German Techno producer, big in the game.Legendary wrote:
I have no clue who the bloke is but he obviously must be good at what he does with all that shit, i love the way everything he owns is unique and to how he wants it.
Rob acid on Mastering
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Don’t worry about people stealing an idea. If it’s original, you will have to ram it down their throats.
Re: Rob acid on Mastering
Izotope Ozone has an eq thats capable. Just turn it from analogue to digital mode and you can create vertical cutsikeaboy wrote:http://www.vimeo.com/808485
If your interested in mastering or just want to see rack after rack of incredible equipment.
He always cuts away everything under 30hrtz and above 17-18khrtz![]()
I tried cutting away stuff under 30 hrtz but none of my eq's have a steep enough response to do the job without affecting the 30-60 hrtz area. I've tried abletons Eq 8, Autofilter and Bombfactory SC-226 Can anyone recommend a steep filter slope EQ?

"What takes years to build can be brought down over night, build anyway" -Ghandi
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Re: Rob acid on Mastering
Rubberfilter?uproot wrote:Izotope Ozone has an eq thats capable. Just turn it from analogue to digital mode and you can create vertical cuts
Up to 384db/Oct. Might do the trick. It's fwee: http://rekkerd.org/christian-budde-stil ... ilter-v10/
BlizzardMusic wrote:'in your face you miserable tosser'
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Re: Rob acid on Mastering
checking this cheers.masstronaut wrote:Rubberfilter?uproot wrote:Izotope Ozone has an eq thats capable. Just turn it from analogue to digital mode and you can create vertical cuts
Up to 384db/Oct. Might do the trick. It's fwee: http://rekkerd.org/christian-budde-stil ... ilter-v10/

Re: Rob acid on Mastering
Thanks both of ye. I'll do a A/b comparison of both at 30hrtz if I can without spending moneymasstronaut wrote:Rubberfilter?uproot wrote:Izotope Ozone has an eq thats capable. Just turn it from analogue to digital mode and you can create vertical cuts
Up to 384db/Oct. Might do the trick. It's fwee: http://rekkerd.org/christian-budde-stil ... ilter-v10/


best thing ritchie did was go bald. i swear there was some funny business going on between him and Sven Vath lol.ikeaboy wrote:masstronaut wrote:It's important to get your hair correct otherwise the soundwaves won't reach your ears right.
Don’t worry about people stealing an idea. If it’s original, you will have to ram it down their throats.
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that's how reverb used to be. Same with the original plate reverb, they actually fed the signal through massive metal plates.Hugh wrote:i really want to understand whats goin on with that reverb machine, its pretty crazy
I've got an old furman spring reverb, not as beasty as that thing in the vid but its pretty cool for hi hats and stuff. And wicked for oldschool guitar. Best thing is it never sounds exactly the same twice, has a bit of a mind of it's own.
Was thinking of building my own flippo-verb actually, all sorts of different springs and shit, mix levels between them. Don't really ahve the time though

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Yeah, he does a lot of presets for Reaktor. I especially remember his presets for Reaktor 3, because i could listen for them just like tracks.ali jamieson wrote:You won't learn shit from hanging out with Sven Väth. All of his albums were wrote by the same guy (http://www.ralfhildenbeutel.com/), who produces also music like that:masstronaut wrote:haha u kno about sven vath! i have some of his old bait german ambient-techno-jazz somewhere...ikeaboy wrote:...It's hanging out with Sven Vath that did it...
http://www.youtube.com/watch?v=PDwIQwTP_Uc
Same thing with DJ Hell by the way, too. And Ellen Allien.
ali jamieson wrote:rob acid is a badman, very cool styles. blending compressed with dry signal is a great idea, under-used medium. he got skills! does he program for reaktor too? swear i seen his name on the forums and in the patches...
/M
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