heyy there are more geordies in this thread you knowClive wrote:You're from Newcastle so you're clearly not the target demographic.Hugh wrote:i know this isn't on topic but the daily mail is clearly retarded.
To get a fuller bass ?
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psychonaught
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GODDAMN ACOUSTIC PHYSICS HOLDIN ME BAAACK!!!!Clive wrote:I suppose you should listen to a Guardian Reader who'll tell you that you can put reverb, distortion etc on a sub because music is a limitless outlet of the artists vision and it shouldn't be shackled by the domineering, autocratic tyranny of musical rules and parameters that the right are trying to impose eh?twatty vagitis wrote:You read the Daily Mail and expect people to heed your opinion?Clive wrote:Sub should remain dry and completely mono. Whatever god awful distortowob on top may be processed to the nth degree like this mildly repulsive ham and cheese sandwich i regretfully bought from co-op to go with my Daily Mail.
Good luck with that.

chorus/detuning is one way to fatten up / liven up some bass.
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if you do want two or more bass layers and you want to use some filter automation or lfo on both, then link one lfo speed\filtre cutoff\whatever on the one synth to that same knob on the other synth. that way you can have two different sounds behaving in the same way, for unified distortowob+subbass!
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Listen to this man.Borg wrote:I split it 3 ways sometimes. you can get a 2 way split in a synth like massive, albino or blue.
1 sub layer.. no effects
1 mid range layer.. with effects
use more than one synth for more layers
I'm not saying anymore, work it out yourself it's not hard.
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