Alex bk-bk wrote:its a tricky one but i dont think the issue should be rejected out of hand
of course not but the presentation (in broad sweeping generalisations without appropriate accompanyment) isnt exactly conducive to a decent discussion...
And like pretty much every fucking musical form of the last 100 years the reality is: black working class innovate and originate, and then later white middle class 'refine' and water-down.
is this really the case? if you take garage as an example, which was spawned of disco and house in the US, its my understanding that that was very much a multicultural thing...and as a slight tangent, i'd be suprised if the godfathers wouldve been into such divisive statements. and then if you look at the way its developed, many of the primary innovators who were responsible for some of the key developments are white... todd edwards and dem 2 being obvious examples.
the point is its just ridiculous to present the idea in such generalised terms. it inevitably provokes poor debate, and when boiled down is little better than those making bigoted statements on the other side of the fence.
i think theres probably much more fertile ground looking at ideas about reactions against movements or trends away from music...i.e. social conflicts, oppression, poverty, cultural exclusion, or less fundamental things like a dominant scene which rejects the path someone wants to blaze...