D+ wrote:keep it simple
Random Production Tips Thread™
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'high pass everything'
'sub volume thread'
i still dont know how to use compressors properly though
'sub volume thread'
i still dont know how to use compressors properly though
POND LIFE - various dirty halfstep sounds a la Watford/Southsea
http://www.myspace.com/pondlifemusic
proud member of GET HYPE COLLECTIVE
http://gethypecollective.blogspot.com/
Forthcoming releases on Code of Arms Records, New York
http://www.coa-records.com/
http://www.myspace.com/pondlifemusic
proud member of GET HYPE COLLECTIVE
http://gethypecollective.blogspot.com/
Forthcoming releases on Code of Arms Records, New York
http://www.coa-records.com/
i take my hat off to you sir if you can do thatfutures_untold wrote:Eat healthy food, maintain a regular sleep pattern & get outside occassionally for fresh air, real sunlight and excersise.......
The quality of any music produced will improve simply because you will be in a better frame of mind as you make it.
my sleeping pattern is fucked for example got to sleep at 7am this morning.
eating is bad....my mum rekons im really under weight to what i should be.
Listen don't look! Thats something I only figured out quite recently, If you stare at the sequencer when you play things back you don't hear everything as clearly as if your staring into space or have your eyes closed.grow wrote:Well it is a just a statement. But coupled with the second one "Listen don't look" I stand by the statement. If less is less you will hear it.
Where's this sub volume thread? I have been having mad trouble with my subs since I started out. Can never seem to tell how loud it should be. I think I'd find it a bit easier if I had monitors but I have shitty hi-fi speakers (with a shitty hi-fi sub) an I think the EQ on the hi-fi system messes with my mixdowns etc. (I actually can turn it off but then you cant hear the sub *at all* cos its so shit *sigh*)
yep, 3 main ones for me:
1. practise practise practise. it's been said earlier on but there really are no shortcuts. write tunes, finish tunes, start new tunes, keep doing that and after a year or 2 you should be getting somewhere. there are no quick fixes or magic tips!
2. sort out your room/monitors. it'll improve your mixdowns more than any book, plugin or tip ever will.
3. what does the tune NEED to do? practise being able to listen to the tune dispassionately, and write it accordingly - be ruthless, you have to be able to delete any part of it if it doesn't fit, even if that's your favourite bit or was the original idea in the first place. you'll be biased because you wrote it - but just because you wrote it doesn't mean it's good!

1. practise practise practise. it's been said earlier on but there really are no shortcuts. write tunes, finish tunes, start new tunes, keep doing that and after a year or 2 you should be getting somewhere. there are no quick fixes or magic tips!
2. sort out your room/monitors. it'll improve your mixdowns more than any book, plugin or tip ever will.
3. what does the tune NEED to do? practise being able to listen to the tune dispassionately, and write it accordingly - be ruthless, you have to be able to delete any part of it if it doesn't fit, even if that's your favourite bit or was the original idea in the first place. you'll be biased because you wrote it - but just because you wrote it doesn't mean it's good!
Hate to say it bro but your going to have to invest in some monitors. Your fartin in the wind without knowing the sound of your studio and how it translates in stock stereo systems, laptop speakers, surround sound systems etc. Your going to end up wasting enough cds to pay for em anywayparavrais wrote:Listen don't look! Thats something I only figured out quite recently, If you stare at the sequencer when you play things back you don't hear everything as clearly as if your staring into space or have your eyes closed.grow wrote:Well it is a just a statement. But coupled with the second one "Listen don't look" I stand by the statement. If less is less you will hear it.
Where's this sub volume thread? I have been having mad trouble with my subs since I started out. Can never seem to tell how loud it should be. I think I'd find it a bit easier if I had monitors but I have shitty hi-fi speakers (with a shitty hi-fi sub) an I think the EQ on the hi-fi system messes with my mixdowns etc. (I actually can turn it off but then you cant hear the sub *at all* cos its so shit *sigh*)
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macc
- Posts: 1737
- Joined: Wed Aug 27, 2008 11:56 pm
- Location: http://www.scmastering.com , maac at subvertmastering dot com
- Contact:
This, not written by but attributed to Thelonious Monk.
It essentially sums up everything and way more that I thought I'd learned about being a musician and part of a scene and so on, better than I could ever have expressed it.

It essentially sums up everything and way more that I thought I'd learned about being a musician and part of a scene and so on, better than I could ever have expressed it.

www.scmastering.com / email: macc at subvertmastering dot com
^^^^^ So dope... thank you for posting that Macc
One little tidbit I have... from Parson, something I read in and interview with him...
Dont be afraid to turn the sequencer off and listen to the tune in your head. Sometimes you need to hear where it needs to go without listening to it.
Too often I have the loop running for so long that any change I make to it begins to sound 'wrong'. Its good to shut it off once in a while and remember where you were going with a tune and not let the sequencer write it for you.
One little tidbit I have... from Parson, something I read in and interview with him...
Dont be afraid to turn the sequencer off and listen to the tune in your head. Sometimes you need to hear where it needs to go without listening to it.
Too often I have the loop running for so long that any change I make to it begins to sound 'wrong'. Its good to shut it off once in a while and remember where you were going with a tune and not let the sequencer write it for you.
Yeah, at the moment I've been playing my tunes anywhere I go I can hook my Ipod up or go on the internet to see how the levels sound on other things to try and get them right. I really really want some monitors but A: at the moment I have no job >_> and B: I need to invest in some decks firstgrow wrote:Hate to say it bro but your going to have to invest in some monitors. Your fartin in the wind without knowing the sound of your studio and how it translates in stock stereo systems, laptop speakers, surround sound systems etc. Your going to end up wasting enough cds to pay for em anywayparavrais wrote:Listen don't look! Thats something I only figured out quite recently, If you stare at the sequencer when you play things back you don't hear everything as clearly as if your staring into space or have your eyes closed.grow wrote:Well it is a just a statement. But coupled with the second one "Listen don't look" I stand by the statement. If less is less you will hear it.
Where's this sub volume thread? I have been having mad trouble with my subs since I started out. Can never seem to tell how loud it should be. I think I'd find it a bit easier if I had monitors but I have shitty hi-fi speakers (with a shitty hi-fi sub) an I think the EQ on the hi-fi system messes with my mixdowns etc. (I actually can turn it off but then you cant hear the sub *at all* cos its so shit *sigh*)
-
macc
- Posts: 1737
- Joined: Wed Aug 27, 2008 11:56 pm
- Location: http://www.scmastering.com , maac at subvertmastering dot com
- Contact:
Yeah man, absolutely A feckin MEN to that.kidlogic wrote:^^^^^ So dope... thank you for posting that Macc
One little tidbit I have... from Parson, something I read in and interview with him...
Dont be afraid to turn the sequencer off and listen to the tune in your head. Sometimes you need to hear where it needs to go without listening to it.
Too often I have the loop running for so long that any change I make to it begins to sound 'wrong'. Its good to shut it off once in a while and remember where you were going with a tune and not let the sequencer write it for you.
In a similar way it's the ideas that you have away from the sequencer, those little things that pop into your head and have you scrabbling for a pen or a dictaphone or ANYTHING to write it down, that often make the best and most heartfelt music. Certainly true of a lot of things I have written.
www.scmastering.com / email: macc at subvertmastering dot com
Why is it you NEVER can find a pen fast enough in those moments?Macc wrote:Yeah man, absolutely A feckin MEN to that.kidlogic wrote:^^^^^ So dope... thank you for posting that Macc
One little tidbit I have... from Parson, something I read in and interview with him...
Dont be afraid to turn the sequencer off and listen to the tune in your head. Sometimes you need to hear where it needs to go without listening to it.
Too often I have the loop running for so long that any change I make to it begins to sound 'wrong'. Its good to shut it off once in a while and remember where you were going with a tune and not let the sequencer write it for you.
In a similar way it's the ideas that you have away from the sequencer, those little things that pop into your head and have you scrabbling for a pen or a dictaphone or ANYTHING to write it down, that often make the best and most heartfelt music. Certainly true of a lot of things I have written.
man that was a really good piece of advice especially #3. you are SOO true with that hit it right on the nail for me anyways. i'll get so jazzed up about my own shit because im making what I like you know...it sounds sweet to me but i'll listen to it a week later and try and really listen to it from an outside perspective and i'll realize parts really dont fit. thanks for that tip though you really reminded me i need to do that it's really easy to get lost in my own musicsetspeed wrote:yep, 3 main ones for me:
1. practise practise practise. it's been said earlier on but there really are no shortcuts. write tunes, finish tunes, start new tunes, keep doing that and after a year or 2 you should be getting somewhere. there are no quick fixes or magic tips!
2. sort out your room/monitors. it'll improve your mixdowns more than any book, plugin or tip ever will.
3. what does the tune NEED to do? practise being able to listen to the tune dispassionately, and write it accordingly - be ruthless, you have to be able to delete any part of it if it doesn't fit, even if that's your favourite bit or was the original idea in the first place. you'll be biased because you wrote it - but just because you wrote it doesn't mean it's good!
I fail at all of thosefutures_untold wrote:Eat healthy food, maintain a regular sleep pattern & get outside occassionally for fresh air, real sunlight and excersise.....
jackmaster wrote:you went in with this mix.
Soundcloud.onelove. wrote:There needs to be a DZA app on iPhone just for id'ing old Grime tracks.
http://soundcloud.com/keepitgully http://www.mixcloud.com/slevarance/
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