Ahhh yes, coming back to the DSF and finding many of the same arguments happening.
Everyone should just remember that the large majority of our communicative ability is lost when all we're doing is typing short responses to each other. It's really easy to perceive a slight against you or to assume someone is calling you out when really they're probably just not reading their message over and over and trying to see all the different ways it can be interpreted.
It looks like you guys all have useful and interesting shit to add to this thread, I appreciate that you're trying to work out some personal issues but is it chill if we move on to sound design again?
I'd love to hear what you guys have to say about designing growls.
On the convolution technique to create growls, its not really convolution reverb, rather I create a custom impulse sample using a sample from a reese or a growl or something and use that instead. Then I'll split multiband then run each band into a different impulse and then compress it together.
I takes a lot of practice to get the sound right though,
azuk wrote:On the convolution technique to create growls, its not really convolution reverb, rather I create a custom impulse sample using a sample from a reese or a growl or something and use that instead. Then I'll split multiband then run each band into a different impulse and then compress it together.
I takes a lot of practice to get the sound right though,
So you're using an impulse response of a growl, on a bass, to give it the growl sound?
azuk wrote:On the convolution technique to create growls, its not really convolution reverb, rather I create a custom impulse sample using a sample from a reese or a growl or something and use that instead. Then I'll split multiband then run each band into a different impulse and then compress it together.
I takes a lot of practice to get the sound right though,
So you're using an impulse response of a growl, on a bass, to give it the growl sound?
Not really, I'm using samples of basses on a growl in order to accentuate the vowels.
azuk wrote:On the convolution technique to create growls, its not really convolution reverb, rather I create a custom impulse sample using a sample from a reese or a growl or something and use that instead. Then I'll split multiband then run each band into a different impulse and then compress it together.
I takes a lot of practice to get the sound right though,
So you're using an impulse response of a growl, on a bass, to give it the growl sound?
Not really, I'm using samples of basses on a growl in order to accentuate the vowels.
That's pretty interesting, I'll have to try that out.
azuk wrote:On the convolution technique to create growls, its not really convolution reverb, rather I create a custom impulse sample using a sample from a reese or a growl or something and use that instead. Then I'll split multiband then run each band into a different impulse and then compress it together.
I takes a lot of practice to get the sound right though,
So you're using an impulse response of a growl, on a bass, to give it the growl sound?
Not really, I'm using samples of basses on a growl in order to accentuate the vowels.
That's pretty interesting, I'll have to try that out.
I can hit you up with some of the samples that I've tried that work, but the samples are dependent on the source sound, they might not work as well
azuk wrote:On the convolution technique to create growls, its not really convolution reverb, rather I create a custom impulse sample using a sample from a reese or a growl or something and use that instead. Then I'll split multiband then run each band into a different impulse and then compress it together.
I takes a lot of practice to get the sound right though,
Dude ill have to honest with you, i had no idea what you were talking about... Spent awhile looking on the convolution subject and its a pretty interesting subject and nice sound of reverb to your sounds. Im in ableton and max for live has it on the essentials. Im not quite sure how you would throw in another bass as a inpulse for a growl? To me it sort of feels like vocoding, i tried using a bass in one of my growls and i didnt really hear much a difference.
This dude demonstrates it a bit, for adding some reverb for snares.
Check out my youtube videos and Soundcloud
https://r3b_official.toneden.io/# Soundcloud
azuk wrote:On the convolution technique to create growls, its not really convolution reverb, rather I create a custom impulse sample using a sample from a reese or a growl or something and use that instead. Then I'll split multiband then run each band into a different impulse and then compress it together.
I takes a lot of practice to get the sound right though,
Dude ill have to honest with you, i had no idea what you were talking about... Spent awhile looking on the convolution subject and its a pretty interesting subject and nice sound of reverb to your sounds. Im in ableton and max for live has it on the essentials. Im not quite sure how you would throw in another bass as a inpulse for a growl? To me it sort of feels like vocoding, i tried using a bass in one of my growls and i didnt really hear much a difference.
This dude demonstrates it a bit, for adding some reverb for snares.
I'm not using it as a reverb though, its something i figured out recently so you might not find out about the technique on the internet. The best way for you to figure it out is to experiment.
azuk wrote:On the convolution technique to create growls, its not really convolution reverb, rather I create a custom impulse sample using a sample from a reese or a growl or something and use that instead. Then I'll split multiband then run each band into a different impulse and then compress it together.
I takes a lot of practice to get the sound right though,
Dude ill have to honest with you, i had no idea what you were talking about... Spent awhile looking on the convolution subject and its a pretty interesting subject and nice sound of reverb to your sounds. Im in ableton and max for live has it on the essentials. Im not quite sure how you would throw in another bass as a inpulse for a growl? To me it sort of feels like vocoding, i tried using a bass in one of my growls and i didnt really hear much a difference.
This dude demonstrates it a bit, for adding some reverb for snares.
I'm not using it as a reverb though, its something i figured out recently so you might not find out about the technique on the internet. The best way for you to figure it out is to experiment.
Yeah, I'm liking how this sounds but I think I don't understand it very well... Did you explain it more in depth somewhere yet?
These growls are the closet I can get. The kick sound during the growl is some reasmaling crap went wrong.
Whats the point? This is obviously sampled from SMANS. You can even hear the high pitched noise at the end of the sample where you forgot to cut it. In the other one, you can hear the triplet kick. Lol, what a joke. It's funny how the rest of your growls sound completely amateur then you come up with these acting as if you didn't sample it. Im not even sure if you are being serious.
It's also funny how no one realized these are cuts from SMANS.
These growls are the closet I can get. The kick sound during the growl is some reasmaling crap went wrong.
Whats the point? This is obviously sampled from SMANS. You can even hear the high pitched noise at the end of the sample where you forgot to cut it. In the other one, you can hear the triplet kick. Lol, what a joke. It's funny how the rest of your growls sound completely amateur then you come up with these acting as if you didn't sample it. Im not even sure if you are being serious.
It's also funny how no one realized these are cuts from SMANS.
I never thought he claimed to make them, thought he meant he sampled them
aka blinkesko Soundcloud Jesus Loves Electro - Burning Love (Augment remix)
These growls are the closet I can get. The kick sound during the growl is some reasmaling crap went wrong.
Whats the point? This is obviously sampled from SMANS. You can even hear the high pitched noise at the end of the sample where you forgot to cut it. In the other one, you can hear the triplet kick. Lol, what a joke. It's funny how the rest of your growls sound completely amateur then you come up with these acting as if you didn't sample it. Im not even sure if you are being serious.
It's also funny how no one realized these are cuts from SMANS.
What if these growls are cut from his own remake of smans? I'm almost 100% sure he didn't sample it.
The high pitched noise comes after the snare hit anyway so if it were sampled you would hear the snare first but there's no snare...
WolfCryOfficial wrote:Have fun on your musical campaign to hell.
These growls are the closet I can get. The kick sound during the growl is some reasmaling crap went wrong.
Whats the point? This is obviously sampled from SMANS. You can even hear the high pitched noise at the end of the sample where you forgot to cut it. In the other one, you can hear the triplet kick. Lol, what a joke. It's funny how the rest of your growls sound completely amateur then you come up with these acting as if you didn't sample it. Im not even sure if you are being serious.
It's also funny how no one realized these are cuts from SMANS.
What if these growls are cut from his own remake of smans? I'm almost 100% sure he didn't sample it.
The high pitched noise comes after the snare hit anyway so if it were sampled you would hear the snare first but there's no snare...
Okay this is going to cause another huge argument, so lets avoid that.
I discovered something last night. Do you guys ever have issue getting your growls to have more vowel character and less sloshy watery lifelessness?
Well last night i was playing in patcher, and i made a feedback loop in my routing, on the vocalizing parameters in the patcher, and i got some extremely heavy vowel stuff, that didn't sound like cheesy. It was dope! So just a tip
WolfCryOfficial wrote:
Okay this is going to cause another huge argument, so lets avoid that.
I discovered something last night. Do you guys ever have issue getting your growls to have more vowel character and less sloshy watery lifelessness?
Well last night i was playing in patcher, and i made a feedback loop in my routing, on the vocalizing parameters in the patcher, and i got some extremely heavy vowel stuff, that didn't sound like cheesy. It was dope! So just a tip
WolfCryOfficial wrote:
Okay this is going to cause another huge argument, so lets avoid that.
I discovered something last night. Do you guys ever have issue getting your growls to have more vowel character and less sloshy watery lifelessness?
Well last night i was playing in patcher, and i made a feedback loop in my routing, on the vocalizing parameters in the patcher, and i got some extremely heavy vowel stuff, that didn't sound like cheesy. It was dope! So just a tip
These growls are the closet I can get. The kick sound during the growl is some reasmaling crap went wrong.
Whats the point? This is obviously sampled from SMANS. You can even hear the high pitched noise at the end of the sample where you forgot to cut it. In the other one, you can hear the triplet kick. Lol, what a joke. It's funny how the rest of your growls sound completely amateur then you come up with these acting as if you didn't sample it. Im not even sure if you are being serious.
It's also funny how no one realized these are cuts from SMANS.
What if these growls are cut from his own remake of smans? I'm almost 100% sure he didn't sample it.
The high pitched noise comes after the snare hit anyway so if it were sampled you would hear the snare first but there's no snare...
It IS the SMANS growl, this is not even debatable. He is never going to post the preset for that growl and the presets for the effects he used for a reason: because it's the SMANS growl sampled.
