REASON 4.0 HELP BEGINER
Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
REASON 4.0 HELP BEGINER
Ive just started using reason 4.0 and im using the Redrum Computer My Beats are coming along well its just ive gone from frutyloops to reason so basically bout 2 days practice on reason figured out few things but what i cant seem to set and effect to one swav sample like snare for instance the effect i use covers my whole beat but i just want it covering the snare anyone know how to do this beginner question i no probley something very easy and help people cheers
Slug
Slug
- darkmatteruk
- Posts: 2684
- Joined: Thu Apr 24, 2008 2:55 am
-
- Posts: 1737
- Joined: Wed Aug 27, 2008 11:56 pm
- Location: http://www.scmastering.com , maac at subvertmastering dot com
- Contact:
Wash your hands afterwardsdarkmatterUK wrote:when you select the effect device, hold shit as you select it

www.scmastering.com / email: macc at subvertmastering dot com
Macc wrote:Wash your hands afterwardsdarkmatterUK wrote:when you select the effect device, hold shit as you select it
AHAHAHAHAHA
didnt even clock that
jackmaster wrote:you went in with this mix.
Soundcloud.onelove. wrote:There needs to be a DZA app on iPhone just for id'ing old Grime tracks.
http://soundcloud.com/keepitgully http://www.mixcloud.com/slevarance/
- futures_untold
- Posts: 4429
- Joined: Thu Dec 13, 2007 9:25 pm
- Location: London
- Contact:
There are loads of ways of setting up sends in Reason, but the easiest for Redrum is probably this --->

I like to have all my devices in individual Combinators, thus having the ability to mix sends per device using a line mixer.
In this example, I've routed the send to a mixer channel so I have the option to pan it as well as control it's volume...
On the front of the Redrum, you will need to turn up the 'S1' control on the channel you wish to 'send'.



I like to have all my devices in individual Combinators, thus having the ability to mix sends per device using a line mixer.
In this example, I've routed the send to a mixer channel so I have the option to pan it as well as control it's volume...

On the front of the Redrum, you will need to turn up the 'S1' control on the channel you wish to 'send'.


- futures_untold
- Posts: 4429
- Joined: Thu Dec 13, 2007 9:25 pm
- Location: London
- Contact:
Here is how you could build an advanced drum machine combinator...
Create a Combinator
Within the Combi, create devices in the following order:

Now wire up the outputs of each device as follows --->
(Line mixer ---> ECF 42 filter ---> Mclass EQ ---> Mclass Compressor ---> Combi 'From Devices')

This is where things get more complicated. We're going to create an effects bus for our kick drums.
Create a new:

Connect the output of channels 1-3 into the inputs of channels 1-3 on Line Mixer 2.
Things should look like this --->

We now have channels 1-3 on the Redrum going to their own effects bus where they can hqave reverb (or any other effect) applied as a send, and where they can be collectively EQ'd and compressed. We could also stick some other effects as an insert before the MClass EQ/Compressor to beef things up a bit.
Here is a complete picture of the Combi when all the Redrum channels are connected to busses.


Finally, tie the filter cutoff on the ECF 42 Filter to the Combi front panel controls.

As you can imagine, there are plenty of possibilities with the flexible routing and busses available! (Even if the wiring looks messy behind lol)
Have fun!
Create a Combinator
Within the Combi, create devices in the following order:
- an Mclass Compressor
Mclass EQ
ECF 42 Filter
Line Mixer 6:2
Redrum Drum Computer

Now wire up the outputs of each device as follows --->
(Line mixer ---> ECF 42 filter ---> Mclass EQ ---> Mclass Compressor ---> Combi 'From Devices')

This is where things get more complicated. We're going to create an effects bus for our kick drums.
Create a new:
- Line mixer
RV7000 Reverb
Mclass EQ
Mclass Compressor

- Wire the output of Line Mixer 2 into the input on the Mclass EQ.
Wire the output of the Mclass EQ into the input of the Mclass Compressor.
Wire the output of the Mclass Compressor into 'Input 1' on the original Line Mixer (Line Mixer 1)
Wire the 'Send' output on Line Mixer 2 into the RV7000 Reverb.
Wire the Output of the RV7000 Reverb into 'Input 6' on Line Mixer 2.
Connect the output of channels 1-3 into the inputs of channels 1-3 on Line Mixer 2.
Things should look like this --->

We now have channels 1-3 on the Redrum going to their own effects bus where they can hqave reverb (or any other effect) applied as a send, and where they can be collectively EQ'd and compressed. We could also stick some other effects as an insert before the MClass EQ/Compressor to beef things up a bit.
Here is a complete picture of the Combi when all the Redrum channels are connected to busses.


Finally, tie the filter cutoff on the ECF 42 Filter to the Combi front panel controls.

As you can imagine, there are plenty of possibilities with the flexible routing and busses available! (Even if the wiring looks messy behind lol)
Have fun!

- darkmatteruk
- Posts: 2684
- Joined: Thu Apr 24, 2008 2:55 am
-
- Posts: 2
- Joined: Sun Aug 09, 2009 11:03 am
yo
i make things bit easyer and effective as well.
i put redrum into combinator and then ill choose for every snare, hi hat, BD ETC. Mclass EQ, Scream 4, (Sometimes) RV 7000, (Sometimes) DDL -1 delay for hi hats only, Compressor for snares.
Much easyer to route and master every sound.
And i usually use 2 redrums diffrent sound bank and Dr. Rex for some rex loops (whitch i reorganize) it
makes drums more powerful
(sry for my bad inglish)
i put redrum into combinator and then ill choose for every snare, hi hat, BD ETC. Mclass EQ, Scream 4, (Sometimes) RV 7000, (Sometimes) DDL -1 delay for hi hats only, Compressor for snares.
Much easyer to route and master every sound.
And i usually use 2 redrums diffrent sound bank and Dr. Rex for some rex loops (whitch i reorganize) it
makes drums more powerful

(sry for my bad inglish)
lMoRiGaMi wrote:Anyone remember which button you press to make the wires visually disappear? Did it by mistake one night and never figured out what it was!
jackmaster wrote:you went in with this mix.
Soundcloud.onelove. wrote:There needs to be a DZA app on iPhone just for id'ing old Grime tracks.
http://soundcloud.com/keepitgully http://www.mixcloud.com/slevarance/
Open a new session
create a mixer with a reverb, a delay and a distortion running out of it as auxiliaries.
create a redrum and take the individual outputs of each channel into the mixer as individual channels, adding eq's along the line as you need them.
then save this whole setup as a combinator patch called "drum starter" or something like that that youll remember every time you use it.
take the stereo out of the mixer into the input of the combinator, and the output of the combinator to the hardware interface/second mixer.
create a mixer with a reverb, a delay and a distortion running out of it as auxiliaries.
create a redrum and take the individual outputs of each channel into the mixer as individual channels, adding eq's along the line as you need them.
then save this whole setup as a combinator patch called "drum starter" or something like that that youll remember every time you use it.
take the stereo out of the mixer into the input of the combinator, and the output of the combinator to the hardware interface/second mixer.
Re: REASON 4.0 HELP BEGINER
Really appreciate this post, double upz!


Re: REASON 4.0 HELP BEGINER
lol @ the wires.
Re: REASON 4.0 HELP BEGINER
**posting to remind myself to check this thread out again**



DJ WOLVERINE DUBSTEP MIX MAY 2010 - DOWNLOAD HERE:
Soundcloud
Twitter - http://twitter.com/iambyron1
AIM - djwolverinedub
Soundcloud
Twitter - http://twitter.com/iambyron1
AIM - djwolverinedub
- christthetiger
- Posts: 854
- Joined: Thu Apr 12, 2007 2:48 am
- Location: NEPA
Re: REASON 4.0 HELP BEGINER
Wolverine wrote:**posting to remind myself to check this thread out again**
![]()
eh emm.. me too!

Autopilot on Sub FM, Sundays @ 10pm EST
abstractsound wrote:random "bro" turns to me, 30 minutes into shack's set. "it hasn't really dropped yet, has it?" Out to shackleton for sailing one over their heads.
Re: REASON 4.0 HELP BEGINER
!christthetiger wrote:Wolverine wrote:**posting to remind myself to check this thread out again**
![]()
eh emm.. me too!
Re: yo
suhkruvatt wrote:(sry for my bad inglish)

-
- Posts: 2
- Joined: Tue Dec 21, 2010 1:33 am
Re: REASON 4.0 HELP BEGINER
Cheers for those ways of drum processing. I use a quick little method that is quite simple, but I've made some good punchy beats this way.
Load up a combinator.
-Line 6 mixer
-A Redrum computer
-A audio splitter and an seperate EQ and compresser for the kick, snare, hats, rides and crashes (or what ever drum hits you would like to process.)
When you create the EQs and compressors hold shift so nothing connects at the back and route accordingly. And up to each seperate channel in the mixer.
So... shoulda be like this.
Combi
line 6 mixer
drum comp
splitter
EQ
compressor
(and any effects you wish to used on each drum just under the compresser.)
hope this could be a bit of help! my first time postin a technique, sorry if its not explained clearly enough
Load up a combinator.
-Line 6 mixer
-A Redrum computer
-A audio splitter and an seperate EQ and compresser for the kick, snare, hats, rides and crashes (or what ever drum hits you would like to process.)
When you create the EQs and compressors hold shift so nothing connects at the back and route accordingly. And up to each seperate channel in the mixer.
So... shoulda be like this.
Combi
line 6 mixer
drum comp
splitter
EQ
compressor
(and any effects you wish to used on each drum just under the compresser.)
hope this could be a bit of help! my first time postin a technique, sorry if its not explained clearly enough
- sprayyypaint
- Posts: 117
- Joined: Wed Nov 17, 2010 9:22 am
- Location: Northern Cali
- Contact:
Re: REASON 4.0 HELP BEGINER
WonKyDubstep wrote:Cheers for those ways of drum processing. I use a quick little method that is quite simple, but I've made some good punchy beats this way.
Load up a combinator.
-Line 6 mixer
-A Redrum computer
-A audio splitter and an seperate EQ and compresser for the kick, snare, hats, rides and crashes (or what ever drum hits you would like to process.)
When you create the EQs and compressors hold shift so nothing connects at the back and route accordingly. And up to each seperate channel in the mixer.
So... shoulda be like this.
Combi
line 6 mixer
drum comp
splitter
EQ
compressor
(and any effects you wish to used on each drum just under the compresser.)
hope this could be a bit of help! my first time postin a technique, sorry if its not explained clearly enough
this! great way to layer sounds without taking up to many channels in the 6 ch. mixer.
/ /( @ Y @ )\ \
Who is online
Users browsing this forum: No registered users and 0 guests