superflyhighrise wrote:The censorship, or the co-operation of artists to unite against hate lyrics, in music is one that appears to be continually distorted by other aspects of an artists repertoir. such as their image and demeanor. For example, before sizzla and buju began singing batty bang bang etc a similar arguement escalated in america concerning hip hop for it's offensive lyrics. If one were to compare country and hip hop they are equally as violent and disturbing. Both contain images of violence, domestic and brawlsome, sexual etc, however, the majority of people who attacked these obscene lyrics did not remeber the lyrics of their country fotrefathers, of which there was no real difference, so in some ways they were protecting part of their own culture and attacking another not just because of the lyrics but also because of the delivery, and also the media vehicles which delivered pictures of african americans, which at the time they were scarred of,
you get my point, allow it or be absolute in your judgment and non prejudicial
superflyhighrise wrote:maybe you didn't quite understand the relevance i was drawing between country music hip hop. The idea was that prejudice was the prevailing instinct when it came to criticising hip hop music, when they failed to notice the violent nature of their own music and culture. I tried to find a site which cited some examples but this is the best i can find for now; http://creativefolk.com/abusesongs.html
It's just a comment on how familiarity can distort ones prejudices and expose them as a manicured reaction to something distant. For example, homosexuality is still illegal in Jamaica, therfore if it is a crime do they have the right to cuss against it in songs, and is it intolerant for us to criticise a world view which is wide spread in their culture, (more than not). It comes down to context, and although i don't like graphic images which massacre someones intentions in love and attraction, i can understand why someone would say it. But to incite violence against a group of people, which is akin to what others groups have done to jamaicans say, is hypocritical but also reflective of an international process of communication between cultures after colonialisation. Like everything in the world its all about education, take one of our educational forefathers, shakespeare, all that was was fucking and fighting
Hmmm...funny...stanton wrote:I see, I didn't quite get the point you were making at first. I agree with you, the argument is equally as valid when inverted which goes some way to proving the notion that its all about context. I do however find myself almost completely intolerant of homophobic lyrical content. Songs inciting homophobic violence are completely out of context in themselves when played in our largely tolerant society as much as Pansy Division songs may be in themselves out of context if they were played in a Jamaican dancehall. So, as much as I can understand why someone might sing such lyrics, and understand the reasons behind it, the cultural artefacts they produce that then cross or transcend cultural boundaries raise different issues. We could of course have a quick 101 on cultural theory and international relations every time a Sizzla track go played on radio one though, just so people understood the context but I think it might disrupt the mix somewhat.
Shakespere was all about Death and Becoming weren't he?
Honestly,everyone in this world is intolerant of something.Political leanings,economic status,religion,race,culture....Echo Wanderer wrote: Most people seem to think Reggae music is all about Bob Marley,one love,and smoking herbs.Reggae music is the musical equivalent of Southern Gospel music.And the true defenders of the Rasatfari faith have a very hard stance on the issue of homosexuality.Should society jail every Rastafarian for thier religious beliefs?I mean...it's already bad enough it is outlawed for them to indulge in thier holy sacrament of the Lamb's Bread,now the spiritual music can also be punishable by law?I sure don't hear anyone trying to ban or arrest Propaghandi,New Bomb Turks,and Pansy Division from saying what they have to say,even though some of it has very anti-hetero messages behind it.
But even when rap/hiphop first came on the scene,gays tore it apart as being homophobic and "un-PC".Countless acts had to change thier lyrics,were sued,publicly reprimanded,and/or dropped from thier labels because of this.Gays aren't exactly accepted in the American black community either,for both religious and cultural reasons.Yet,walk through the Castro District of San Francisco(what most Rastafarians see as "America's Babylon"),and most of the clubs are spinning hiphop.Why is that?If it's so very anti-gay,then why play it?Because the DJ's know how to choose what doesn't offend them.
I always have hated the word "tolerance".It's gives a person freedom to "opt-out".There are loads of people in San Francisco who "tolerate" gays,but that doesn't mean they would accept them into thier house.Tolerating someone is just a way to somehow prove that you are a "crusader for humanity".It's like the whole"I have one black friend" thing.You might not give them a noose for a Xmas present,but chances are he's the only "one" you'll deal with on the day to day.
Tolerance is not acceptance.Intolerance is not necessarily hatred.
Acceptance is the key.Acceptance means being completely void of any reason to dislike any individual or general group.And that's what it is really - groups against groups.You can change the minds of individuals,reason with an individual,but a group is a collective mind,and that's where the strength in thier belief lies.The larger the group,the stronger the intolerance and hatred.Then other groups come along and push their own intolerance and hate on that group.And so on and so on.It's unfortunate,yes,but it's part of the human condition.
Back in the 80s,Tipper Gore created the PMRC and forced record companies to either force entertainers to change the lyrics,bleep,scratch,or delete profanity out of hardcopied media.They also enforced a law stating that all majors had to put a "Parental Advisory" sticker on any major release.So because of a few mothers and feminist groups,a lot of artists,from rock to rap,had to stifle thier creativity or toss it all together.The corporate music machine has been around for a long time,but until that point,artists still had a little creative freedom.Now commissions exist for video games,which like music,is being censored.Just because there is a ton of gratuitous violence,doesn't mean you are going to out and be a one man San Andreas.
A person doesn't incite violence.People do.


