mon Dec 10, 2007 4:15 pm

Im using the concorde ortofons I stole fromt the key last month.

Im big like that...

Need to get a set of sures for my scratch live though, january sale times.

kaustic
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Post by kaustic » Tue Dec 11, 2007 2:16 am

to be honest i think the concorde shapped needles are a bit gimiky. the thought of the 447s with their fat block and weight re-assures me they wont skip, my stanton discmaster 2s jump around the place like a fucking venga boy

nuravehitcher
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Post by nuravehitcher » Tue Dec 11, 2007 1:58 pm

sorry am i missing something.... whats the difference with using the ortofons on actual releases or timecoded vinyl... i have both serato and vinyl releases that i play. do some needles suit timecode better than others?

i currently have the basic ortofon dj needles which on the face of it seem fine!

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