Now THAT is something I think we can ALL agree on!!!dr ddd wrote: I'm not sure how or what my life would be if ska had never been a part of it...
Kudos lovely lady!!

I don't see how a discussion has turned into another 'you're a prik' response. It’s a sad state of affairs when people can’t have a decent discussion without being offended when someone doesn’t agree with them.Echo Wanderer wrote: Actually it is true.It was basically Mento crossed with R&B and Jazz.Mento and Calypso were already well established Carribean styles LONG before R&B.Mento and Calypso were the foundations,then came the R&B and Jazz.And even THEN it was called Shuffle,which was the actual precursor to Ska.I see no mention of that in your rantings about R&B.
You really need to learn your facts and stop spouting your unfounded opinion that pretty much all 20th century music comes from R&B.I'm sorry,but even while I agree with you on some points on the R&B/Rock'N'Roll connection,you need to learn your history on Ska.I've spent years(and lots of money) listening to,studying,playing,and procuring Ska music(all three waves of it).I hate to break it to you,but you don't know what the fuck you are talking about.
You,sir,are a prik for the sake of being a prik.You do it in almost every thread.And you obviously hate being schooled.If you want to talk R&B,chances are may or may school me(btw,my mother went out with Berry Gordy's nephew for 8 years,I have met the man personally,and I used to own some of Marvin Gaye's old suits as Anna Gaye[his widow] gave them to me personally,not to mention the fact that I have quite a few rare mint condition R&B albums of Motown,Stax,and Chess),then maybe start a thread about that.You obviously know your R&B,and I applaud you for that,so why not share your knowledge on that instead of trying to ruin a Ska thread with things you have no idea about.
kidlogic wrote:x2Echo Wanderer wrote:Now THAT is something I think we can ALL agree on!!!dr ddd wrote: I'm not sure how or what my life would be if ska had never been a part of it...
Kudos lovely lady!!
Yeah.I know the website that's quoted from.But it was nothing most people into Ska didn't already know.Donkey wrote: I don't see how a discussion has turned into another 'you're a prik' response. It’s a sad state of affairs when people can’t have a decent discussion without being offended when someone doesn’t agree with them.
I am fully aware that mento had been around long before R&B, it was the Jamaican folk music with roots in the african folk music brought over by slaves, and I have a good sized collection (including some mento) and have done a lot of reading on the development of reggae.
Whilst I'm not denying that mento was influential in the development of ska, the main driving force was the desire to create local music in the style of R&B for the sound systems. If you listen to a lot of early ska it is pretty much R&B, of course there are exceptions, there always are.
"After World War II, Jamaicans purchased radios in increasing numbers and were able to hear rhythm and blues music from Southern United States cities such as New Orleans by artists such as Fats Domino and Louis Jordan. The stationing of American military forces during and after the war meant that Jamaicans could listen to military broadcasts of American music and there was a constant influx of records from the US.
To meet the demand for that music, entrepreneurs such as Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems. As jump blues and more traditional R&B began to ebb in popularity in the early 1960s, Jamaican artists began recording their own version of the genres. The style was of bars made up of four triplets, similar to that of "My baby just cares for me" by Nina Simone, but was characterized by a guitar chop on the off beat - known as an upstroke or skank - with horns taking the lead and often following the off beat skank and piano emphasizing the bass line and, again, playing the skank. Drums kept 4/4 time and the bass drum was accented on the 3rd beat of each 4-triplet phrase. The snare would play side stick and accent the 3rd beat of each 4-triplet phrase. The upstroke sound can also be found in other Caribbean forms of music, such as mento and calypso."
Donkey wrote:
I could go a lot more into this but frankly I can't be arsed, and I am going out. You seem to fail to grasp what I was saying, so there isn't a lot of point.
Anyway...
Echo Wanderer wrote:Yes.Pics.Please.dr ddd wrote: a) if ska had never been a part of my life i suspect there would be a lot less check in my wardrobe (in fact I may have to dig out some photos.. hehehe)
Skinhead girls and Rudegyals in checks are hot...
concept_ wrote: besides, i obviously like ska the most out of anyone here so STFU everyone serial
If smugness equates to posting rationally and with a strong opinion, then call me smug if you wish, it’s all interpretation anyway. As for 3rd wave ‘ska’ I said I didn’t like it, that was all. Funnily enough, people sometimes have different taste in music.Echo Wanderer wrote: My honest opinion?I think you are a troll.There's been quite an outbreak here lately.And for some strange reason,it seems like you are unnaturally stalking Blizzard,as he is the one who started this thread and you seem to pop up wherever he posts.
But that's just my opinion.And I figure tit for tat,since we've all had to hear yours.
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