The death of Vinyl
The death of Vinyl
It's arriving in Dubstep soon.
From a label's perspective Vinyl makes more money.... but consumers are mainly after digital .wav or 320's to play with traktor, serato, ableton, ipod etc...
Who want's a room full of vinyl when you can do the same in a laptop, particularly if your lucky enough to be a traveling DJ.
But... like drum and bass... laptop dj's don't exist yet.
There will always be a niche market for vinyl... But digital sales will represent over 90% of Dubstep sales and over 90% of dubstep dj's will not be using vinyl in the next 5 years.
Dubstepz, looking into his crystal ball
From a label's perspective Vinyl makes more money.... but consumers are mainly after digital .wav or 320's to play with traktor, serato, ableton, ipod etc...
Who want's a room full of vinyl when you can do the same in a laptop, particularly if your lucky enough to be a traveling DJ.
But... like drum and bass... laptop dj's don't exist yet.
There will always be a niche market for vinyl... But digital sales will represent over 90% of Dubstep sales and over 90% of dubstep dj's will not be using vinyl in the next 5 years.
Dubstepz, looking into his crystal ball
Re: The death of Vinyl
Surely most labels would rather be purely digital from a financial point of view? Doing a run of vinyl is a risk in the current climate. If they don't all get sold and you at least break even then it's not worth it. Sticking some MP3s online costs next to nothing in comparison, and you've wasted very little or no money if they don't sell. I think labels continue to do vinyl because that is still what people want (I know I would prefer vinyl or CD to a download). There is no harm in doing both, but if consumers didn't want vinyl, labels wouldn't produce it would they? I agree with you that it will go mostly digital, but I would imagine the labels would push the idea as hard if not harder than the consumers.dubstepz wrote:From a label's perspective Vinyl makes more money.... but consumers are mainly after digital .wav or 320's to play with traktor, serato, ableton, ipod etc...
Re: The death of Vinyl
i would take a room full of vinyl over a laptop anydaydubstepz wrote:
Who want's a room full of vinyl when you can do the same in a laptop particularly if your lucky enough to be a traveling DJ.
Re: The death of Vinyl
Not true.teknotik wrote:Surely most labels would rather be purely digital from a financial point of view? Doing a run of vinyl is a risk in the current climate. If they don't all get sold and you at least break even then it's not worth it. Sticking some MP3s online costs next to nothing in comparison, and you've wasted very little or no money if they don't sell. I think labels continue to do vinyl because that is still what people want (I know I would prefer vinyl or CD to a download). There is no harm in doing both, but if consumers didn't want vinyl, labels wouldn't produce it would they? I agree with you that it will go mostly digital, but I would imagine the labels would push the idea as hard if not harder than the consumers.dubstepz wrote:From a label's perspective Vinyl makes more money.... but consumers are mainly after digital .wav or 320's to play with traktor, serato, ableton, ipod etc...
If you release digital only then it is much easier for people to share it via torrent'sp2p etc...
Also if you have an established fan base then you know you will sell over 1000 records and maker more on those than the digital equivalent (including distributors costs, online stores charges and loss of sales due to illegal file sharing)
There is a market for vinyl at the moment, because DJ's use vinyl and wanabe DJ's also use vinyl.
There is also alot of shit that goes vinyl only.
Re: The death of Vinyl
Why?Fixation wrote:i would take a room full of vinyl over a laptop anydaydubstepz wrote:
Who want's a room full of vinyl when you can do the same in a laptop particularly if your lucky enough to be a traveling DJ.
It's only because it is perceived that Vinyl is a cool thing to have in Dubstep/DnB culture.
Practically, both as a DJ and Consumer, laptop's make sense.
I bet more ''dance music'' purchases are made through beatport than any other retailer.
Why?
Because it has been accepted in nearly every other electronic music scene.
Re: The death of Vinyl
It's easy enough for people to rip vinyl to an MP3 and share it and it happens to most new vinyl releases, but I take your point.dubstepz wrote:If you release digital only then it is much easier for people to share it via torrent'sp2p etc...
Also if you have an established fan base then you know you will sell over 1000 records and maker more on those than the digital equivalent (including distributors costs, online stores charges and loss of sales due to illegal file sharing)
It's OK for the big labels with an already established fan base to keep doing vinyl, but the smaller or newer labels are going to find it increasingly more difficult to get to that stage aren't they? There are huge costs involved in pressing a run of vinyl and if you're just starting out and having to establish yourself I can't see how the costs would be justified. Especially if, as you say, the consumer doesn't even want vinyl anymore.
I'm just playing devil's advocate, by the way. I honestly prefer piles of CDs and records everywhere. It feels like a collection and that's important to me. It won't be the same when I'm forced to have all my music in a folder on a computer. Irrational, but there you go!
Re: The death of Vinyl
I totally understand where your coming from man.teknotik wrote:It's easy enough for people to rip vinyl to an MP3 and share it and it happens to most new vinyl releases, but I take your point.dubstepz wrote:If you release digital only then it is much easier for people to share it via torrent'sp2p etc...
Also if you have an established fan base then you know you will sell over 1000 records and maker more on those than the digital equivalent (including distributors costs, online stores charges and loss of sales due to illegal file sharing)
It's OK for the big labels with an already established fan base to keep doing vinyl, but the smaller or newer labels are going to find it increasingly more difficult to get to that stage aren't they? There are huge costs involved in pressing a run of vinyl and if you're just starting out and having to establish yourself I can't see how the costs would be justified. Especially if, as you say, the consumer doesn't even want vinyl anymore.
I'm just playing devil's advocate, by the way. I honestly prefer piles of CDs and records everywhere. It feels like a collection and that's important to me. It won't be the same when I'm forced to have all my music in a folder on a computer. Irrational, but there you go!
Im some way's you OWN something instead of a file on your computer.
But that is not how I look at it personally, I do understand why some people do though.
Ok if you are an independent dubstep label/artist doing a digital only release then you are not going to have anywhere near as big a market as you would on vinyl.
This is because of ''Vinyl Culture''.
In Techno or House you will sell a load of digital. Not in dubstep though because everybody want's to play out vinyl.
This needs to change for the good and development of the scene, making alot of underground stuff easily accessible and having lower overheads as an indie label.
Re: The death of Vinyl
uncompressed analog > compressed digitaldubstepz wrote:
Why?
It's only because it is perceived that Vinyl is a cool thing to have in Dubstep/DnB culture.
Practically, both as a DJ and Consumer, laptop's make sense.
I bet more ''dance music'' purchases are made through beatport than any other retailer.
Why?
Because it has been accepted in nearly every other electronic music scene.
end of story.
cant you hear the difference from a 320 to vinyl or CD quality track?
unless people are pressing from 320's,
Re: The death of Vinyl
.wav's sound better than vinyl in my opinion. A Vinyl press is a .wav that has been drawn in vibrations.kani wrote:uncompressed analog > compressed digitaldubstepz wrote:
Why?
It's only because it is perceived that Vinyl is a cool thing to have in Dubstep/DnB culture.
Practically, both as a DJ and Consumer, laptop's make sense.
I bet more ''dance music'' purchases are made through beatport than any other retailer.
Why?
Because it has been accepted in nearly every other electronic music scene.
end of story.
cant you hear the difference from a 320 to vinyl or CD quality track?
unless people are pressing from 320's,
You get a .wav directly from the mastering studio and then put that onto vinyl normally, adding another process to it all and technically a properly mastered .wav will sound more analogue than any vinyl, minus the imperfections that come with vinyl.
Wav's do cost more than 320's though.
In a club you will struggle to here the difference between a 320 and vinyl unless you are a real audio geek like me. Beatport offer almost every dubstep track as a .wav.
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boogiemeister
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To me it was always about the whole package. A record or a CD are more than just a collection of songs. The artwork should go hand in hand with the music and I also like to "physically" have the music in my hands. Files have no real value to me. The music itself is the same but a physical release makes your music stand out imo, it gives your music more identity imo. Of course there are physical releases that suck ass as there are digital only releases that are great but that's always been the case with demo bands and signed artists etc. When digital releases will be taking over it means to me that people don't really care about music anymore.
Last edited by boogiemeister on Fri Jan 02, 2009 8:47 pm, edited 2 times in total.
Re: The death of Vinyl
i think most people given an A/B with vinyl/320 could tell the difference, but out at the club with no reference, your probably right.dubstepz wrote:
.wav's sound better than vinyl in my opinion. A Vinyl press is a .wav that has been drawn in vibrations.
You get a .wav directly from the mastering studio and then put that onto vinyl normally, adding another process to it all and technically a properly mastered .wav will sound more analogue than any vinyl, minus the imperfections that come with vinyl.
Wav's do cost more than 320's though.
In a club you will struggle to here the difference between a 320 and vinyl unless you are a real audio geek like me. Beatport offer almost every dubstep track as a .wav.
your equation for a WAV does have mastering for vinyl as part of the QC for the matter, i think less people would bother with sending out for mastering if digital was the end product.
This is a good pont.boogs wrote: When digital releases will be taking over it means to me that people don't really care about music anymore.
You hear Mala, Scream etc talking about focusing more and making things better if you are going to go through the trouble and cost of getting it pressed.
You do also loose some quality control in a digital world.
BUT... the consumer/fan/DJ can decide what they like and don't like and can never have too many options.
Shit will always be shit and heavy music will always be heavy music. It doesn't matter how it was released.

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