
What stylistic tip is everyone on production-wise ATM ???
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I should have those samples for you by the end of the week at the latest FSTZ... you want a weird off-timey loop or something more straightforward? Ive got most of the sounds down, just want to add a few more random FX and flesh out the loop I have at the moment... you gots some sounds fo me yet doggie?FSTZ wrote:I'm on some headnod shit right now
thanks to the help of a couple of collaborators, it's a little bit different vibe for me
My production time ATM is split between getting my style down for straight up dancefloor bangers and figuring out how the hell Jamie Vex'd did the Twitch remix for Scuba. God damn I love that song. Really feeling that stretchy, unquantized-sounding-but-really-still-perfectly-on-time, squeetchy vibe tunes.
Also been thinking about how I can make tunes that sound like the Runnin and '93 remixes with a Dilla type workflow - and/or how to make a tune like that into a rolled out banger.
Essentially been thinking about producing a lot more than actually producing... which isnt such a bad thing IMO. I used to just turn Live on and hope something would happen. Now Im thinking through tunes a lot more and figuring out how to do the things I want before even sitting down at the computer so I have a more coheisive idea from the get.
I have a work schedule change going into effect on Monday which will give me far more time to produce, so hopefully will be turning these ideas into sound soon.

I've been through stages where i've been trying to find a signature sound, but actually, I've come out thinking that there's no point artificially searching for it, if you make music that's really 'you' then other people will recognise that sound. Your tunes might all sound different to you, but other people will be looking for similarities rather than differences.manray wrote:All over the place honestly. I've been trying to tailor my sound but I can't stay still for very long. My tracks come out different all the time. I think I'm going to give up soon and just be happy making the music.
All the big producers seem to have a certain sound that they stick too. How important do you think that is?
remember reading a loefah interview that said that he didn't really know what people meant by the 'loefah sound'...
Yeah I think it has to come naturally. For me music is something I enjoy doing and so when I make a track it's really only for myself... if that means my tunes are all different well that's all that matters.B-LAM wrote:I've been through stages where i've been trying to find a signature sound, but actually, I've come out thinking that there's no point artificially searching for it, if you make music that's really 'you' then other people will recognise that sound. Your tunes might all sound different to you, but other people will be looking for similarities rather than differences.
remember reading a loefah interview that said that he didn't really know what people meant by the 'loefah sound'...
Now that I've got a decent amount of the basics down and I can make stuff that doesn't sound completely gash, I've just started revisiting all of the music I've loved over the years (mainly a LOT of 90s hip hop at the moment) to try and pull out all the little influences that make things sound like "me".
It's even harder than learning all the techy shit, frankly!
It's even harder than learning all the techy shit, frankly!
This was actually how i used to go about my tunes, thinking - do all this shit later, all that happened was i'd have a whole song of shit sounds and i wouldnt be arsed fixing it. Now i try and do things bit by bit - I'll get my drum patterns right then fix up the sounds, then move on to the bass etc.Serox wrote:Do things as quick as possible and forget about spending ages trying to EQ and make things fit perfect.
Most of your tweaking is done continuously anyway I find.
Just another number in the chuckle demographic
NEW TUNES UP - SILETZ DUB & DEVILS KISS. 320'S FOR THE REQUEST MANDEM
http://www.myspace.com/miscreantuk
NEW TUNES UP - SILETZ DUB & DEVILS KISS. 320'S FOR THE REQUEST MANDEM
http://www.myspace.com/miscreantuk
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theme park music.
you know, C, G, C, G, C, G, C, G, C, G on the bassline
and ridiculous melodies over the top
i don't make a lot of dubstep. i like making silly music.
although, if you listen to 'backwards' on the flip of '9 samurai' its got a theme park music bassline...put it on 45 and it becomes a lot more apparant
you know, C, G, C, G, C, G, C, G, C, G on the bassline
and ridiculous melodies over the top
i don't make a lot of dubstep. i like making silly music.
although, if you listen to 'backwards' on the flip of '9 samurai' its got a theme park music bassline...put it on 45 and it becomes a lot more apparant
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DROKKR wrote:also, i've been writing lyrics for my vocalist... just wait until you hear this girls voice. doing lyrics is way harder than i thought it was going to be but really fun at the same time.
I'd love to hear this stuff when it's ready..
myxylpyx wrote:dam bro dats sick... off to the garden to eat some worms now.

At the moment been doing more musical stuff with fast pace, energy and oldskool sounding chords and leads.
All twisted and ever changing.
All twisted and ever changing.
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