OGLemon wrote:The only dubstep producers I rate anymore are Goth-Trad, Commodo, Mala, Coki, and VIVEK.
I was never the biggest dmz fan in the first place tbh. liked their stuff a lot but them and deep medi was not my favourite dubstep 'collective' always preferred the hessle, punch drunk, applepips, hotflush sounds. when they all stopped making dubstep i stopped bothering to keep up with the rest of the dubstep sound really apart from the odd silkie and quest bit.
Haven't bought a new dubstep record since objekt 001
https://www.mixcloud.com/joseph-jackson/spring-mix-2015/ Think you're big boy cos you got a beard
Bullets will make your face look weird
Yeah this. They're alright, don't particularly offend me, but people go crazy for them. Loved how they tried to keep up the mystery around them, when it was obvs Synkro & Indigo, even after they were on Boiler Room.
I thought the Akkord album was alright, nothing too exciting. First listen was cool then it went downhill after multiple listens. It was well produced, and a little too polished for my tastes, but I guess that's what a lot of people dig about them.
Never really found Synkro all that interesting except for a few bits here and there, but Indigo has made some great stuff. His latest EP on Samurai is pretty cool, for example.
pete bubonic wrote:Anchorman 1/2 should just be renamed 'catchphrases for retards' and be done with it. Everyone knows what they're buying into then.
tbf, it's not the fault of the film, just the fans. Even comedy that strays as far away from catchphrases as possible will get catchphrased when they become popular enough (classic case, The Inbetweeners).
still listenin to futuregarage then? i should introduce you to ehbes.
Laszlo wrote:and yay, upon imparting his knowledge to his fellow Ninjas, Nevalo spoke wisely that when aggrieved by a woman thou shalt put it in her bum.
