MacPhellimey wrote:I pre-ordered it from cargo and got an e-mail last night saying it had been dispatched.
When is the Burial LP out????
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macphellimey
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boomkat have had delivery problems beyond there control.
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boomnoise and pokes | sub.fm | 8-10 | every other wednesday | lock and pop
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boomnoise and pokes | sub.fm | 8-10 | every other wednesday | lock and pop
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macphellimey
- Posts: 261
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Amazing stuff, been on ratation constantly in the car.
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Check out this review from Cargo Records.... deep shit. 
'Burial' - the album - explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl's intrinsic physicality. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of 'Distant Lights' is cooled only by the percussive ice sharp slicing of blades and jets of hot air blowing from the bass. Listen also for a fleeting appearance from Hyperdub's resident vocalist, The Spaceape, unravelling his cryptobiography. 'Burial' is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint. The first of many 5 star reviews appears in the May issue of IDJ : "Burial dares to move forward by moving two steps backwards... aiming for Rhythm & Sound's singularity and getting amazingly close in the process. Most Jungle producers fetishized the sheen of 'Blade Runner', yet tunes like 'Forgive' actually capture the clammy, heat haze of the movie's rain sodden future world... it's enticing tunnel vision rivals Sakamoto for beauty and Boards of Canada for drift... an absurdly addictive sonic opiate for lovesick drifters. Breathtaking."
'Burial' - the album - explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl's intrinsic physicality. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of 'Distant Lights' is cooled only by the percussive ice sharp slicing of blades and jets of hot air blowing from the bass. Listen also for a fleeting appearance from Hyperdub's resident vocalist, The Spaceape, unravelling his cryptobiography. 'Burial' is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint. The first of many 5 star reviews appears in the May issue of IDJ : "Burial dares to move forward by moving two steps backwards... aiming for Rhythm & Sound's singularity and getting amazingly close in the process. Most Jungle producers fetishized the sheen of 'Blade Runner', yet tunes like 'Forgive' actually capture the clammy, heat haze of the movie's rain sodden future world... it's enticing tunnel vision rivals Sakamoto for beauty and Boards of Canada for drift... an absurdly addictive sonic opiate for lovesick drifters. Breathtaking."
well the first part of that is just a regurgitated version of the press release. and the IDJ review, well... not deep imho.Crazydave wrote:Check out this review from Cargo Records.... deep shit.
'Burial' - the album - explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl's intrinsic physicality. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of 'Distant Lights' is cooled only by the percussive ice sharp slicing of blades and jets of hot air blowing from the bass. Listen also for a fleeting appearance from Hyperdub's resident vocalist, The Spaceape, unravelling his cryptobiography. 'Burial' is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint. The first of many 5 star reviews appears in the May issue of IDJ : "Burial dares to move forward by moving two steps backwards... aiming for Rhythm & Sound's singularity and getting amazingly close in the process. Most Jungle producers fetishized the sheen of 'Blade Runner', yet tunes like 'Forgive' actually capture the clammy, heat haze of the movie's rain sodden future world... it's enticing tunnel vision rivals Sakamoto for beauty and Boards of Canada for drift... an absurdly addictive sonic opiate for lovesick drifters. Breathtaking."
dunno if bm will have it right away. they're not very good at getting in the cd releases. maybe tho.Logos wrote:Which of the London shops are going to be carrying this, Blackmarket?
I want to go buy a copy and have it in my hand, not order it online if I can help it!
i'd check down berwick street. selectadisc / sisterwray probably a good bet.
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