Symmeton - Shifting Sands. have a go, why not?

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armada
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Symmeton - Shifting Sands. have a go, why not?

Post by armada » Tue Jul 08, 2008 12:45 am

have a new tune up, check "shifting sands"

www.myspace.com/symmeton

watch out for the 2nd drop!

320's available upon request.

thanks for listening :o :o

dubly sure
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Post by dubly sure » Tue Jul 08, 2008 12:59 am

what are u using to make bass. the track has some nice flow and a good upbeat feel but is lacking some serious low end.... maybe a small eq boost or even a whole new chanel dedicated to some sub freq. hope this is helpful

armada
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Location: colorado

Post by armada » Tue Jul 08, 2008 1:31 am

bass is made with massive. i had the sub alot louder but it was too much when i listened to it in my car so i dropped the lows a little bit. what are you listening on?

and i very much appreciate the feedback. cheers.

dubly sure
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Post by dubly sure » Tue Jul 08, 2008 5:44 am

my studio set up should get everything. hey i might take some heat over this comment but dont produce with a sub. two nice studio monitors should provide you with enough of an idea of how every thing sounds right? especialy if you have the angle down. the reason i say this and again i say i may take some heat, is this

When you work with a sub in ur studio i find,(aswell as several more qualified friends of mine) that you create a song where you rely more on the bass to keep things exciting. wheras at the end of a mix down you can boost the low freq so that you know that they will feel warm. I'm not saying turn the bass down, im just saying turn the subs off. the music you write needs to sound full on different kinds of systems. so if it sounds full on you mp3 garbage ear plugs you know you've done you're job.

ok bring the heat.....

armada
Posts: 367
Joined: Sun Jul 29, 2007 12:03 am
Location: colorado

Post by armada » Tue Jul 08, 2008 3:44 pm

Dubly Sure wrote: When you work with a sub in ur studio i find,(aswell as several more qualified friends of mine) that you create a song where you rely more on the bass to keep things exciting. wheras at the end of a mix down you can boost the low freq so that you know that they will feel warm. I'm not saying turn the bass down, im just saying turn the subs off. the music you write needs to sound full on different kinds of systems. so if it sounds full on you mp3 garbage ear plugs you know you've done you're job.

ok bring the heat.....
there might be some truth to that. but i know if i made 3 minutes of pure sub osc sine waves and listened on teenie mp3 'plugs it would be 3 minutes of silence.

dubly sure
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Post by dubly sure » Wed Jul 09, 2008 12:49 am

no no for sure. i mean mos syth use multiple osc right so meaty middle bass is totaly essential. lol good comment

rockpile
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Post by rockpile » Wed Jul 09, 2008 1:02 am

Bottom end sounded fine here

dubly sure
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Post by dubly sure » Wed Jul 09, 2008 1:12 am

the kick is nice and full.

nicodemus
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Post by nicodemus » Wed Jul 09, 2008 4:18 am

Definitly feeling "Shifting Sands' and would appreciate a 320!!!

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rhythmicon
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Post by rhythmicon » Wed Jul 09, 2008 5:55 am

I enjoyed "Ambush" more tbh. Good production though bruv.

Any chance of a 320?

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armada
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Post by armada » Thu Jul 10, 2008 9:00 pm

ill have to find Ambush, its lost on some harddrive or memory stick i think

getdownsyndrome
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Post by getdownsyndrome » Fri Jul 11, 2008 12:00 am

hey man, digging shifting sands a whole lot. Would love to give this a spin if the 320s are still going.

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