2 of nottinghams up and coming produces! you need to know!!!
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- cookiemonsta
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Oh dear, where all the love gone?
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Yeah to say theres no soul in a certain type of music just because you don't like it is massively ignorant. But you gotta deal with it coz people like that exist all over the world.cookiemonsta wrote:no no no i can accept it but wen sayin thers no soul n shit, he jus dont understand....it jus pisses me off....
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- cookiemonsta
- Posts: 624
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n i hate ignorant pplBreathe Beats wrote:Yeah to say theres no soul in a certain type of music just because you don't like it is massively ignorant. But you gotta deal with it coz people like that exist all over the world.cookiemonsta wrote:no no no i can accept it but wen sayin thers no soul n shit, he jus dont understand....it jus pisses me off....
- cookiemonsta
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- cookiemonsta
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So that's that sorted then, can we move on now please?blazey wrote:Take Over by Breathe has fucked up bare venues I have played at, and when Jakes dropped it in LDN it went off.
Allow people talking bullshit, but big up the prople giving constructive comments.
Big up Breathe N Cooks
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- djstandfast
- Posts: 706
- Joined: Wed Sep 12, 2007 8:45 pm
- Location: Nottingham - UK
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adisize wrote:to me thiss this aint dubstep (everyone has a different view of what is and isn't!)
not sayin i dont like it!
the tunes are good not out of this world.. but too much midrange crazzy shit, not enough space n bass to be dubstep
yeh this a good comment...cooks tunes are just crazy, and in a rave, if this shit just bust on..u would go on a mad one...its kinda like crazy mess up your face step...if u get me...u prob dont get me..i dont care if u get me..

Last edited by djstandfast on Wed Jul 09, 2008 7:45 pm, edited 1 time in total.
- killingtime
- Posts: 49
- Joined: Sat Dec 22, 2007 11:37 am
regardless of the repulsiveness of cookie monsta's tunes - which by the way i think are fucking heavy - you can't label it as having 'no soul' when it clearly does, just a bare angry soul lol
i can appreicate this type of dubstep jus as much as say, ruff lovin by coki or that under the dancing clouds tune or whatever.
people could label that as emo and gay but they dont, live and let live its all dubstep and its all fuckin gangsta.
endrant
i can appreicate this type of dubstep jus as much as say, ruff lovin by coki or that under the dancing clouds tune or whatever.
people could label that as emo and gay but they dont, live and let live its all dubstep and its all fuckin gangsta.
endrant
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Ok then, here is some constructive feedback seeing as certain guys have taken comments to heart.
Also for the record I was listening to these beats that "make you want to shank your granny in a rave bleh bleh bleh bleh bleh bleh bleh bleh" when they were actually new and innovative. So please jam about I don't "understand" your music you pretentious child.
Big up all the man that were at Detonate when Rusko first came to Nottingham. You know who you are.
1. "Fuck Silence"
The drums in this do nothing. May as well not bother with them. Can't even hear your bassdrum. Did you do anything at all to your snare? Is there any Sub bass? Is there any bass even? All I hear is the sound of a brittle electric toothbrush whirring away in my ear. Use of cheesy vocal sample noted. Perhaps you could LP Filter that mid range noise to make it less harsh and maybe switch up your drums a little a work on the EQ'ing of your bassdrum.
2. "Until the kid comes"
Use of cheesy vocal sample again noted. The keys in this are actually decent but they don't really do anything new. Perhaps some reverb or delay on them would make them more eerie and fit that sluggish bassline better. The bassline is actually decent at the start and its a shame that such an abomination must follow. This just sounds like a rebore Caspa. Can't hear your BD or Hats. The midrange bassline is sucking all the energy out of everything else. A beat which began with some potential and slowly slitherd down the toilet bowl of bad music and into the drainage system of comically bad.
3. "Ginger pubes"
Again use of cheesy vocal sample. Big up Rusko, obviously a big influence on you. Perhaps you could listen to some other producers who use vocal samples from films to much better effect, check out Compound One. Well the mid range B-line isn't as jarring and the high sound is actually quite interesting. But the drums and repetitiveness of the beat let you down. Again I can't hear the BD and the snare is barely audible, are there any hats here? Perhaps you should make your drums a bit fatter to accompany the bassline.
4. "You can do it"
Interesting strings. A grime-ish feel. Mr. Wong-ish infact. Again..... why do you consistently use these mid-range bass sounds? Isn't there anything new you can do? Can't you experiment? For once I can hear the Bassdrum and its actually moving about! Nice! The hats too! The drums in this beat are much better, but your using the same boring snare sound. Switch it up man. Use of cheesy vocal sample again identified. Take out the mid range riff here and put in some pure sub bass or even a slightly distorted bassy sound like the old D1 tunes and you've got potential with this one.
5. "Dirt deep drilla"
This tune is abysmal.
6. "Stinky ferret"
Good intro. Crap mid-range sound again.
Ok, theres some constructive feedback. I don't know you as a person so I'm not hating you or sending for you. I don't like your music one bit and I explained my reasons why. I hope you can sleep better now. But hey, don't take my opinion for gospel, I'm by no means the best producer on this forum, infact I'm relativley new - I've only been producing for 3 years-ish. But I like to think that I have a good and wide ranging taste in music, this just isn't for me.
As breathe said, you guys make beats for raves. I no longer enjoy the types of rave that seem to be all the rage in notts ("GOT RUBBER CHICKEN MATE???") but I can imagine these tunes do alot, so keep doing your thing if it makes you happy.
Also for the record I was listening to these beats that "make you want to shank your granny in a rave bleh bleh bleh bleh bleh bleh bleh bleh" when they were actually new and innovative. So please jam about I don't "understand" your music you pretentious child.
Big up all the man that were at Detonate when Rusko first came to Nottingham. You know who you are.
1. "Fuck Silence"
The drums in this do nothing. May as well not bother with them. Can't even hear your bassdrum. Did you do anything at all to your snare? Is there any Sub bass? Is there any bass even? All I hear is the sound of a brittle electric toothbrush whirring away in my ear. Use of cheesy vocal sample noted. Perhaps you could LP Filter that mid range noise to make it less harsh and maybe switch up your drums a little a work on the EQ'ing of your bassdrum.
2. "Until the kid comes"
Use of cheesy vocal sample again noted. The keys in this are actually decent but they don't really do anything new. Perhaps some reverb or delay on them would make them more eerie and fit that sluggish bassline better. The bassline is actually decent at the start and its a shame that such an abomination must follow. This just sounds like a rebore Caspa. Can't hear your BD or Hats. The midrange bassline is sucking all the energy out of everything else. A beat which began with some potential and slowly slitherd down the toilet bowl of bad music and into the drainage system of comically bad.
3. "Ginger pubes"
Again use of cheesy vocal sample. Big up Rusko, obviously a big influence on you. Perhaps you could listen to some other producers who use vocal samples from films to much better effect, check out Compound One. Well the mid range B-line isn't as jarring and the high sound is actually quite interesting. But the drums and repetitiveness of the beat let you down. Again I can't hear the BD and the snare is barely audible, are there any hats here? Perhaps you should make your drums a bit fatter to accompany the bassline.
4. "You can do it"
Interesting strings. A grime-ish feel. Mr. Wong-ish infact. Again..... why do you consistently use these mid-range bass sounds? Isn't there anything new you can do? Can't you experiment? For once I can hear the Bassdrum and its actually moving about! Nice! The hats too! The drums in this beat are much better, but your using the same boring snare sound. Switch it up man. Use of cheesy vocal sample again identified. Take out the mid range riff here and put in some pure sub bass or even a slightly distorted bassy sound like the old D1 tunes and you've got potential with this one.
5. "Dirt deep drilla"
This tune is abysmal.
6. "Stinky ferret"
Good intro. Crap mid-range sound again.
Ok, theres some constructive feedback. I don't know you as a person so I'm not hating you or sending for you. I don't like your music one bit and I explained my reasons why. I hope you can sleep better now. But hey, don't take my opinion for gospel, I'm by no means the best producer on this forum, infact I'm relativley new - I've only been producing for 3 years-ish. But I like to think that I have a good and wide ranging taste in music, this just isn't for me.
As breathe said, you guys make beats for raves. I no longer enjoy the types of rave that seem to be all the rage in notts ("GOT RUBBER CHICKEN MATE???") but I can imagine these tunes do alot, so keep doing your thing if it makes you happy.
Hybrid House
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- neville bartos
- Posts: 382
- Joined: Mon Jun 09, 2008 2:59 pm
- Location: Elephant & Castle
Cookie Monster tunes made me smile. I like it when people push a sound.
Its like "funny dubstep" - not to listen to or anything, not sure why I like it, don't think I do, but it is worth listening to once. This is what out siders think dubstep is about.. How wrong.
Ginger Pubes is a good name for a tune though and the child ordering the alcohol is also amusing.
These tracks have to be the most noisy I have ever heard.
Its like "funny dubstep" - not to listen to or anything, not sure why I like it, don't think I do, but it is worth listening to once. This is what out siders think dubstep is about.. How wrong.
Ginger Pubes is a good name for a tune though and the child ordering the alcohol is also amusing.
These tracks have to be the most noisy I have ever heard.
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