Would dubstep benefit from not having subgenres at all?
And then what would we do?Jubscarz wrote:Dubstep would benefit from less pointless speculation about where it's going, where it's been and what needs to happen within it.
I'd like more info on who's been seen out and about with dubstep, how dubstep lost weight after giving birth, is dubstep on heroin, which restaurants dubstep eats in, and far more pics of dubstep rolling out of a club at 4am and starting a fight with paparazzi.
Hmm....


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dubsteps on crack...Shonky wrote:And then what would we do?Jubscarz wrote:Dubstep would benefit from less pointless speculation about where it's going, where it's been and what needs to happen within it.
I'd like more info on who's been seen out and about with dubstep, how dubstep lost weight after giving birth, is dubstep on heroin, which restaurants dubstep eats in, and far more pics of dubstep rolling out of a club at 4am and starting a fight with paparazzi.
allegedly...
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Well if you look at the beginning of house music (say the Balearic era) people were playing Jungle Brothers with Happy Mondays with Sueno Latino - I do find genres a bit restrictive to be honest.sully_shanks wrote:Shonky wrote:Why not fuck off genres altogether and just play the good stuff from across the board?
I know it's crazy but it might just work![]()
u might be onto something there!
Hmm....


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It was semi tongue in cheek.... I do think that for all this talk of no sub-genres (as they are the evil work of the media and a divisive curse...or whatever!!) people have all bought into the idea of genres anyway by insisting that dubstep is dubstep and nothing else can describe beats at 140bpm with sub.
Why should people catorgarise my beats or shonky's beats or Toasty's beats or sully's beats or oyaarss' beats etc....as dubstep? True producers just make the music they feel and anyone setting out to make 'dubstep' is falling into the trap of making music to sound like something and not themselves.
The 140bpm rule is getting applied less and less these days. From just the producers i mentioned above there is a tempo range from
120-155bpm. People doing their own thing aren't buying into any genre, sub-genre or whatever it is just the audience who feel they have ownership of other people's beats and will fiercely say that the music belongs to 'their' genre as it is roughly 140bpm and has sub.
Why should people catorgarise my beats or shonky's beats or Toasty's beats or sully's beats or oyaarss' beats etc....as dubstep? True producers just make the music they feel and anyone setting out to make 'dubstep' is falling into the trap of making music to sound like something and not themselves.
The 140bpm rule is getting applied less and less these days. From just the producers i mentioned above there is a tempo range from
120-155bpm. People doing their own thing aren't buying into any genre, sub-genre or whatever it is just the audience who feel they have ownership of other people's beats and will fiercely say that the music belongs to 'their' genre as it is roughly 140bpm and has sub.
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Oh I'll cancel that good review of your Forensics remix shall I then?two oh one wrote:I agree, Citizen.
United we stand, innit?
All it takes is a journalist to nonchalantly coin an arbitrary new sub genre and the sheepies are all over it.
140 + Big arse bass + whatever sprinkles you fancy =Dubstep.


Seriously that's a rubbish argument that I've heard in so many scenes... just look at the evidence - this board contains FAR more discussion of the different styles within dubstep, from punters and producers, than does any journalists' articles I've read!
I think Shonky's nailed it tho... keep it MASSIVELY diverse: as Benga puts it "dubstep keeps moving and moving". Instead of just "deep", "dark" and "wobbly" stuff, we want "rolling" tunes and "jazzy" tunes and "junglist" tunes and "techy" tunes and "spacey" tunes and "housey" tunes and a hundred other descriptors and combinations of all the above... these aren't "sub-genres" - they're just descriptions of individual tunes.... if the music moves faster than the descriptions, then it will remain one step ahead; when you get the point that D&B did with "techstep" / "jump up" / "hardstep" etc then the opportunities for evolution are stifled.
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exactly - styles n sounds developed in the clubs n on the decks as much as in the studio, that is exciting djingShonky wrote:Well if you look at the beginning of house music (say the Balearic era) people were playing Jungle Brothers with Happy Mondays with Sueno Latino - I do find genres a bit restrictive to be honest.sully_shanks wrote:Shonky wrote:Why not fuck off genres altogether and just play the good stuff from across the board?
I know it's crazy but it might just work![]()
u might be onto something there!
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I think dubstep needs to go to rehab.Shonky wrote:And then what would we do?Jubscarz wrote:Dubstep would benefit from less pointless speculation about where it's going, where it's been and what needs to happen within it.
I'd like more info on who's been seen out and about with dubstep, how dubstep lost weight after giving birth, is dubstep on heroin, which restaurants dubstep eats in, and far more pics of dubstep rolling out of a club at 4am and starting a fight with paparazzi.
I mean, did you see the state of dubstep in those photos that were leaked onto the net?
She was so drunk that she didn't realise she'd flashed her unkempt lady-garden at the cameras as she stepped out the limo.
OMG

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I heard it was shaved....gravious wrote:
She was so drunk that she didn't realise she'd flashed her unkempt lady-garden at the cameras as she stepped out the limo.
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well if thats the case, why are we all on this forum?threnody wrote: Why should people catorgarise my beats or shonky's beats or Toasty's beats or sully's beats or oyaarss' beats etc....as dubstep? True producers just make the music they feel and anyone setting out to make 'dubstep' is falling into the trap of making music to sound like something and not themselves.
because we love dubstep. everything needs a name to describe it, and the more of something (dubstep) thats made, the more names ( sub genres ) are gonna have to be created.
don't fight it, don't worry about it.
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ive started calling the bristol stuff minimal dubstep in my head
not in a pigeonholling way, but it describes it perfectly to a mate in a pub!
not in a pigeonholling way, but it describes it perfectly to a mate in a pub!
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