in fairness - it's not like mala probably makes a hell of a lot of cash on record sales... i don't know sales figures for dubstep (apart from that they're relatively strong for a niche dance music genre); i certainly don't think that mala is not releasing tunes regularly because he doesn't want to make money; if anything the punishing gig schedule he's got is
probably pretty much his main source of income.
if dubstep really wasn't all about the money he'd be sitting in the office rubberstamping promos all day and releasing tunes on time
but yeah, this is the very same thing that makes dnb a bit tedious sometimes - you just need to take a deep breath and remember that just because YOU are a daily consumer of dubstep news / media / radio shows / forums and know all the tunes before they've even got names yet and have mala in your myspaz friends list doesn't mean that everyone else is on the same tip.
i made a very conscious decision when i started buying dubstep to NOT follow it the way i follow drum and bass - i'm quite happy now to wait till a tune turns up on the distributors lists, hunt down a sound clip and get one of my two friendly local record shops to order it in for me, and then have an additional root around the other tunes in the dubstep section
couldn't care less who's playing what, and don't really bother with online radio - 9 times out of 10, unless we've booked a uk headliner, i'm not going to hear uber-ffresh dubplates out in the club; and i really don't care
also - new
releases sound as fresh to me on the day i order them than they would have had i been obsessively rewinding the clips on the deep medi myspace for the past 6 months
dubplate culture / slow releases are only a pain in the hole if you let them be.
if you have to whinge about the records you don't have than you can't be much cop with the records you have.