fair play dude, I like Sam's tunes but I wouldn't hear them if it wasn't for the Skull Disco label - I'm not big into the whole chuggy/minimal sound, so I'm not necessarily qualified to tell you whether it's much better/worse than similar things.hopper wrote:I disagree with all the things posted here. Shackleton's new stuff is quite far separate from what else is happening in the realm of dubby techno with the exception of the Hustler remix. I think his new stuff, especially the Mary Anne Hobbs mix is a huge step up from all of his previous work. These new songs especially are a complete new realm of his own, and I think it's a bit harsh to reduce it to dubby techno. The music still has as much in common with dubstep as it does techno in many ways.ThinKing wrote:tbh I don't really have an opinion on that - I like Shack's newer stuff alright, but I'm not mad about it, I preferred the frantic drum workouts of his older stuff, but that's irrelevant.
It's just interesting how history and context seem to influence people's tastes. Naturally I'm not talking about Joe for starting this thread though...
I think people should download his mix for Mary Anne Hobbs to hear how forward thinking Shack's new stuff is:
http://www.newmixes.com/mary_anne_hobbs ... -2008.html
It's just unbelievable, shivers down your spine music.
as for old/new stuff, he was playing out and writing tunes waay before he did his live shows - i've got old CDs of his from years back and it most definitely is quite removed from what he does now in tempo and style, if not in vibe.
Anyways, my point was that whilst Shack never wanted to be pigeonholed as 'dubstep', his music on the earlier Skull Disco releases, the plates on Scuba and Clandestine etc were far closer to dubstep in style and tempo than anything he does now - which is much slower for starters.
All I said was I'm interested in how Shack still gets a lot of love when his music is fairly removed from dubstep these days, and similar-sounding artists don't even get a mention.
Likewise, Headhunter has a 120bpm tune coming out soon on a techno label, and it's more techno than dubstep, but I'm sure it will garner more attention in dubstep circles than any similar techno tune by a non-dubstep producer...

