Computer Music - Guide to Dubstep - Oct 22nd

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Jak The lad
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Post by Jak The lad » Fri Oct 03, 2008 8:59 am

lazytechnician wrote:Is this actually out yet???

Had a quick flick through the october edition in smiths but didnt really see anything.
Its out october 22nd :)
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ABBmusic wrote:Am I missing something? is Skrillex too main stream for you guys?

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abs
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Post by abs » Sun Oct 05, 2008 5:36 pm

jagle wrote:Get ready for hundreds of shit Dubsteppers
there allready are hundreds of shit dubsteppers, just because they're doing something on dubstep doesn't mean the entire readerbase of cm is going to join the forum posting shitty tunes.

and anyway, it'll probably be incredibly generic and pointless, rubbish samples with advice on how to get 'that perfect wobble' or skank, or whatever.

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Jak The lad
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Post by Jak The lad » Fri Oct 17, 2008 4:24 pm

Got my copy of this today through the post. Looks pretty good. Got the standard ComputerMusic format of breaking down each part of the track. Got a little history of Dubstep too. Gonna delve into the samples this weekend and see what they're like.
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ABBmusic wrote:Am I missing something? is Skrillex too main stream for you guys?

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Jak The lad
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Post by Jak The lad » Sat Oct 18, 2008 11:26 am

just had a quick flick through and the forum gets a mention too lol.
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ABBmusic wrote:Am I missing something? is Skrillex too main stream for you guys?

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Post by silentk » Sun Oct 19, 2008 6:01 pm

as far as i could see there wasn't a single mention of the word wobble. most i could find was a small section called "Bass in the place" on page 32:

"Simply insert a low-pass filter over your bassline and automate its cutoff frequency. or use the built-in filter on your sampler, connecting the cutoff to and LFO and automating the LFO speed for some really crazy sounds."

all-in-all i think it was a good look into dubstep, didn't give to much away, no "This is how you make dubstep" more of a gentle push in the right direction. and it did keep mentioning that dubstep was all about breaking the mould and not following all the rules. i think it gave just enough away and if i read that not knowiong what dubstep was i would imediatly want to know more. +1 for CM.
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Post by ecliptic » Mon Oct 20, 2008 2:04 pm

Future music + Computer Music mags are made and marketed for 14-17 year olds

Get ready for the barrage of 14 year old reason users (not dissing reason, we all start somewhere) making tracks out of brick-a-brack and spilling their strawberry milk over their half wobble basslines. :D

I prefer SOS, it delves a bit deeper into this rabbit hole called music

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Jak The lad
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Post by Jak The lad » Mon Oct 20, 2008 2:33 pm

Ecliptic wrote:Future music + Computer Music mags are made and marketed for 14-17 year olds

Get ready for the barrage of 14 year old reason users (not dissing reason, we all start somewhere) making tracks out of brick-a-brack and spilling their strawberry milk over their half wobble basslines. :D

I prefer SOS, it delves a bit deeper into this rabbit hole called music
Yeh, think i'll suscribe to SOS, Computer music is good, but half the mag is reviews.
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ABBmusic wrote:Am I missing something? is Skrillex too main stream for you guys?

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ecliptic
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Post by ecliptic » Mon Oct 20, 2008 2:53 pm

Don't get me wrong, i have subscribed to Future Music + Computer Music in the past, but each issue covers the same stuff every month. They repeat articles dressed up differently

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Post by backwards man » Tue Oct 21, 2008 1:46 am

are we talking about the lfo's and envelopes edition.. evry time i buy the mag the disc doesn't work.. m i the only one who seems to get this problem all the time.. ah i give up.. back to the bible!!

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gravious
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Post by gravious » Tue Oct 21, 2008 6:03 pm

Image

I will stop posting this picture when it stops being true...

:wink:


Who knows though, this article might even be good?

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Post by filthydubz91 » Tue Oct 21, 2008 6:46 pm

gravious wrote:Image

I will stop posting this picture when it stops being true...
LOL haha
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Post by Disco Nutter » Tue Oct 21, 2008 6:46 pm

gravious wrote:Image

I will stop posting this picture when it stops being true...

:wink:


Who knows though, this article might even be good?
These don't add up correctly... there's something fishy going on!

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Post by von » Tue Oct 21, 2008 7:44 pm

gravious wrote:Image

I will stop posting this picture when it stops being true...

:wink:


Who knows though, this article might even be good?
I have to thank you for this, it increased my 'dubbityah' 10-fold
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Post by retinoise » Tue Oct 21, 2008 7:50 pm

Holy hell. I knew I was doing something wrong. Stupid kick was on 8.

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Post by Jubz » Tue Oct 21, 2008 11:53 pm

gravious wrote:Image

I will stop posting this picture when it stops being true...

:wink:


Who knows though, this article might even be good?
You will die first (I coming round now with my penknife).

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Post by sythec » Wed Nov 12, 2008 6:08 pm

darkmatterUK wrote:
TeReKeTe wrote:if this article leads to someone better-understanding the process of programming, who gets really excited, works for a year, and then starts making banging tunes that magically appear in my inbox-- then it's all good.

they did a thing on d&b recently, which raised an eyebrow... until i read the first interview w/ logistics, in which he discussed inspiration (on one hand), and some pretty involved reason programming (on the other).

computer music does this type of shit pretty well.

funny how no one was crying woe for the scene w/ the benga vid posted a few months ago. how is this intrisically different?

if it gives someone with inspiration and a voice to develop a better clue on how to develop-- excellent. if not, the world hasn't died under the weight of 1,000 same-sounding 140bpm wobblers, and it's not gonna with a few more.

out to everyone makin tunes!
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darkmatteruk
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Post by darkmatteruk » Wed Nov 12, 2008 6:45 pm

blimey, i totally forgot i even bought this issue, have only flicked through it so far

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Post by onelouder » Wed Nov 12, 2008 11:02 pm

I picked it up, it wasn't as gushy as I have come to expect from CM, and some of the samples weren't too bad tbh.
Still some clangers in there, but hey.... they didn't go overboard about wobble.

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Post by magma » Thu Nov 13, 2008 10:13 am

Haven't listened to the samples, but I thought the article made a decent job of a very hard task... they essentially gave some ideas for production techniques but said "Well, we can't really tell you much about your arrangement and sound as it's such a broad genre"... which is true. Dubstep's becoming almost a treatment rather than a genre... like you can Dubstep up stuff that sounds like it should be Techno, Hip Hop, DnB/Jungle, Dancehall, House etc etc...

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