Is Vinyl dying?
- dirt_mcgirk
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THIS ^Dubloke wrote: I need to be able to see the change in grooves on a record, be able to properly adjust the record with my hands etc. Hard to explain but VINYL FOR LIFE!!!!
its all about the tactility, vinyl just feels more natural to play with. when it comes down to it, i could care less what a dj uses as long as it sounds good it's all a matter of preference. but i feel that, especially in dubstep, there's still a strong base that spins vinyl and will keep the market going. it may be more expensive, but records are waaaay cooler to own than mp3's.
It's pretty easy to stop vinyl getting hot and scratched. You just dont put it anywhere hot. And keep it in its sleeve.Sinecure wrote:so true, unless the vinyl gets hot or scratched. Eventually, after a lot of use a vinyl gets pops and clicks too. I suppose every format has it's downfalls.gchrist wrote:A piece of vinyl as a hard copy of a song will long outlast a cdr or string of electrical data on a hard drive. If everything 'crashed' somehow, the vinyl will remain.
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- eshscramble
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I love to DJ with vinyl way more than CDs. As plenty of peeps have already said its just so much more tactile, and the sound is warmer too. However it aint half getting expensive! I went shopping for tunes today and was shocked to discover that pretty much ever single plate in BM Soho was £6.50 or £7+
With prices like that for a 2 track 12" its hardly surprising that a lot of people will rather fork out £1.20 for the 320 from Juno or wherever, save the extra cash for more tunes, and the bad back from lugging a massive bag of plates around. Plus you get the added bonus of not usually having to get the other tunes on the single unless you want to.
With prices like that for a 2 track 12" its hardly surprising that a lot of people will rather fork out £1.20 for the 320 from Juno or wherever, save the extra cash for more tunes, and the bad back from lugging a massive bag of plates around. Plus you get the added bonus of not usually having to get the other tunes on the single unless you want to.
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bassbeyondreason
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If the oil runs out we could always melt down all the 1000s of copies of The Sound of Music or similar crap that fills the backrooms of every charity shop in the country. Might not be such a bad idea tbh. A shit records amnesty in order to provide new vinyl for more worthy presses in the future!bassbeyondreason wrote:Vinyl will never die.
Even when the oil runs out and we're plunged into a new dark age, there'll still be someone in a cave playing a scratched copy of "I Feel Love" with their teeth.
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bassbeyondreason
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No!!!!! now go slap ya mum for even asking that 
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- dj $hy
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Vinyl will die. I was told dubplate's made for cutting in the UK are being supplied by just one company now... They bought out their competition so it isn't going to be long until that company is out of business! Add to that the simple, very simple fact that no one knows how to fix cutting lays(cant spell it!) means trouble! I've spoken to 3 different owners of cuttings houses who all use and only know one guy who fixes their lays! Ask next time you go cutting! He has no apprentice so what happens when he hangs up the old boots?
With regards to normal vinyl I seriously cant see it lasting either sadly due to the fact most people start on CD/MP3's now. Sales must be dropping and compared to the mighty days of UKG/DnB I'd say the motion is well set in place.
Very sad but just with anything in life nothing is forever and I think vinyl has lasted out a lot of competition over the last 10 years from other media's like CD, Serato and so on.
Long live vinyl!
With regards to normal vinyl I seriously cant see it lasting either sadly due to the fact most people start on CD/MP3's now. Sales must be dropping and compared to the mighty days of UKG/DnB I'd say the motion is well set in place.
Very sad but just with anything in life nothing is forever and I think vinyl has lasted out a lot of competition over the last 10 years from other media's like CD, Serato and so on.
Long live vinyl!
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bassbeyondreason
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When it comes to using Traktor Pro. It means having 1500+ tunes in a folder, searchable by genre, key, bpm and year instantly. Also having loop points on these tunes and cue points on some of them if thats your bag. Even better, having cue points for individual drums from tunes mapped to a pad controller to resequence tunes completely on the fly.sully.harmitage wrote:whats all this about other mediums being more 'convenient'. what does that really have to do with it?
You would need a forklift truck for your records and the memory of rainman to have all that memorised for that many 12"s.
Did I mention I bloody love Traktor Pro?
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